Animal Photography

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

David Burdeny Elephant Mother and Calf, Amboseli, 2020 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Hungary - Manipulated photography. As the country where Wei Xiang has lived for more than 30 years, Hungary has become a continuous source of inspiration for the artist. Evocative la...

Pentti Sammallahti Untitled (Horses Kissing) 1979 Gelatin Silver print

Edition of 25 Signed, dated and numbered. Paper size: 16 x 12 in., Images size 9/ 1/4 x 7 1/4 in. Chema Madoz is one of the most important contemporary Spanish photographers, who is...

NICK BRANDT (*1966, England) Lion Before Storm II, Maasai Mara, 2006 Platinum Print Sheet 71.1 x 91.4 cm (28 x 36 in.) Edition of 15 plus AP's (from sold out edition) Print only Ni...

'Palm Springs Riders' A group of riders among Washingtonia palms in Andreas Canyon, Palm Springs, southern California, January 1970. 40 x 30" inches /...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Bob Tabor is a well-established, New York based, photographer best known for his exquisite large scaled portraits of subjects ranging from horses to seascapes. It is his unique appro...

Boy with Calf, 1996 by Jean-Michell Voge, is a contemporary color print 19" x 13" of a nomadic tribal child from the Surma tribe, painted from head to toe, posing with a calf with mu...

Edition of 20, signed by artist This is a special image for me; in part because it is such a low percentage capture and in part because its dynamism extols the wild nature of mustan...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Pete Kelly finds his inspiration in nature and the landscape. Specifically focusing on, "The reclamation by nature of urban settings", Kelly finds a particularly strong aesthetic and...

Scar Flower, 2009 40 x 60 in (102 x 152 cm) Archival Platine Print Edition of 7 The photographer Los Angeles–based photographer Michael Muller has circled the globe shooting c...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

SPECTACULAR Snowy owls are excellent hunters, relying on patience and the element of surprise to capture prey. They can wait on perches for hours waiting for prey before ambushing th...

NICK BRANDT (*1966, England) Lioness with Cub in Mouth, Amboseli 2012 Platinum print Sheet 71,12 x 88,9 cm (28 x 35 in.) Edition of 15, plus AP's; Ed. no. 2/15 print only Nick Brandt is a contemporary English photographer. His work focuses on the disappearing natural world. Since 2001, he has photographed the changing African continent and established a style of portrait photography of animals in the wild. – Photography, Documentary Photography, Animal, Africa, Wildlife, Nature, Lion Baby...

Signed and numbered on label, verso Archival pigment print Please note that prices increase as editions sell. This artwork is offered by ClampArt, located in New York City.

Erica Kelly Martin is an artist and photographer, based in Los Angeles, whose work centers on recurring themes of identity, transformation, and the paradox of human existence, conden...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Archival pigment print (Edition of 50) Signed and numbered, verso 20 x 16 inches, sheet From the series, "Shelter Dogs" This photograph is offered by ClampArt, located in New York ...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Listing is for FRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produce...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Sandersonia Dragonfly Butterfly X-Ray Photography Lambda Print on Dibond Nature - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...

Bird Print - Still Life Black and White Photographic Print Framed Pia Clodi’s works have a beautiful way of breathing life into the everyday. Taking moments from throughout her life...

Ed. 1/7, signed on the recto, includes black frame. Guadalupe Laiz is an international artist, photographer and explorer born and raised in Argentina. Guadalupe’s main focus for the past ten years has been an extensive body of work capturing the beauty and uniqueness of the indigenous horses of Iceland, a country that has touched her deeply and continues to visit. Her work “Horses of Iceland” has been shown in exhibitions all over the world. This photograph is from her newest series "Among the Living." For this body of work, Laiz traveled across the African continent for six years, visiting Kenya, Namibia, Tanzania, Batswana, Rwanda, and Uganda. Forgoing comfort often for months at a time, she returned with intimate portraits of the charismatic and fierce, yet vulnerable and endangered animals she encountered. It is impossible to look at one of her photographs and not feel her subject’s innate individuality. As part of her artistic process, she spends time with each animal up close in its natural habitat, gets to know...

Ma’ah British Columbia, Canada, 2011 24 × 36 in / 61 × 91.4 cm / Edition of 20 - $3,500 31 × 46.5 in / 78.7 × 118.1 cm / Edition of 15 40 × 60 in / 101.6 × 152.4 cm / Edition of 10 ...

Wet photogram with ferric ammonium citrate, potassium ferricyanide, and suspended watercolor pigment (Unique) This piece is offered by ClampArt, located in New York City. Brian Buc...

"Trinity" Everything about Sable Island - it's wild landscape and its wild horses - come together in this iconic photograph. Representative of the unparalleled, untamed essence o...

Francois' Animalia series is described as “a photographic menagerie of startling, sensitive portraits.” The series started when the artist saw a giraffe poking its head over a fence ...

Edition of 35 Signed, titled, dated and numbered. Paper size: 20 x 16 in., Image size: 15 x 15 in. Keith Carter is an American photographer who is known for his dreamlike black and ...

Edition of 6 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated, and print type in pencil on print verso. Paper size: 31 x 36 in. Image: 24 x 30 in...

Edition of 7 "Benchwork" is part of Wegman's artistic exploration of photography and staged scenes. The artwork is representative of Wegman's distinctive approach to photography, wh...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 48 x 72 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Zack Seckler's series, “Botswana,” is comprised of a series of exquisite aerial photographs taken in the Kalahari basin in south central Africa between 2009 and 2010. The body of work offers a quite different and almost magical view of the much-photographed and iconic landscape. In order to be able to capture these breathtaking images, Seckler enlisted the services of an expert pilot who flew a small, ultra-lightweight aircraft at low altitudes under 500 feet. Zack Seckler was born in Boston, and studied psychology at Syracuse University. Then, traveling solo with a point-and-shoot camera in northern India, his mind opened to the visual world. Upon returning to Syracuse, he took coursework in photography at the renowned Newhouse School. With an internship in a Hong Kong photo...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

"Epic portrait of a beautiful, dark Friesian horse with a flowing mane Black and white portrait of a Friesian horse against a white background This powerful global series explores...

"Memories and Thunder" Kenya, 2025 Available sizes: 20 x 30 in / Edition of 6 - $4,500 32 x 48 in / Edition of 6 - $8,500 40 x 60 in / Edition of 6 - $16,500 50 x 75 in / Edition of...

"Tembo King" Kenya, 2025 Available sizes: 20 x 30 in / Edition of 6 - $4,500 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6 - $15,5...

This stunning, finely framed photograph captures the majestic presence of a goat standing atop a rugged rock, its thick fur gently flowing in the breeze. The image, taken on the beau...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Silver gelatin print Edition 8/20 Provenance: General Electric Corporate Collection Heather James Fine Art

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

'Bernardini' (March 23, 2003 – July 30, 2021) was a champion American Thoroughbred racehorse who won the 2006 Preakness Stakes and Travers Stakes. Series: Studio Portraits, 'Bernardini', 2009 by John Reardon...

William Wegman (b. 1943) is an American photographer celebrated for his whimsical images of his beloved Weimaraner dogs. This photograph is from Wegman's "Improved Photographs" seri...

Ethereal portrait of a leopard on a unique rock formation Leopard on top of a rock formation looking out over the territory beyond the frame Exceptional Creatures is a limited edit...

"Why", running horse reflected in still water. Edition of 30.

"Ethereal Friesian horse running with his mane flowing behind him Fashion-inspired black and white image of a Friesian horse against an off-white backdrop with a flowing mane This ...

I visualized this shot so many times in my head before coming here, over and over again. A big tusker walking towards me with Kilimanjaro in the back. Piece of cake, right? Well, it ...

2015, pigment print, mounted: 30 x 24 inches, edition of 7 Edition of 7 "Figured Base" is part of Wegman's artistic exploration of photography and staged scenes. The artwork is rep...

In this series, Zilberberg creates animal montages as an expression of self-therapy, drawing attention to mindfulness and nature conservation. As an urbanite, functioning day-to-day ...

"Noble Light" A white Icelandic horse framed against geometric black volcanic rock The landscape of Iceland was as much an inspiration as the native hors...

Paulo Behar Available sizes: 27 x 41 inches - Edition of 9 40 x 60 inches - Edition of 7 47 x 71 inches - Edition of 5 Archival Pigment Print - Unframed

Cape Cross, 2009 by John Reardon Archival Pigment Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece is part of (after) Whistlejacket - Contemporar...

Anna Archinger Perfect Drawing (Equestrian Photography, Horse, Akhal Teke, Rare Breed, Black and White) Archival Pigment Print on Canson® Infini...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Listing is for FRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produce...