Animal Photography

Untitled (Dove) from the series Animals is a black and white Silver Gelatin print by Giacomo Brunelli, in this size of 8" x 10" in a limited edition of 10. This is a limited edition...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

Limited Edition of 5 Two young elephants playing together and hug each other with their trunks. Joachim Schmeisser is represented by leading Galler...

Penny Lane (Chicks and Chicks and sometimes Cocks) - 2017 20x24cm, Edition of 10. Archival C-Print, based on a Polaroid. Artist inventory 21327B. Signature...

Dugong (Stay), from Ryan Gosling's memory sequence - 2006, 57x70cm, Edition 3/5, analog C-Print, printed by the artist on Fuji Archive Crystal Paper, based on a Polaroid. Certific...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

"Untitled 44" In this award-winning image, a young Suri boy carries a goat. It's a familiar scene in the Omo Valley and his tribe relies on livestock so he must take part in the car...

Archival inkjet print Signed, titled, dated, and numbered on label, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: In his ...

"Immersion" ⁠Through this minimalist, underwater environment, you can completely immerse yourself in the beauty of the horse’s form with no distractions to take away from the subjec...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Golden Tabby Tiger' is a stunning C-Type print by contemporary British photog...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Courtship' is a stunning C-Type print by contemporary British photographer Ti...

An observing black dog is captured against a yellow and red Coca-Cola sign in Guaymas, Mexico. Shot in 1970, Mitchell Funk was innovating in color photography, which is what many col...

"Creature Comfort" Young lion relaxing in the grass and looking at the camera Exceptional Creatures is a limited edition print series documenting the most extraordinary animals roa...

Edition of 7 Signed on front or on an adhesive label This iconic Lion is called "Morani". He's one of the very famous "Musketeer" Coalition in the Masai Mara National Reserve. Joac...

The American Dream abandoned in surburbia perhaps…. on the outskirts of its cities the reality of life can be both beautiful and harsh. – Cawston’s eye for colour, structure and the...

Edition 5 in format 70x70 cm Photograph on Hahnemuhle Paper ; Digigraphie technology , Limited edition, 70x70 cm + 5 cm white margin, Signed on the front. The photo will be sent with...

"Cachalote Fluke" Dominica, 2018 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition o...

'Time stands Still' (Chicks and Chicks and sometimes Cocks) - 2017 Edition 4/10, 20x20cm, Digital C-Print, Based on a Polaroid. Certificate and signature label, Not mounted, Artist inventory 20216.04. Permanent collection Bombay Beach Biennale. The 'Chicks and Chicks' series is part of my Desert Living Project, which encompasses all aspects of organic living including growing your own organic food, self sustainability and regarding the beauty and personality of farm animals and their welfare in an endeavor to connect human needs back to the sources of living. The full circle of Industrialization returns to the homestead. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2017 BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Kunstverein Bad Homburg Artlantis, Bad Homburg (G)

 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S) 
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog) 
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
 Heather's Dream, Short, German Competition Short Film Festival Oberhausen 
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
 The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth, Philip-Lorca diCorcia, Charles and Ray Eames, Robert Mapplethorpe, Lisa Oppenheim, Andy Warhol and others, (catalog)
 Road Atlas - Straßenfotografie, DZ Bank Collection: Kunsthalle Erfurt (Spring), Art Foyer DZ Bank, Frankfurt/Main, (G) with Helen Levitt, Pieter Hugo, Nobuyoshi Araki, Pietro Donzelli, and others (catalog)  
2012
 Stranger Than Paradise, Christian Hohmenn Fine Art, Palms Desert, (S)
 Stefanie Schneider, Gallery at Cliff Lede Vineyards, Napa Valley, CA, (S)
 Bienale Art Auction 2012, Museum of Contemporary Art San Diego, (G), with Ai Weiwei, John Baldessari, Christo, Ed Ruscha, Christopher Russell... MUSES, Galerie Catherine et André Hug, Paris, France (G) 
Polaroid (IM)POSSIBLE - THE WESTLICHT COLLECTION, NRW Forum Kultur und Wirtschaft, Düsseldorf (G), (catalog)
 Road Atlas - Straßenfotografie, DZ Bank Collection: Kunstmuseum Dieselkraftwerk, Cottbus, (G), (catalog), 
Studio Scholorship, Centro Cultural Andratx, Mallorca, May 2012
 Selling Sex, ShowStudio Gallery, London (G) with Cortney Andrews, Una Burke, Liz Cohen, Inge Jacobsen, and others
 Stranger Than Paradise, Scott White Contemporary, San Diego, (S) 

2011 
Kunst zu verlosen !  // Art to raffle off !, KW Institute for Contemporary Art, (G) with Monica Bonvicini, Tim Eitel...

The Dancer (Stay), 2006, 37x36cm, Edition of 2/5, Lambda Print, based on a Stefanie Schneider expired Polaroid photograph Certificate and Signature label artist Inventory Nr. 5315.10...

The Protector Photo by Markus Klinko Limited Estate Edition C Print Produced from the original transparency Certificate of authenticity supplied Paper size 20×24 inches/ 51 x 61...

Jack Point, Australia, 1999 - 20x29cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

A piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...

Edition of 5 more sizes on request This majestic bull comes out of the marsh in Amboseli National Park in Kenya. His name is Primo and he's one of the oldest bulls in the Amboseli E...

This piece is offered framed. The frame size is 23 1/2 x 30 1/2 inches (59.7 x 77.5 cm); the image image size is 20 3/4 x 27 3/4 inches (52.7 x 70.5 cm) Edition of 7 "Benchwork"...

Real Crocodile skull from Papua New Guinea shot in 2017 in black and white. ALEXANDER PALACIOS is a young high talented photographer. It is the mixt...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

Edition of 15 More sizes on request Portrait of a beautiful and majestic male Lion. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are among the ...

Artioli captures beauty through his camera, creating artistic, painterly images by intentionally moving the camera during long exposures. These images represent "the impression" of a...

Racing At Baden Baden 1978 by Slim Aarons Slim Aarons Limited Estate Edition Spectators dine in the open air as the horses go by at Baden Baden racecourse, Germany, September 1978...

Edition of 12 More sizes on request Portrait of the male lion Orbanoti in Masai Mara, Kenya. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are a...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

Edition 10 More sizes on request. Tim was the biggest elephant bull in Amboseli Ecosystem in Kenya. He was one of the last really big tuskers in Africa. His tusks were so long that ...

Edition 10 More sizes on request The Matriarch guides her elephant family to the waterhole in Amboseli Ecosystem. Joachim Schmeisser is represented by leading Galleries worldwide. ...

Edition of 5 Available in different sizes This iconic elephant Primo, was with his 50 years one of the last remaining big boys in Africa with huge tusks. After several days followi...

"Watusi in Profile" Portrait of an ancient breed of cattle with sky high towering horns In these scenes of life from South Sudan, experience the surreal, roving camps of the Mundar...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

This is part of a series Richard shot in Kong Kong in 2013 where he wanted his photographs to be metaphors for the layered, dense living in the City, which is perfectly captured here...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. "Cheetah Who Shops" is a stylish black-and-wh...

Archival pigment print (Edition of 50) Signed and numbered, verso 20 x 16 inches, sheet From the series, "Shelter Dogs" This photograph is offered by ClampArt, located in New York ...

"Pure Joy" Silver Bank, Dominican Republic - 2015 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 × 60 in / Edition of 6 - $10,500 50 x 75 ...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

"The Lookout" A mother polar bear rests while her cub curiously looks out from behind her. The limited edition print series Northern Dreams is a tribute to one of the most spectac...

"Equilibrium" Bird in mid-flight with a minimal off-white backdrop. The limited edition print series Northern Dreams is a tribute to one of the most spectacular places Drew has eve...

"Reverence" Minke whale surfaces momentarily against sea ice in very still, reflective water. The limited edition print series Northern Dreams is a tribute to one of the most spect...

"Surface" A Minke whale surfaces for a moment with a minimal backdrop of fog and still water. The limited edition print series Northern Dreams is a tribute to one of the most spec...

Joachim Schmeisser "Tim - Guardian of Eden" Kenya 2019 Edition of 3 + 2 AP 4 Handmade Platinum Palladium Prints Signed, titled and numbered Sheet size 76 x 112 cm / 30 x 44.1 inch T...

Joachim Schmeisser "Portrait of Primo" Kenya 2017 Edition of 3 + 2 AP 4 Handmade Platinum Palladium Prints Signed, titled and numbered Sheet size 76 x 112 cm / 30 x 44.1 inch Total ...

Joachim Schmeisser "Bull with two Birds" Kenya 2017 Edition of 3 + 2 AP 6 Handmade Platinum Palladium Prints Signed, titled and numbered Sheet size 76 x 56 cm / 30 x 22 inch Total i...

Christopher Makos, American Photographer b. 1948. Tattooed Man Holding Cat, ca 1970. Signed in red pencil on verso. Size 8.25 x 10 inches. Unframed and unmounted. This example was...

Joachim Schmeisser "Tim - Eye to Eye" Kenya 2019 Edition of 3 + 2 AP 4 Handmade Platinum Palladium Prints Signed, titled and numbered Sheet size 76 x 112 cm / 30 x 44.1 inch Total i...

ABOUT THIS ARTIST: Erin Summer is an artist and graphic designer from Toronto, Canada. Her passion is creating colourful and whimsical images that communicate visual optimism, regard...

A brown bear stands in the middle of a creek in Katmai National Park, Alaska. Each year, brown bears descend on a remote part of the Alaskan wilderness in record numbers, gathering ...

Joachim Schmeisser "Tim - Preserver of Peace", Kenya 2019 Edition of 3 + 2 AP 4 Handmade Platinum Palladium Prints Signed, titled and numbered Sheet size 56 x 76 cm / 22 x 30 inch T...

Edition 10 More sizes on request Two orphaned elephant babies playing and cuddling together in Tsavo East National Park. Born in Germany in 1958, Joachim Schmeisser is best known f...

Historical Photo - Horses is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families, and...

Duke Of Beaufort Hunt Gloucestershire England 1985 by Homer Sykes oversize 60 x 40 inches / 151 x 101 cm paper size signed limited edition print edition of 5 only this size printed 2022 Certificate of authenticity provided Note Other sizes available Fox hunting, the Duke of Beaufort hunt. In his black silk top hat, and wearing the traditional distinctive Blue and Buff, the colours of the Duke of Beaufort Hunt, a subscribers walks his horse back across the Badminton Park. Huntsmen and Whippers-In wear green. Badminton, Gloucestershire, England circa December 1985. Homer Sykes Sykes's father, Homer Warwick Sykes, was a Canadian-born American of English extraction who worked for the China National Aviation Corporation in Shanghai; his mother, Helen Grimmitt, was Canadian-born and raised in Hong Kong. The couple were married in August 1947, but in June 1948, in an early stage of his wife's pregnancy, Homer was killed in an accident at Lunghua airfield. Helen returned to her family home in Vancouver, and the son was born three weeks later, in 1949.[1][2] When the boy's mother remarried in 1954, the family moved to England.[3] Homer was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP),[1][3] while sharing a house in St John's Wood.[4] In the summer vacation during his first year, he went to New York, and was impressed by the work of current photographers – Cartier-Bresson, Davidson, Friedlander, Frank, Uzzle and Winogrand – that he saw at the Museum of Modern Art.[3] Solo exhibitions "Traditional British Calendar Customs", Arnolfini Gallery (Bristol), 1977;[14] Side Gallery (Newcastle), 31 August – 25 September 1977.[15] "Shanghai Odyssey", Open Eye Gallery (Liverpool), 24 May – 20 June 2003.[14][16] Festival of Photography and Contemporary Art (Biella), 2005.[14] "On the Road Again", Hereford Town Hall (Hereford Photography Festival), 2002.[17] "Green Man and Friends, photographs from the 1970s", WPS (Hastings), 2009.[18] "England 1970–1980", Maison de la photographie Robert Doisneau (Gentilly, Paris), 27 June – 12 October 2014.[10][11][19][20] "My Britain 1970–1980", Les Douches la Galerie, Paris. 5 September – 31 October 2015.[21][22][23] "Once a Year – Homer Sykes", Lucy Bell Gallery, St Leonards-on-Sea, May–June 2021[24] Other exhibitions "Personal Views 1850–1970", British Council touring exhibition, 1970.[3] "Traditional Country Customs" (with work by Benjamin Stone), ICA (London), 1971.[3][14] "Young British Photographers", Museum of Modern Art (Oxford), 1971.[14] Exhibition of photographs by Stone and Sykes of festivals, customs and pageants, Southampton and Birmingham, 1973.[7] "Reportage Fotografen", Museum des 20. Jahrhunderts (Vienna), 1978.[14] "Il Regno Unito si diverte". British Council, Milan, 1981. With Chris Steele-Perkins and Patrick Ward.[25] "The Other Britain", National Theatre (London), and touring in Britain, 1982.[26] "A British Eye on the World", Museum of Modern Art (Rio de Janeiro), 1986.[14] "Viva, une agence photographique", Jeu de Paume (Paris), 2007.[27][28] "How We Are: Photographing Britain." Tate Britain (London), 2007.[29][30] "No Such Thing as Society: Photography in Britain 1968–1987", Aberystwyth Arts Centre; Tullie House (Carlisle); Ujazdów Castle (Warsaw).[31] "Unpopular culture." De La Warr Pavilion (Bexhill), 2008.[32] "The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010.[26] "Goodbye London: Radical art and politics in the seventies", Neue Gesellschaft für Bildende Kunst (Berlin), 26 June – 15 August 2010. With Stuart Brisley, Victor Burgin, David Hall, Margaret Harrison, Derek Jarman...

Edition of 10 More sizes on request Two orphaned baby elephants from The David Sheldrick Wildlife Trust cuddling each other in Tsavo East National Park, Kenya. Born in Germany in 1...