Flower Photography

This Series includes flowers from Renowned Gardens around the world and fine vases/vessels from museums and distinguished collections.

This Series includes flowers from Renowned Gardens around the world and fine vases/vessels from museums and distinguished collections.

This Series includes flowers from Renowned Gardens around the world and fine vases/vessels from museums and distinguished collections.

This Series includes flowers from Renowned Gardens around the world and fine vases/vessels from museums and distinguished collections.

Edition 9/12

Signed by the photographer Edition 9/10

Signed by the photographer

Other sizes and price on request. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous contemporary artists...

Archival UV print on aluminum Dibond Edition of 5 + 2 AP Alia Ali (Arabic: علي عاليه // Sabean: 𐩡𐩱𐩲𐩲𐩺𐩡𐩱𐩲) is a Yemeni-Bosnian-US multi-media artist. Her work explores cultur...

Reka Nyari Efflorescence, 2019 74.5 x 58 inches Archival Pigment Prints on Acid Free Paper Edition of 3 Signed and numbered by artist Unframed Currently on...

Reka Nyari Wondered, 2021 50 x 40 inches, Edition of 8 Archival Pigment Prints on Acid Free Paper Signed and numbered by artist Unframed Currently on displ...

Reka Nyari Le Jardin Archival Pigment Prints on Acid Free Paper, unframed 40 x 56 inches, Edition of 7 56 x 80 inches, Edition of 7 Signed and numbered by a...

Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing both young models and celebrities such as Lindsay Lohan and Mischa Barton. His polished editorial images and surrealistic portraits...

EMMA SUMMERTON (*1970, Australia) By Moonlight 21:20 Sarah Grace in Prada #1, 2021 / 2022 Archival pigment print on Hahnemühle paper Sheet (2x) 160 x 117.34 cm (63 x 46 1/4 in.) Edition of 3, plus 2 AP print only Emma Summerton (*1970 Australia) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner...

Cig Harvey Signed, titled and dated in ink with photographer's label on verso Archival pigment print Paper 16"x20"

Cig Harvey Signed, titled and dated in ink with photographer's label on verso Archival pigment print Paper 16"x20"

EMMA SUMMERTON (*1970, Australia) By Moonlight 21:20, 2021 Archival pigment print Sheet 120 x 88 cm (47 1/4 x 34 5/8 in.) Edition of 5, plus 2 AP (#2/5) print only Emma Summerton (...

EMMA SUMMERTON (*1970, Australia) Not titled yet 2021 Archival pigment print Sheet 120 x 90 cm (47 1/4 x 35 3/8 in.) Edition of 5, plus 2 AP print only Emma Summerton (*1970 Austra...

EMMA SUMMERTON (*1970, Australia) Not titled yet 2021 Archival pigment print Sheet 120 x 90 cm (47 1/4 x 35 3/8 in.) Edition of 5, plus 2 AP print only Emma Summerton (*1970 Austra...

EMMA SUMMERTON (*1970, Australia) Not titled yet 2021 Archival pigment print Sheet 90 x 120 cm (35 3/8 x 47 1/4 in.) Edition of 5, plus 2 AP print only Emma Summerton (*1970 Austra...

Fine art print of punk musician and poet, Patti Smith by acclaimed photographer. Lynn Goldsmith, taken in 1977. This stunning portrait appeared on the cove...

Still Life with Grapes, silver gelatin print, limited edition photograph, signed Described as a "Poet of the Ordinary," Keith came of age during the turbulent sixties and seventies,...

Archival Pigment Print Print size: 17x22 inches / 43x56 cm Image size: 16x20 inches / 41x51 cm Framed size: 23x29.75 inches / 58x76 cm Edition of 10 Estate embossment on the front an...

Limited edition Lambda Chromogenic Print mounted on Dibond (an aluminum substrate) with UV Acrylic. Available in three sizes: 24 x 36 inches Edition Size: 12 40 x 60 inches Edi...

Tyler Shields is photographer, film director, and writer, best known for his images of Hollywood celebrities. Known for his controversial and violent images, and frequently drawing ...

Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Estate embossment on the front and estate stamped on the reverse

Steve McCurry Biography American, b. 1950 Steve McCurry has been one of the most iconic voices in contemporary photography for more than 30 years, with scores of magazine and book c...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Vibrachrome print on aluminum Available in 3 different sizes: 58 x 46" ( edition of 7 ) - $ 13,000 50 x 40" ( edition of 7 ) - $ 10,000 42 x 33 " ( edition of 10 ) - $8,000 as an ...

Signed by the photographer

Signed by the photographer

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Signed by the photographer

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Photographer’s stamp on the verso

Signed by the photographer

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Mounted and F...

Erik MADIGAN HECK (*1983, United States) Red Snapping Dragons, The Garden, 2019 Chromogenic print Sheet 101.6 x 76.2 cm (40 x 30 in.) Edition of 9, p...

Photographer’s stamp on the verso

Fruit Market Siem Reap, Cambodia 2010 Available sizes: 91 x 160 cm Edition size: 7 142 x 250 cm Edition size: 5 Light jet, exposure on high glossy pa...

NICK KNIGHT (*1958, Great Britain) Black Rose, 1993 Hand-coated pigment print Sheet 203.2 x 162.6 cm (80 x 64 in.) Edition of 5, plus 2 AP; Ed. no. 1/5 Print only Nick Knight is among the world’s most influential and visionary photographers. He has worked on a range of often controversial issues during his career – from racism, disability, ageism, and more recently fat-ism. He continually challenges conventional ideals of beauty. Knight made fashion history in November 1993 by adapting ring-flash photography to capture Linda Evangelista for a landmark, post-grunge cover of British Vogue. Since then, his work has graced no fewer than 36 covers. He has shot advertising campaigns for Jil Sander, Louis Vuitton, Calvin Klein, Yves Saint Laurent, Vivienne Westwood, Alexander McQueen and Christian Dior to name a few. He has also shot record covers for David Bowie, Paul Weller, George Michael and Massive Attack. Knight’s work has been exhibited at institutions such as the Victoria & Albert Museum, Saatchi Gallery, The Photographers’ Gallery, the Hayward Gallery and recently the Tate Modern. Knight has also turned his hand to directing music videos - Pagean Poetry by Björk in 2001 being his first and, most recently, Kanye West’s Bound 2. He directed the video for Lady Gaga’s hit single Born This Way in 2011. Both the song and the video aimed to empower and show solidarity within minority groups, a common theme in Knight’s work. The work is one of a recently published series of prints that took 10 years to produce due to the long development process they triggered. Inspired by 16th century still lifes...