Baby Photography

Curtain Billowing over Bobby Kendall 1960s/2022 Estate stamped and numbered on label, verso Digital C-print 31 x 31 inches, image (Edition of 15) $4,500 22 x 22 inches, image (Ed...

Historical Photo- Fiumicino Airport- Chilean Immigrants 1975 is a black and white vintage photo. It belongs to a historical album including historical moments, royal families, and p...

Derby Spectator A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. (Photo by Hulton / Getty Archive) Silver gelatin fibre print 30 x 40" p...

"Tag Yourself" Photography 29.5" x 24" in Edition of 15 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" ...

Muhammad Ali, Fifth Street Gym, Miami by Al Satterwhite is a 20 x 16 inch archival pigment print. This photograph features Muhammad Ali leaning against gym equipment with his arms ra...

"Die Stille" Photography 49" x 39" in Edition of 3 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31"...

This male nude portrait by Curtice Taylor is offered by CLAMP in New York City.

This supremely elegant photograph illustrates why Imogen Cunningham’s botanical pictures are a keystone of modernist photography. In the 1920s, Cunnin...

ABOUT THIS ARTIST: Through his hundreds of vibrant photographic collages, his sculptural nudes in his recent series For A Good Time and his frequent editorial work for magazines such...

Mikael Siirilä Helsinki, Finland, 2020 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil o...

Pugs by Neal Slavin features 15 pugs sitting on velvet covered tables, with their owners peeking out from behind the fabric. Archival Pigment Print Paper size: 22 x 17 in., Image si...

Japanese troops is a b/w photograph on polished paper, dating back to the Second Sino-Japanese conflict, in particular to December 30, 1938. Stamp of Keystone Press Agency and stereotype in German on the back.  The photograph pictures German troops while shooting from a ship.  The Second Sino-Japanese War (1937-1945) was a military conflict involving Chinese Republic and Japanese Empire. China received economic support from Germany, United States and the Soviet Union.  The conflict began with the Marco Polo Bridge Incident in 1937, during which a dispute between Japanese and Chinese soldiers...

Untitled, 2024 by Ricky Cohete From The Leather ands Skin Series Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 Unframed The artist explores the intersection b...

Four pieces celebrating youth in Africa. 3 pieces 90 x 60cm with acrylic face mount 1 piece 135 x 90cm print only, with 5cm white border all round

Womb #02 - 2006, 56x55cm, Edition 2/5, Analog C-Print, printed by hand by the artist on Fuji Archive Crystal Paper. Based on a Polaroid Certificate and Signature label artist In...

image size: 8 x 10 inches Young Nude Man in Bed Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left...

Abstracted limited edition photograph of zebras with vivid colors by Ken Dorr (American, 20th Century), c. 2000. #10/250. Signed and numbered lower edge of mat. Presented in black me...

Caballero, Two and One, Diptych, 2017 - 2018 From The Motion Series Archival Pigment print Overall size: 36 in H x 48 in W. Image size: 36 in H x 24 in W. Edition of 10 Unframed Thr...

Feminist T. Grace Atkinson Being Arrested As She Demonstrates Against Richard Nixon's War in Vietnam October 23, 1972 Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson...

Floaties (Beachshoot) - 2005 20x20cm, Edition of 10, digital C-Print, based on a Polaroid Certificate and Signature label, artist Inventory # 1431. Not mounted. The Tooth of Time It is obvious that the photographer Stefanie Schneider has a background in film. All her pictures live from the dust-filled eroticism of American road movies. For Hitchhikers, the thirty-seven-year-old artist sent her protagonists into the desert. The air shimmers. Desert. A highway, massive autos, dusty kisses. One is familiar with these sorts of images from films, even if one hasn't yet seen this particular one. In any case, it seems to be older: The tooth of time has gnawed at the photos; they are discolored, strangely and incorrectly exposed, covered with white spots. False! The photographic series Hitchhikers was created this year; the photos got their patina because the photographer Stefanie Schneider only uses film which has passed its expiration date by up to five years, and which accordingly reacts to light in unpredictable ways. Where one's assumptions are correct is in the matter of the cinematic allusions: Schneider received a degree in film at the Folkwang-Hochschule in Essen and was a cutter for several years. In the USA, she was responsible for the scene photos in the feature-film debut (Everything put together) of Marc Forster (Monster's Ball, Finding Neverland) and out of tha collaboration developed her own photographic series Suburbia. Hitchhikers is similarly structured and actually consists of stills, in this case without the accompanying film: loosely staged pictures in which the protagonists have space for spontaneous improvisations. No plot, but moods which seem familiar to us. Schneider remarks that during the shooting she was thinking of Thelma and Louise. The series is marketed along with other works of Schneider by the Editions Galerie Lumas, the Galerie Caprice Horn in Berlin, and the Zurich gallery nd-projects. The Lumas branch in Munich is featuring Schneider in the exhibition Polaroid Movie through February 28, and starting on February 23 the feature film Stay runs, in which Schneider's pictures play a crucial role. And the thirty-seven-year-old artist, who lives alternately in Berlin and Los Angeles, continues to work on her filmography. At the moment she is developing along with Marc Forster a concept of transferring her typical photographic aesthetic into moving pictures...

Archival pigment print Signed and numbered, verso 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 8) This photograph is offered by ClampArt, located in New...

Gorgeous archival digital photograph, limited edition giclee by Graham Nash (American, b. 1942) of a Nash's first born son Jackson, age five, looking into an aquarium in his San Francisco house...

JOHN CHAMBERLAIN Le Foyer 2002 Ektacolor Professional print taken with Wide Lux camera Unsigned AP 1/1, apart from an edition of 9 20” x 24” Chamberlain began to explore photograp...

Pinhole camera Chromogenic print (Unique) Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Robert Calafiore employs a hand-built pinhole camer...

Pinhole camera Chromogenic print (Unique) Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Robert Calafiore employs a hand-built pinhole camer...

Untitled V, 2022 by Salvatore Arnone From the Balance series Photographic print on paper Image size: 50 in. H x 35 in. W Edition of 3 + 1AP Unframed With Balance the artist starts e...

This is a 3-D motion lenticular - its moves when you walk past it and it is incredibly 3-D there are little lenses on the face that create this effect. It is professionally framed a...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

Eternal Recurrence #33 by Natasha Zupan Archival Pigment Print on Photographic Paper Image size: 53.5 in. H x 60 in. W Edition of 5 2015 ____________________________ Natasha Zupan’s...

"Fencers 2" Black & White Photography 24" x 32" inch Edition 2/5 by Lukas Dvorak 24" x 32" inch Pigment print on Epson Fine ART paper 2015 Ships rolled in a tube ABOUT THE ART...

Slim Aarons Estate Print - Digging For Clams Mrs. Leverett Saltonstall Shaw watches her children digging for clams at low tide on Black Beach, Massachusetts Bay, 1959. (Photo by Slim Aarons) silver gelatin print paper size 30 x 30" inches / 76 x 76 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white music musician dining restaurant 1940 40s...

Lucien Clergue (FRENCH, 1934 - 2014) Gelatin silver photographic print depicting Pablo Picasso holding a baby. Picasso et sa filleule Olivia (Picasso et bébé) Mougins, 1967 Hand signed by the artist with hand written description. Titled and dated lower left. Mounted in a silver painted wooden frame with mat behind acrylic screen. Paper measures approx. 11 3/4" height x 9" width to sight. Framed measures approx. 17 1/4" height x 14 3/4" width. Lucien Clergue (French: 1934 – 2014) was a French photographer. He was Chairman of the Academy of Fine Arts, Paris for 2013. Lucien Clergue was born in Arles, France. At the age of 7 he began learning to play the violin, and after several years of study his teacher admitted that he had nothing more to teach him. Clergue was from a family of shopkeepers and could not afford to pursue further studies in a college or university school of music, such as a conservatory. In 1949, he learned the basics of photography. Four years later, at a corrida in Arles, he showed his photographs to Spanish painter Pablo Picasso who, though subdued, asked to see more of his work. Within a year and a half, young Clergue worked on his photography with the goal of sending more images to Picasso. During this period, he worked on a series of photographs of travelling entertainers, acrobats and harlequins, the Saltimbanques. He also worked on a series whose subject was carrion. On 4 November 1955 Lucien Clergue visited Picasso in Cannes, France. Their friendship lasted nearly 30 years until Picasso's death. Clergue's autobiographical book, Picasso My Friend, looks back on important moments of their relationship. In 1968, and with his friend Michel Tournier, Clergue founded the Rencontres d’Arles photography festival which is held annually in July in Arles. He exhibited his work at the festival during the years 1971–1973, 1975, 1979, 1982–1986, 1989, 1991, 1993, 1994, 2000, 2003 and 2007. Clergue also illustrated books, among them a book by writer Yves Navarre. Clergue took many photographs of the gypsies of southern France, and was instrumental in propelling the guitarist Manitas de Plata to fame. Clergue is perhaps most remembered and respected for his black-and-white studies of light, shadow, and form, featuring sinuous nude female bodies, zebra stripes of light, dynamic sand dunes, and seascapes extracted from the coast of the Camargue. Clergue's photographs are in the collections of numerous well-known museums and private collectors. His vintage photographs have been exhibited in over 100 solo exhibitions worldwide, with noted exhibitions such as in 1961, at the Museum of Modern Art New York, the last exhibition organized by Edward Steichen with Lucien Clergue, Bill Brandt and Yasuhiro Ishimoto. Museums with large collections of his work include The Fogg Museum at Harvard University and the Museum of Fine Arts, Boston. His work, Fontaines du Grand Palais (Fountains of the Grand Palais), is in Museo cantonale d'arte [de] of Lugano. His vintage photographs of Jean Cocteau are on permanent display at the Jean Cocteau Museum in Menton, France. In the U.S., an exhibition of the Cocteau photographs was premiered at Westwood Gallery, New York City. In 2007, the city of Arles honored Lucien Clergue and dedicated a retrospective collection of 360 of his photographs dating from 1953 to 2007. He also received the 2007 Lucie Award. He was named Knight of the Légion d'honneur in 2003 and elected member of the Academy of Fine Arts of the Institute of France on 31 May 2006, at the same time as a new section dedicated to photography was created. Clergue was the first photographer to enter the Academy to a position devoted specifically to photography. He was Chairman of the Academy of Fine Arts for 2013. Lucien Clergue was married to the art curator Yolande Clergue, founder of The Fondation Vincent van Gogh Arles. He was the father of two daughters: Anne Clergue, a curator of contemporary art who has worked at Leo Castelli Gallery, and Olivia Clergue, a handbag fashion designer whose godfather was Pablo Picasso. Pablo Picasso (1881 –1973) was a Spanish painter, sculptor, printmaker, ceramic artist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907), and Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. After 1906, the Fauvist work of the slightly older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. In 1897, his realism began to show a Symbolist influence, for example, in a series of landscape...

On The Floor Photo by Markus Klinko Limited Estate Edition C Print Produced from the original transparency Certificate of authenticity supplied Paper size 20×24 inches/ 51 x 61 ...

"Personality Girl" by Bert Hardy 19th June 1954: Jocelyn Wardrop-Moore skiing in Glencoe, Scotland who has been nominated as one of six Picture Post 'Personality Girls'. She plays principal clarinet in the Royal Academy of Music...

Slim Aarons Estate Stamped Edition Limited to 150 only Mexican film star Dolores Del Rio (1905 - 1983, right) poses with a friend in Acapulco, Mexico, 1952 (Photo by Slim Aarons). This photograph epitomises the travel style and glamour of the period's wealthy and famous, beautifully documented by Aarons. In his words, he loved to photograph 'attractive people in attractive places, doing attractive things'. A beautiful and classic Slim Aarons C Type photograph (unframed). Limited edition to 150 only numbered and stamped by The Slim Aarons Estate on verso. Supplied with certificate of authenticity. Gorgeous print measuring 40 x 40" inches / ca 101 x 101 cm’s paper size. Stamped by the Estate on right and numbered in ink on left - limited edition to 150 only. Produced utilising the original transparency held at archive source. FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. We ship regularly using Fedex Express services and shipping to all international locations. Keywords sun sunshine Mexico resort Acapulco film star Mexican actress palm trees green red flowers red hairpin 60s bikini...

Bowie On The Phone - signed limited edition print David Bowie talking on the phone, 1973. (photo Mick Rock) paper size : 20x24 inches / 61 x 51 cm Stamped and numbered by the Est...

Swimming Pool Series, 1983 #1/50 Ektacolor print Italian photographer Franco Fontana is a pioneer of color photography, known for his abstract cityscapes, seascapes, and landscapes....

"The Object" Photography 49" x 39" in Edition of 3 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31"...

Black and white fine art long exposure waterscape - landscape photography. Big black stones on the shore in madeira, Portugal. Archival pigment ink print as part of a limited edition...

The steady gaze of Inchoy and child. John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allows him to captur...

I have always been a storyteller, and the world around us is full of stories waiting to be told. My journey began with painting, then transitioned into set and environment design for...

An original silver gelatin print from the 1960's by American social documentary photographer Milton Rogovin.

"Bridging Boundaries" Photography 24" x 24" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. ...

C-Print, signed, titled and edition ‘3/15’ (recto), and certificate of authenticity (verso), 37cm x 56cm (image size), (59cm x 75cm framed). (Provenance: in the collection of the art...

Jeff Robb is a British artist, who graduated with Distinction from the Royal College of Art in 1992 with a master's degree in fine art Holography. Shortly after graduating, he was in...

"Late Afternoon" Nude Photography 30" x 42" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 25" x 35" inch Edition of 7: 30" x 42" inch Edition of 3: 40" x 56" inch AP: 2 * * * ABOUT Larsen Sotelo * * * Larsen Sotelo is a Filipino-American art and fashion photographer...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

Printed by Cole Weston from the original negative now housed at the Center for Creative Photography in Tuscon, Arizona, retired. The Weston Gallery is owned by Matthew (grandson of Edward Weston) and his wife Davi Weston and we've been dealing in fine art photography since 1975! Edward Weston (1886 – 1958) was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...

“I guess my work is kind of a love letter to the past and that freedom that we had, but also an acknowledgment of the anxiety that I feel, that is real, about not being able to let o...

LINA SCHEYNIUS (*1981, Sweden) Untitled (Touching) 2021 Fibre-based silver gelatin print Sheet 90 x 60 cm (35 3/8 x 23 5/8 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 Print only Touc...

Elio Uno and Dos, Diptych by Ricky Cohete From The Nostalgic Series Archival Pigment Print Overall size: 30 in H x 40 in W. Individual size: 30 in H x 20 in W. Edition of 13 + 1AP Un...

"The Tower" (FRAMED) Photography 40" x 40" inch Ed. 1/12 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 Other sizes available AB...

Through David Jay’s photography, context evaporates, and we as the viewer are left to engage the subjects, trade places, and for a moment, live behind their eyes. We recognize our sh...

1967—Slim Aarons captures film producer Kevin McClory taking his wife Bobo Sigrist and their family for a drive in an Amphicar across the harbour at Nassau. Numbered and stamped by the Slim Aarons Estate. Certificate of Authenticity included. Slim Aarons Sea Drive Chromogenic Lambda print Slim Aarons Estate Edition Three sizes available. Framing options available, complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Kevin O'Donovan McClory (8 June 1924[1] – 20 November 2006) was an Irish screenwriter, film producer, and film director. McClory was best known for producing the James Bond film Thunderball. Internal: Vintage Nassau, Vintage Yachting, Vintage Boating, Vintage Slim Aarons, Vintage Sport Photography, Coastal, Vintage Sixties, 1960s, 60s photography...

Willy Ronis (Paris, France, August 14, 1910 - Paris, September 12, 2009) was a French photographer who portrayed post-war Paris and Provence during his lifetime. Ronis' father was a ...

Cerro by Ricky Cohete From the "Cerros" series Small size: 30 in H x 20 in W. Edition of 13 Unframed Exploring color in the darkness, inspired by the Italian and Dutch renaissance...

Shot in the rain in a nature preserve, Long Island, N.Y.

Karina - Limited edition archival pigment print, Edition of 10 Signed + numbered by artist with certificate of authenticity, unframed This is an Archival Pigment print on fiber bas...