Land Photography

African Buffalo Herd in the Okavango Delta, Botswana, 2007 Sebastião Salgado Stamped with photographer's copyright blind stamp Signed, inscribed on reve...

Castello Di Paraggi 1977 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: The Castello di Paraggi near Portofino, Ital...

Il Pellicano Pool 1986 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: The seaside pool at the Hotel Il Pellicano in ...

Edition of 7, plus AP Mounting and framing not included in price.

Edition of 45 Signed, dated and numbered in pencil on mount margin recto. Signed, titled, negative date, print date and numbered in pencil with the artist's stamp in black ink on...

Edition of 25 Signed, titled, dated and numbered in pencil on print verso. Paper size: 22 x 17 in. Image size: 16 x 16 in. Keith Carter is an American photographer who is known for ...

Edition of 9 Signed, titled, dated and numbered by Jeanine Michna-Bales Digital C-print Paper size: 21 x 28.5 in., Image size: 17 x 24.5 in. From the series, Through Darkness to Light...

Kosuke (*1986, Japan) WARNING #28, 2008 Silver gelatin print Image 39.2 x 52.7 cm (15 3/8 x 20 3/4 in.) Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 15, plus 3 AP's; Ed. no. 1/15 prin...

North Texas: Plowed Field, Patricia by Peter Brown presents a sublime scene. The plowed, warm toned dirt stretches far into the horizon, leading to the bright blue sky. Lush green grass frames the edge of the soil. North Texas: Plowed Field, Patricia by Peter Brown is listed as a 19.25 x 24 inch archival pigment print, with the paper size measuring 22 x 26 inches. This photograph is available in an edition of 25. This photograph is signed and numbered in black ink on print margin by Peter Brown. North Texas: Plowed Field, Patrica is from Peter Brown's series, Hometown Texas. This photograph is available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

The present work is from the artist’s “Becoming” series, which consists of 147 photographs documenting the transformation of a green field into Beijing’s new national airport, the la...

The present work is from the artist’s “Becoming” series, which consists of 147 photographs documenting the transformation of a green field into Beijing’s new national airport, the la...

Photography "Monterosso" by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveals the beauty of the world ...

Photography "Manarola" by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveals the beauty of the world by...

Tirage tiré de l'ouvrage « AMERICAN PUZZLE », 2011, éditions Trans Photographic Press (248p.). « La mémoire croit avant que la connaissance ne se rappelle. Croit plus longtemps qu’elle ne se souvient, plus longtemps que la connaissance ne s’interroge. » William Faulkner...

"Burnt Place" - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place. About the Twilight's Path project: "We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...

UNTITLED #4, 2021 Archival Pigment Print, Framed (Unframed option is also available - please enquire for an offer) 30 x 46 cm / 12 x 18 inches approx. plus frame Edition of 10 + 2 AP Other dimensions are also available Series: Tree Huggers from the Future Signed on verso "On a recent walk in my favourite area of woodland I came across a group of time travelling eco tourists, appearing one by one from a brilliantly bright space suspended over a small pond. They had come back to our time to study trees and invited me to document their research. Apparently they knew I would say yes. Twice now our trips have coincided, almost as if they knew where and when I would be going on holiday, and I must admit, I hope our paths cross again, as I find them strangely photogenic." - George McLeod...

The crystal clear rivers make this the most unique place I have ever slept. Time seems to have stopped. It feels good to be in a place where the human hasn't left his footprint yet. All photos are printed on a EPSON 9900 STYLUS PRO and on Fine Art Hahnemühle Matt FineArt PhotoRag 308 gsm 100% Cotton Paper, which is the best paper to create high quality fine art prints. This combination complies with the highest archival standards according to the very well known Willhelm-Research archival authority. Every print is only printed on demand...

Last image of SWEDISH MOUNTAINS series. It represents all the adventure behind us. One last view of these wild Reindeers crossing a river before a storm hits the mountains. Unique moments in a unique place. All photos are printed on a EPSON 9900 STYLUS PRO and on Fine Art Hahnemühle Matt FineArt PhotoRag 308 gsm 100% Cotton Paper, which is the best paper to create high quality fine art prints. This combination complies with the highest archival standards according to the very well known Willhelm-Research archival authority. Every print is only printed on demand...

UNTITLED #2, 2021 Archival Pigment Print, Framed; white frame with antireflective art glass 30 x 46 cm Edition of 10 + 2 AP Other dimensions from a smaller editions also available Series: Tree Huggers from the Future Signed on verso About: "On a recent walk in my favourite area of woodland I came across a group of time travelling eco tourists, appearing one by one from a brilliantly bright space suspended over a small pond. They had come back to our time to study trees and invited me to document their research. Apparently they knew I would say yes. Twice now our trips have coincided, almost as if they knew where and when I would be going on holiday, and I must admit, I hope our paths cross again, as I find them strangely photogenic." - George McLeod...

Signed, copyright and print date.

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'The river embraced me', 2016 C–type print 56 x 56 cm (22 x 22 in.) Edition of 3; Ed. no. 1/3 Print only Signed by the artist ...

20 x 24 inch type-c print, edition 25 Toshio Shibata is one of Japan's leading landscape photographers. But he has chosen a most unconventional subject for his landscape photography...

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

40"x 60" framed Chromogenic large scale photograph by the New York artist, Stephen Mallon, edition #4 of 5 signed on reverse, This is the second to last available print in this edit...

In this photograph by Zoe Wetherall, a curved line of bushes and white stones separates finely mowed grass from a dense blue water. Carefully manicured and refined, the landscape b...

Balthasar BURKHARD (1944–2010, Switzerland) Rio Negro 14, 2002 Silver gelatin print on Baryta paper (Diptychon), artist's iron frame Sheet 194 x 121...

Editions of 12. Mounting and framing not included in price.

A stunning photograph of light. Hand printed by the artist. Edition 3/15 Gum Bichromate over Platinum / Palladium

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Thea Schrack is a photographer with a magical quality to her work. Fascinated with landscapes and water, she produces romantic, mysterious imagery and aspires to capture the essence ...

B&W photo of a steeplechase race at Aqueduct Racetrack dated June 30th 1928 Photo Sz: 7 1/2"H x 9 1/2"W Frame Sz: 15"H x 17"W

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-788, 787 (diptych) 2017 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 2/5 Framed ‘Water Mirror’i...

Fine art photography combining a photograph and painting textures. The artwork/photo is sold unframed (only the art print) and will be sent in a hard tube by UPS. The photo is ...

The Lotus flower is regarded in many different (buddhist) cultures as a symbol of purity, enlightenment, self-regeneration and rebirth. Its characteristics are a perfect analogy for the human condition: even when its roots are...

Adansonia Grandidieri, Madagascar, 2010 Sebastião Salgado Stamped with photographer's copyright blind stamp Signed, inscribed on reverse Silver gelat...

From the series Dark Days and Transparent Things

From the series Chasing Good Fortune.

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-707 2017 Chromogenic print Sheet 120 x 150 cm (47 1/5 × 59 1/10 in.) Frame 124 x 154 x 5 cm (48 7/8 x 60 5/8 x 2 in.) Edition of 5; E...

RISAKU SUZUKI (*1963, Japan) SAKURA 21, 4-570 2021 Chromogenic print Sheet 120 x 150 cm (47 1/4 x 59 1/8 in.) Edition of 5; Ed. no. 4/5 Framed A Label signed by the artist is provid...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

Shipping should be around $100 Girl in East Hampton Pond Signature: Signed and dated on lower right, numbered on verso, 4/15, unframed. Mitchell Funk is a pioneer of " Color Photog...

Into the Woods - 21st Century Contemporary Photographic Nature Print - Black & White Polaroid Into the Woods is a beautiful example of Pia Clodi's ability to inject beauty and sent...

The peace and serenity of being the only fisherman of the lake in the misty early morning sun. :: Photograph :: Color :: This piece comes with an official certificate of authenticity...

This gorgeous sunset is set on the hurricane ravaged coast of one of the east coast outer islands. These islands function as some protection for the inner coastline during incoming ...

The photograph is taken in the gardens of Monet's house in Giverny, France during the fall showing the green bridge and the waterlilies that he made famous in his paintings. :: Photo...

Maybe this work will give some comfort in this total "uncertain" time. Maybe that our humanity is in transition towards a better world, where the word "power" no more will impress. A...

Archival photo print under acrylic glass. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his ...

Shot from a helicopter over the Dead Sea in Israel. . Abstract feel. Archival Print. Mounted on Plexiglass. Floating in beautiful black, wooden frame. w...

ALBERT WATSON (*1942, Scotland) Double Exposure through Windshield 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Framed A student of the fam...

Fine art photography 2020, made in Madrid, Spain. The artwork/photo is sold unframed (only the art print) and will be sent in a hard tube. The photo is printed on Somerset Velv...

Listing is for UNFRAMED print. Inquire within for framing. Edition 2 of 10 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990. Curating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. Despite devoting much of her energy to the gallery, Rice has never stopped creating her own art, and has exhibited in several galleries nationally and abroad. Influenced by photographer and gallerist Alfred Stieglitz, who curated the art of others and exhibited his own work, Rice is ready to showcase her photography on her own turf. In her spare time, Robin has recently taken up DJing: you can often find DJ Redshoes spinning vinyl at her loft in Beacon. Surfers, Surfing, Men, Women...

Orange color sunset landscape of Nepal, at the national park Chitwan. Printed on Canson Rag Photographique paper, the most premium quality fine art paper which delivers the most ...

Available at Madelyn Jordon Fine Art. 'A Meeting Place' 2022 by Carol Bouyoucos. Archival print, Photomontage, 29 x 39 in. Edition of 10. This manipulat...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through February 25, 2017. Any framed photographs purchased during the show will be after February 25th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT In this exhibition, Mindaugas Gabrenas invites us to reflect on the poetics of place through his lyrical and surrealist imagery. His hand-printed silver gelatin prints reveal abandoned regions, wild coasts and strange territories from Lithuania to Scotland to America. As a scientific innovator, he uses unique techniques and unconventional materials in order to create his whimsical, dream photos. In “Spinning The Wheel”, stars trace the sky in a curved motion and meet the water below creating a sense of the infinite. As Gabrenas explores and captures landscapes through very long exposures, he actually meditates and reflects on the world around him encouraging his viewers to imagine themselves within the landscapes and dream with him. In another image “Dream About an Empty House”, that was taken in Lithuania, we see a young girl from behind in a red polka dotted dress as she faces an abandoned home. Using his handmade camera he constructed by merging two cameras—a Kiev 88 and a Kodak Duaflex II. The viewfinder of the Duaflex serves as an additional filter on the lens of the Kiev 88, which is fixed to its body with several macro rings. Before shooting the film, he wraps it in black rye bread and waits several days for the mold to grow onto the film. The combination of these two techniques creates a sense of motion around the central figure. “Alternatives”, our invitational image, pulls us into Gabrenas’ world. The focused close-up and abstracted view of train tracks distorts a familiar shape into a strange and unusual form. The tracks lead you in the distance, a blurry city of New York. The ironic lack of human life in New York City conveys a mystifying sense of place. In “Something With a Head”, we’re taken to the Lithuanian seaside where silhouetted figures stand on sand dunes watching...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through February 25, 2017. Any framed photographs purchased during the show will ...