Canvas Photography

Archival photo print under museum acrylic. Dimensions: 48 x 48 in. Depth: 1/4 in. Edition of 5 Montreal-based artist and photographer Paul-Émile Rioux has been creating virtual wor...

"All about the light. The rich golden light at sunset on a beach in Sri Lanka. Palm trees are everywhere and they have many identities. They can sway gracefully in the breeze, or the...

Size photography: 24 x 60 in. Base: 18.5 x 18.5 x 12 in. Total height: 74 in Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Ca...

Abstract photograph of a ship hull found in Hampton Bays, NY on Dry Dock :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist ...

Chandra - meaning the Hindu God of the Moon – as the image was taken in Sri Lanka The image was first gilded with copper then that was rubbed back to reveal most of the glass, and t...

The photographs of “Wall of Natureâ€

Archival photo print under acrylic glass. Three prints, 3 x 48x48" (each) Signed & Numbered by the artist Edition of 3 Artist and photographer Paul-Émile Rioux lives in Montréal, C...

Dye sublimation print on aluminum, black wood float frame (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Particle Paradise" This artwork is offered by C...

Dye sublimation print on aluminum, black wood float frame (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Particle Paradise" This artwork is offered by C...

Archival photo print under acrylic glass. Edition of 5. Dimensions: 3x 48x48 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cuttin...

Cyanotype on albumen-coated watercolor paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. “Ghost Ship” is a series of unique, large-scale c...

David Burdeny David Burdeny - Isola di Ortigia (Homage to Misrach), Siracusa, IT Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

Gary Goldberg Finding the Universe in Oaxaca, Lightning, 2019 Archival pigmented print 19 x 13 in Edition of 10 Gary Goldberg has been photographing the unique qualities of Oaxaca C...

The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...

In 1964, Heyman was invited by Basic Books Publishing to collaborate on the subject of Pop art. In the fall of 1964, Heyman spent three days photographing such artists as Andy Warhol...

Fernand Leger in Studio, Number One -- Photographed by Mark Shaw for LIFE in 1955, two weeks before his death, Fernand Leger posed for this final portrait in his Paris Studio. Leger'...

Fernand Leger in Studio, Number One -- Photographed by Mark Shaw for LIFE in 1955, two weeks before his death, Fernand Leger posed for this final portrait in his Paris Studio. Leger'...

Magnolia, No. 10, by artist Jeri Eisenberg is a soft pink, and green contemporary triptych made of Archival pigment ink on Japanese Kozo with encaustic medium, that measures 36 x 34 and is priced at $3,150. Magnolia, No. 10 Edition: 4/12, 2010 *Price differs with top bars only $3000* Jeri Eisenberg works primarily with non-traditional and alternative photo-based techniques. She represses or subverts traditional photography’s emphasis on the representational qualities of the medium, and emphasizes instead the medium’s expressive nature. She employs a strong sense of materiality and seductive surfaces in her work, to evoke sense memories and visceral connections. Her work steadfastly serves as an affirmation of beauty in the everyday natural world, but is tinged with the bittersweet - a reminder of the temporal condition, and an elegy for life. EDUCATION MFA, Art Institute of Boston, Lesley University, Cambridge, MA JD, Boston University, Boston, MA BA, Kirkland College, Clinton, NY SELECTED SOLO EXHIBITIONS 2014 Cumberland Gallery, Nashville, TN 2013 Foster/White Gallery, Seattle, WA 2012 Wallspace Gallery, Santa Barbara, CA Putnam Gallery, The Dublin School, Dublin, NH 2011 Kathryn Markel Fine Arts, New York, NY John Cleary Gallery, Houston, TX Griffin Museum, Winchester, MA 2009 Corden Potts Gallery, San Francisco, CA John Cleary Gallery, Houston, TX Lanoue Fine Art, Boston, MA 2008 Galerie BMG, Woodstock, NY 2007 Gallery Saintonge, Missoula, Montana MT Exposed Gallery of Art Photography, Delmar, NY 2006 Julie Kinzelman Art, Houston, TX 2005 Galerie BMG, Woodstock, NY Carrie Haddad Gallery, Hudson, NY 2004 Lapham Gallery, Glens Falls, NY Siena College, Loudonville, NY 2003 Fulton Street Gallery, Troy, NY Adirondack Lakes Art Center, Blue Mountain Lake, NY 2001 Perella Gallery, Fulton-Montgomery Community College, Johnstown, NY Greene County Council on the Arts, Catskill, NY Carrie Haddad Gallery, Hudson, NY Northwest Nazarene University, Nampa, ID 2000 University of La Vern, La Vern, CA 1999 Spencertown Academy, Spencertown, NY Fulton Street Gallery, Troy, NY Carrie Haddad Gallery, Hudson, NY 1998 LRC Gallery, Hudson Valley Community College, Troy, NY 1996 Shelnutt Gallery, RPI, Troy, NY SELECTED GROUP EXHIBITIONS 2013 Multiple Focus: Contemporary Photography from the Collection, Albany Institute of History and Art, Albany, NY Summer Portfolio, Corden Potts Gallery, San Francisco, CA A Few of My Favorite Things, Lanoue Fine Art, Boston, MA Rejuvenation, Furchgott Sourdiffe Gallery, Shelburn, VT Have a Nice Day, Gilman Contemporary, Ketchum, ID Soft Focus, Carrie Haddad Gallery, Hudson, NY 2013 Wax is Hot, Amy Simon Gallery, Westport, CT 2012 Corden Potts Gallery, San Francisco, CA Snail Mail, Museum of Fine Arts, Houston, TX Small Packages, Cumberland Gallery, Nashville, TN Encaustic Works 2012 Invitational, R&F Gallery, Kingston NY Photograph: New Work, Carrie Haddad Gallery, Hudson, NY Deck the Walls, Catherine Couturier Gallery, Houston, TX 2011 Fotografias – Colecao Joaquim Paiva, Museu de Arte Moderna do Rio de Janeiro, Brazil Women...

The End, Archival Inkjet on Paper by Jason Salavon, 2016 Additional information: Medium: Photography - Archival inkjet on paper Dimensions: 25 × 33 in (63.5 × 83.8 cm) Edition of 5 ...

In 1964, Heyman was invited by Basic Books Publishing to collaborate on the subject of Pop art. In the fall of 1964, Heyman spent three days photographing such artists as Andy Warhol...

Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled t...

HARRY BOWERS T E N P H O T O G R A P H S I DON'T LOOK FOR PHOTOGRAPHS I INVENT THEM I recall my first meeting with Harry Bowers in California a few years ago. As he produced his large-scale prints, I was at first flabbergasted, not only by their size, but by their seamless perfection. Technique appeared to be everything but then technique as technique simply vanished. After the first moment, tech­nique was no longer an issue, but rather a passageway to the imagery. Suffice it to say about Harry Bowers' working style that he is an obsessive man. Trained as an engineer, he has turned that discipline to art. His lenses, equipment and darkroom, much of it exactingly manu­factured by himself to answer certain needs, serve the desire of the artist to take photographic tech­nique to its ultimate perfection in invisibility and transparency. I respect obsession in art, and particularly in photography, because obsession in photography passes beyond the easy, middle ground of image making to a more demanding, more difficult, yet more rewarding end. Bowers' obsession is to eliminate "photography as technique." No grain, no decisive moments, no journalism, or, seemingly, direct auto­biographical endeavors appear in his work. Bowers is an artist of synthesis who controls his environment if only in the studio exactly to his liking. The images he creates are formal structures, saucy stories on occasion, which may offer hints of a darker, more frightening sexuality, but what you see is the end product of an experiment in which nothing save the original insight perhaps is left to chance. We seem fascinated with the idea of replication of reality in art. Popular painting frequently reproduces a scene "with the accuracy of a photograph," and photographs may "make you feel as though you were right there." The very invisibility of the photographic medium is important to Bowers, in that it allows him to maneuver his subject matter without concern for rendering it in an obvious art medium which would interfere with the nature of the materials he uses. The formal subtleties of Bowers' recent work are as delicious and ambiguous in their interrelationships as the best Cubist collages, yet while those col­lages always suggest their parts through edge and texture, these photographs present a structure through a surface purity. Bowers' earlier works, for example, the Skirts I Have Known series, were formed of bits of clothing belong­ing to Bowers and his wife or found at local thrift shops. These works fused an elegance of pattern and texture, reminiscent of Miriam Shapiro...

In the series ‘digital noise through analog eyes’ I elevate noise to the position of an aesthetic artifact, enhancing the processes that lead to it and allowing the noise to beco...

From the series Dark Days & Transparent Things. Three prints each 100 x 80 cm, 39 3/8 x 31 1/2 inches. Overall 100 x 240 cm, 39 3/8 x 94 1/2 inches

Archival photo print under acrylic glass. Dimensions: 18x 15 x 15 in. Depth: 1 in. Space in between each panel: 1.5 in. Total dimensions: 48 x 97.5 in. Artist and photographer Pau...

Artwork is Lambda c-printed on Dibond. Ready to hang. Museum quality. Limited Edition 8 plus 2 AP's. Bestdeco. Artwork comes with an international certificate of authenticity, sig...

Mixed Media on wood. Resin finish optional. Converse sneaker. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He shows at gallerie...

Robert Farber Deterioration Series 103 1979-2013 (printed later) Archival pigment print 60 x 40 inches edition of 5 This image is part of Robert Farber’s Deterioration Series which...

Photograph is lambda c-printed mounted on aluminium dibond. Print is 80 cm wide and 80 cm high. Edition 8 plus 2 AP's. Artwork comes with an international certificate of authen...

The photographs of “Wall of Nature” have been featured on the Vogue Italia, Homes & Antiques Magazine and on Instagram of CaixaForum, an art museum ...

‘Aspen Impression’ by Mike Grandmaison Waterton Lakes National Park, Alberta. Canada I created this impressionist image by moving the camera up and down the length of aspen tree...

‘Delight’ by Mike Grandmaison Winnipeg, Manitoba. Canada Following a recent book launch at a local bookstore, my grand kids presented me with a beautiful bouquet of flowers whic...

Shadows # 648 is an edition of 3 with an AP. It measures 32" X 25" including a 2" boarder. The image is 28" X 21". The archival paper is Hahnemuhle digital fine art paper.

Stephen GILL (*1971, Great Britain) Energy Field #135, 2013-2016 Archival pigment print Sheet 124.5 x 106.7 cm (49 x 42 in.) Frame 127 x 109.2 cm (50 x 43 x 1 3/4 in.) Edition of 1, ...

Fernand Leger in Studio, Number One -- Photographed by Mark Shaw for LIFE in 1955, two weeks before his death, Fernand Leger posed for this final portrait in his Paris Studio. Leger's studio is the one he had worked in since 1913. British model Anne Gunning...

Fernand Leger in Studio, Number One -- Photographed by Mark Shaw for LIFE in 1955, two weeks before his death, Fernand Leger posed for this final portrait in his Paris Studio. Leger'...

Fernand Leger in Studio, Number One -- Photographed by Mark Shaw for LIFE in 1955, two weeks before his death, Fernand Leger posed for this final portrait in his Paris Studio. Leger'...

Gallagher's Red is a limited edition photograph by Nancy C. Woodward. This is a dye sublimation print on Aluminum, 30x30 with a white, flush back frame. It is $2,500. This is an edition of 30. It was originally photographed in 2013. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

archival pigment print

archival pigment print

Yoshinori MIZUTANI (*1987, Japan) sakura 018, 2015 Archival pigment print on Hahnemuhle Fine Art Baryta paper 97 x 145.6 cm (38 1/4 x 57 3/8 in.) Edition of 3, plus 2 AP; Ed. no. 1/3...

24" x 36" Hahnmühle paper matt fibre 200gr. Archival digital pigment print, unframed. Edition of 5 +2AP Humans are complex. We are made up of many different layers, oftentimes unw...

Stephen GILL (*1971, Great Britain) Energy Field #053, 2013–2016 Archival pigment print, accompanied with original colour negative encapsulated in resin block 124,5 x 106,7 cm (49 x ...

Ch'i by Catherine Yi-Yu Cho Woo Available sizes: 15" x 15" - Edition 20 of 100 Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a master of Feng Shui, the 4,000-year-old Chinese art of designing one's environment to maximize the flow of positive energy (ch'i). Dr. Woo believed that there is no separation of art, life, and Feng Shui. Her works therefore embrace and reflect a balance of the five elements in Chinese philosophy — metal, water, wood, fire, and earth. Building on these principles, she had channeled an insight into beauty and peacefulness into her works that has won praise from those seeking enlightenment, mainstream American corporations, and many others. As a disciple of Mizong Feng Shui, Dr. Woo maintained that the positioning of paintings within a room can have different effects on those who view the paintings. Displays of her works that respect Feng Shui principles, whether in public or in private homes, have been found to bring a sense of peace and tranquility. Artist Bio: Dr. Catherine Yi-yu Cho Woo (1935 - 2021) Scholar, teacher, painter, poet, composer The Honorable Dr. Catherine Yi-yu Cho Woo was an accomplished poet, composer, painter, teacher, and writer. She was the first Asian American woman to serve on the National Council on the Arts, and was honored by the National Endowment for the Arts with an appointment as an Ambassador for the Arts. Dr. Woo's paintings have been shown in galleries and museums throughout Asia and the United States, including the United Nations, the Sackler Museum at Harvard University, and the National Gallery in Taipei, Taiwan. One reviewer said, "To stand in front of Dr. Woo's work is to experience the stirrings of the heart, mind, and soul of nature, as if the paintings are alive. Trees and mountains breathe out peace. Splashes of color vibrate with the energy of life and movement. Her visually poetic paintings create a close relationship between the beauty of nature and its beholder." Born in Beijing to a family of classically-educated scholars, all four of Yi-yu's great-grandfathers earned Jin Shi...

Various Gods of Wealth by Catherine Yi-Yu Cho Woo Available sizes: 22" x 22" - Edition 2 of 99 22" x 22" - Edition 21 of 99 Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a master of Feng Shui, the 4,000-year-old Chinese art of designing one's environment to maximize the flow of positive energy (ch'i). Dr. Woo believed that there is no separation of art, life, and Feng Shui. Her works therefore embrace and reflect a balance of the five elements in Chinese philosophy — metal, water, wood, fire, and earth. Building on these principles, she had channeled an insight into beauty and peacefulness into her works that has won praise from those seeking enlightenment, mainstream American corporations, and many others . As a disciple of Mizong Feng Shui, Dr. Woo maintained that the positioning of paintings within a room can have different effects on those who view the paintings. Displays of her works that respect Feng Shui principles, whether in public or in private homes, have been found to bring a sense of peace and tranquility. Artist Bio: Dr. Catherine Yi-yu Cho Woo (1935 - 2021) Scholar, teacher, painter, poet, composer The Honorable Dr. Catherine Yi-yu Cho Woo was an accomplished poet, composer, painter, teacher, and writer. She was the first Asian American woman to serve on the National Council on the Arts, and was honored by the National Endowment for the Arts with an appointment as an Ambassador for the Arts. Dr. Woo's paintings have been shown in galleries and museums throughout Asia and the United States, including the United Nations, the Sackler Museum at Harvard University, and the National Gallery in Taipei, Taiwan. One reviewer said, "To stand in front of Dr. Woo's work is to experience the stirrings of the heart, mind, and soul of nature, as if the paintings are alive. Trees and mountains breathe out peace. Splashes of color vibrate with the energy of life and movement. Her visually poetic paintings create a close relationship between the beauty of nature and its beholder." Born in Beijing to a family of classically-educated scholars, all four of Yi-yu's great-grandfathers earned Jin Shi...

Ten Special Blessings by Catherine Yi-Yu Cho Woo Available sizes: 22" x 22" - Edition 3 of 99 Feng Shui - The Ancient Chinese Art of Placement Dr. Catherine Yi-yu Cho Woo was a ma...

Estate embossment on the front and estate stamped on the reverse

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

Signed and numbered on over matte. Artist's label back of mount with title, dates, medium, edition number and copyright. Available in a number of sizes. Please contact the gallery. P...

Signed and numbered on over matte. Artist's label back of mount with title, dates, medium, edition number and copyright. Available in a number of sizes. Please contact the gallery. P...

Edition of 9

Prices range depending on how many works have sold so below are the base/starting prices and my not be indicative of the price for this particular print. Please contact us for price and availability: 24 x 30 inches: $3500 36 x 44 inches: $5000 44 x 60 inches: $7500 All editions of 15. Prices subject to change without notice and prices increase as works sell. Richard Ehrlich...