Land Photography

'Nassau Sailing' 1971 Slim Aarons Limited Estate Edition Print A flotilla of yachts, at Nassau in the Bahamas, March 1971. Produced from the original transparency Certificate of a...

Old days Photo - Mountain is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including h...

Angelina by Keith Carter presents a sublime scene. A branch dips into the calm and quiet river. Trees line the river's edge, extending back to the horizon. The stillness in the water reflect the overhanging foliage, creating a dreamlike scene. Angelina by Keith Carter is listed as a 16 x 16 inch archival pigment print, with the paper size measuring 22 x 17 inches. It is available in an edition of 25. This photograph is signed, titled, dated, and numbered in pencil on print verso by Keith Carter. Angelina is from Carter's series, Ghostlight. Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and meaningful objects. He began photographing new and unknown realities using East Texas natives as subjects. This population and background setting spoke to the folklore, religious, and cultural motifs Carter was visually exploring. Since his start in Texas, his work continues to push imaginative realms while reaching prestigious artistic and technical status. In 1970, Carter earned a Business Management degree from Lamar University and began his career as a commercial photographer while working on personal projects. These personal projects have become a strong and highly sought after collection that have become twelve published monographs. Carter currently teaches photography at Lamar University as a Distinguished Faculty Lecturer. He travels worldwide providing photography lectures and workshops for artists. Carter’s fine art photography collections...

Artist: Stuart Klipper (American, 1941-) Title: Ross Ice Shelf, Near ‘Willy’ Field Year: 1989 Medium: C Print (Chromogenic print) Size: 12 x 38 inches image, 16 x 44 inches sheet, 18 x 45 inches matted. Unframed Signature: Signed, titled, dated, artist’s stamp on reverse Condition: Very good This photograph depicts the Ross Ice Shelf near ‘Willy Field.’. It is a chromogenic print, also called a C-print on Kodak paper. Klipper traveled to Antarctica in 1989 under the aegis of the National Science Foundation. Some of his photographs from this trip were later included in a New York MoMA exhibit titled “Projects 26 – Stuart Klipper On Antarctica 1989.” The three-foot-wide color panoramas in this exhibition were selected from the series On Antarctica, which comprised more than 1,000 pictures made in 1989. In the exhibition brochure, curator Peter Galassi writes that the artist’s panoramas present “a landscape that is ravishing in its barren beauty, in its inhospitable grandeur, and in the delicacy of its ever-changing hues. The photographs seem to fuse the epic swoon of romanticism with the impersonal rigor of science.” The photograph is in very good condition. The mat is in very good condition. Unframed. Stuart Klipper was born in the Bronx in 1941. He then lived in Stockholm, Sweden, moved to Minneapolis in 1970 and currently resides there. He has made six visits to Antarctica to photograph, and has also worked in Greenland, Iceland, Svalbard, Alaska and Lapland (in the area irradiated by the Chernobyl disaster). Other major forays have taken him across Northern Australia; the deserts of Israel and Sinai; the tropical rain forests of Costa Rica, Patagonia and Tierra del Fuego; and Sri Lanka and Pakistan. He has logged many thousands of miles at sea, photographing on all of the Earth's oceans... and seas. For over 30 years, he has made photographs in all 50 states, distilling and crystallizing the defining characteristics of American regions. Other undertakings include extensively photographing the First World War cemeteries and memorials of the Western Front, major physics and astronomy research installations throughout the U.S. and the Anasazi ruins of the Southwest. His photographs have been exhibited in, and collected by, major museums in the U.S. and overseas; foremost, the Museum of Modern Art, the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Minneapolis Institute of Arts, the Walker Art Center, The Jewish Museum, the Israel Museum, the Victoria and Albert Museum, the Kunsthalle Bonn and the Moderna Museet. He has been the recipient of several major grants, including two each from the Guggenheim Foundation and the Bush Foundation, and three each from the McKnight Foundation and the Minnesota State Arts Board. He is a recipient of the U.S. Navy's Antarctic Service Medal. He was also visiting professor, Art Department, Colorado College, 1978 to 2008. Solo exhibitions • Disparate Geographies, Schmidt Dean Gallery in Philadelphia, 1998. • Sixteen polar photographs, Arktis -Antarktis, the Kunsthalle des Deutschesrepublic, Bonn, Germany. 1998 • Cardinal Points, at the University of Iowa Museum of Art. (Photographs from polar regions: Antarctica and Greenland, the tropical rain forests, the desert regions of Israel and the Sinai, the agricultural Great Plains)-- an exhibition catalogue was published. 1998 • At Sea Near the Poles, at the Spencer Gallery, Wickford, R.I. 1999 • Antarctica 99/00, Yancey Richardson Gallery, NYC, 2000 • Selected Antarctic Work, Berler Gallery, Washington D.C., 2001 (Also shown in Denver and Christchurch, N.Z. • Selected American photographs, The Center for American Places, Harrisonburg, Va., 2001 • Photographs from the Arctic and Antarctica, Smith-Dean Gallery, Phila., PA, 2001 • Wyoming, Univ. of Wyoming Museum Art, Minneapolis Institute of Art, 2001/02 • In the Australian Outback, Gallery 360, Minneapolis, 2002 • The United States, Candace Perich Gallery, Katonah, NY, 2002 • Rock art, bush fire, termite mounds and other aspects of the outback of the Top End of Australia, Gallery 360, Mpls.,2002 • Portraits about Pakistan, 1987, Icebox Gallery, Mpls., 2002 • Antarctic 1: Views Along Antarctica’s First Highway, Center for Land Use Interpretation, Los Angeles, 2002 • The Louisiana Purchase, Groveland Gallery, Minneapolis & Olson-Larsen Gallery, Des Moines, 2003 • Selected photographs, Medtronics Corp. corporate headquarters, Minneapolis, 2006 • Antarctica, Electrolift Artworks, Minneapolis, Minn. 2006 (+ other venues) • 20 Years of photographing Louisiana, The Ogden Museum, New Orleans, 2008 • Antarctic Photographs, City Museum of Charleston, S.C., 2009 • Local Places – Remote Terrains, Olson Larsen Gallery, Des Moines, Iowa, 2009 • The Dead Sea Region, Israel, The Basilica of St. Mary, Minneapolis, 2010 Group exhibitions • Photography of New York City, Minneapolis Institute of Art. 1998 • Sea Change, The Center for Creative Photography, Univ. of Arizona, Tucson. (An eponymous book was published in conjunction with the exhibition and is in national distribution), 1998/99 • American farms and farming, Candace Perish Gallery, Katonah, NY. (Traveled to Washington D. C.), 1998/99 • Views from the Edge of the World, Marlborough Gallery, NYC. 1999 • Claiming Title: Australian Aboriginal Artists and the Land, St, Olaf & Carleton Colleges, Northfield, Minn., 1999 • The Infinite and the Intimate; Waterscapes of Stuart Klipper and Frank Gohlke, Dorsky Gallery, N.Y.C. 1999 • An Eclectic Focus: Photographs from the Vernon Collection ( + catalogue), Santa Barbara Museum of Art, 1999 • Aqua, Gallerie Thierry Marlat, Paris, France 1999 • Restructuring the Prairie, Grinnell College, 1999 • The Mural as Muse, Deutsches Bank Gallery, NYC, 2000 • earth sky, Jackson Fine Art, Atlanta, GA, 2000 • Western Panoramas, Huntington Museum, Sta. Barbara, CA, 2001 • I Love New York (W. T. C benefit), NYC, 2001 • Melodrama, inaugural show, ARTIUM, Vitoria, Spain, 2002 • Contemporary Desert Photography...

Original, vintage silver gelatin print by Imogen Cunningham. Printed by the artist circa 1949 with Certificate of Authenticity from the trust on the back of the mount. Artist Biograp...

Campbell Falls Picnic - NEW Slim Aarons Estate Edition A family enjoy a picnic on the bank of the Whiting River near Campbell Falls Massachusetts USA 1959 A gorgeous scene; and a ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20 CURRENT EXHIBITION - runs through February 25, 2017. Any framed photographs purchased during the show will be after February 25th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. ABOUT In this exhibition, Mindaugas Gabrenas invites us to reflect on the poetics of place through his lyrical and surrealist imagery. His hand-printed silver gelatin prints reveal abandoned regions, wild coasts and strange territories from Lithuania to Scotland to America. As a scientific innovator, he uses unique techniques and unconventional materials in order to create his whimsical, dream photos. In “Spinning The Wheel”, stars trace the sky in a curved motion and meet the water below creating a sense of the infinite. As Gabrenas explores and captures landscapes through very long exposures, he actually meditates and reflects on the world around him encouraging his viewers to imagine themselves within the landscapes and dream with him. In another image “Dream About an Empty House”, that was taken in Lithuania, we see a young girl from behind in a red polka dotted dress as she faces an abandoned home. Using his handmade camera he constructed by merging two cameras—a Kiev 88 and a Kodak Duaflex II. The viewfinder of the Duaflex serves as an additional filter on the lens of the Kiev 88, which is fixed to its body with several macro rings. Before shooting the film, he wraps it in black rye bread and waits several days for the mold to grow onto the film. The combination of these two techniques creates a sense of motion around the central figure. “Alternatives”, our invitational image, pulls us into Gabrenas’ world. The focused close-up and abstracted view of train tracks distorts a familiar shape into a strange and unusual form. The tracks lead you in the distance, a blurry city of New York. The ironic lack of human life in New York City conveys a mystifying sense of place. In “Something With a Head”, we’re taken to the Lithuanian seaside where silhouetted figures stand on sand dunes watching the central figure jumping off into the distance. This image is part of his “Dreamscapes”; a series of “dream projections” where the artist uses a light-leaking camera called Kiev 88 and expired Svema 64 film to give the photography a dusty and blurry quality. Born in Lithuania, he has been influenced by a myriad of artists’ techniques including the graceful elegance of Masao Yamamoto and the intricate compositions of Michael Kenna. However, Henri Cartier Bresson has perhaps had the greatest influence on Gabrenas’ photographic process and the patience it entails. Gabrenas has won numerous awards for his photography, including Black & White Magazine Portfolio Contest Winner, Audience Award Winner in SoHo Photo Gallery, Photo Democracy Award Winner, Foto filmic'13 Portfolio Award Winner, Tera Bella Media'13 2nd Place Winner. He has also been published in various publications including 'Black & White Magazine', ‘L’Oeil de la Photographie', ‘Adore Noir Magazine’, ’PH Magazine’, 'Foto blur', ‘Dodho Magazine’, ’Dahse', 'Shots', ‘DOC!’, ‘Monovisions’, and ‘Klassik Magazine’. This is his first solo exhibition at the Robin Rice Gallery. Black and White, Water, Landscape, West...

RISAKU SUZUKI (*1963, Japan) Water Mirror 14, WM-77, 79 (Diptych), 2014 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Frame 124 x 159 x 5 cm (48 7/8 x 62 5/8 x 2 in.) D...

This listing is for a framed and mounted print. Additional unframed sizes are available. Beth Lilly is inspired by the work of Thomas Cole, JMW Turner and Paul Gauguin. Based in A...

La Chasse au Cerf, Normandie, France, September 1975 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of Origin Signed a...

This work is offered by CLAMP in New York City. The Voyage of Life/Homage to Thomas Cole 1984 Signed and numbered Vintage Cibachrome print 30 x 38 i...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Pictorialist photograph of nude woman in a forest interior by Charles Cook. Silver print. Circa 1910. Charles J. Cook was a painter and photo...

"Grenadier Pond" is a black & white landscape photograph measuring 36x25" unframed. All of Rick's photographs are printed on Hahnemühle Fine Art Paper using archival pigment-based inks. There are other edition sizes available, namely 17x12" and 10x7". Photographs are rolled carefully and shipped in a tube. Framing is optional and quoted separately. Grenadier Pond is in High Park in Toronto, which opened to the public in 1876. It spans 161 hectares (400 acres) and is the second-largest municipal park in Toronto. It is a great location for photographers and naturalists. This image was taken at around 6:30 a.m. at the park’s Grenadier Pond. A long exposure really enhances the reflection of the trees and brush at the pond’s shoreline. Rick Bogacz...

51 x 63.5" (framed size) Fujicolor chrystal print Edition #3/5. Signed, titled, dated and editioned on label verso. Peter Bialobrzeski spent over two years travelling through Ge...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

Jung LEE (*1972, South Korea) You are in my heart, 2020 C-Type Print, Diasec Sheet 136 x 200 cm (53 1/2 x 66 7/8 in.) Frame 173,5 x 139,5 x 3,7 cm (68 1/4 x 54 7/8 x 1 1/2 in.) Editi...

Columbia River - Tooth Bridge - September 18, 1893 - is an original vintage black and white photo realized as part of a journey throughout the world per...

Black and white fine art long exposure waterscape - landscape photography print. The Cliffs of Scotland during a storm with a small island. Archival pigment ink print, edition of 20....

Black and White Fine Art landscape photography. Volcanic rocks in the sea at a beautiful bay on the island of madeira, Portugal. Archival pigment ink print, edition of 7. Signed, tit...

30"x40" edition of 5 This photograph was made at the site of the former Maharishi Mahesh Yogi’s Ashram in Rishikesh, India. After The Beatles ...

22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...

Silver Gelatine Print by Erich Andres, ca 1960. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photographers, who used a Leica. His images today are displayed in several museums, for example in the Civil War Museum in Salamanca, Spain, the Olympic Museum in Lausanne, Switzerland, the Industrial Museum in Oberhausen, Germany. Andres was a contributor for Edward Steichens Exhibition "The family of man" at the Museum of Modern Art in New York in 1951. All works of Andres offered here on 1stdibs are originals, printed and annotated by the photographer himself. Description: Lake Powell...

This large-scale black and white landscape is part of artist Ron Tarver's long-term, ongoing project, " Land, Sea, Air," that explores the wide-ranging system of wetlands in the US National Wildlife Refuge. It depicts the wetlands of the Bombay Hook National Wildlife Refuge, one of the largest remaining expanses of tidal salt marsh in the mid-Atlantic region. The refuge, located along the coast of Delaware, is mostly marsh, but also includes freshwater impoundments and upland habitats that are managed for other wildlife. Through his elegantly rendered naturalistic photos that verge on abstraction, Tarver investigates the delicate nature of the ecosystem, the government's precarious conservation policies, and our relationship to these unique spaces. This print is also in the collection of the Woodmere Art Museum, Philadelphia, PA. It ships rolled in a 36 "x 6" tube. Ron Tarver is a professor of Studio Art specializing in Photography at Swarthmore College. He served as staff photographer at the Philadelphia Inquirer for 32 years, and his work has appeared in National Geographic, Life, Time, Newsweek, The New Yorker, and Black and White Magazine. He is co-author of the book We Were There: Voices of African American Veterans, published by Harper Collins in 2004, which was accompanied by a traveling exhibition. Tarver shares a 2012 Pulitzer Prize at the Inquirer for his work on a series documenting school violence in the Philadelphia public school system, and was nominated for a second Pulitzer in 2013 for a series exploring dog...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wi...

A view of the Anchorage Hotel on Dickenson Bay, Antigua in the West Indies, 1960. Built by a Scottish couple, formerly resident in Africa, the hotel complex features Zulu-style cotta...

In a world entrenched in societal division and ecological turmoil, it can be refreshing to step back and enjoy the quiet beauty of the natural world. Dallas photographer David H. Gib...

'Capri Bay' 1958 Slim Aarons Limited Estate Edition Print 1958: Faraglioni Rocks on the Italian island of Capri. Produced from the original transparency Certificate of authenticit...

Daniel Mansur In Paradisum #8, 2018 40 x 60 inches 100 x 150cm Also available in: 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archiva...

A beautiful colour C type print of a herd of Cows Sunbathing on a beach with numerous kites flying in the backround. Picture taken in Tarifa, Spain. National Geographic Award Winn...

Slim Aarons - Tropical Mustique - Estate Stamped Edition Limited to 150 only Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines, February 1989 ...

February 1989: Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered an...

Canal Páramo de las papas, 2018 by Miguel Winograd From the Series Bruma Pigment Prints Sheet Size: 20 in H x 24 in W Edition of 7 Black and white Edition Unframed What began a...

The Gloaming 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size only from the Limited Edition of 7 + 2 Artist Proofs. This is print 6 from the ...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential ...

Daniel Mansur In Paradisum #8, 2018 47 x 71 inches 120 x 180cm Also available in: 40 x 60 inches 100 x 150cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archiva...

Digital C-print Signed and numbered, verso 30 x 40 inches (Edition of 5) Chromogenic print Signed and numbered, verso 20 x 24 inches (Edition of 7) This photograph is offered by Cl...

Archival pigment print on Fine Art paper 305g (Matt Appearance). Limited edition of 7 for all print Sizes. Title : " Bleus Refuges" (EN : Blue Shelters) Artist : Johann Fournier (FR)...

17 x 21 inches framed

Daniel Mansur In Paradisum #1, 2018 40 x 60 inches 100 x 150cm 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigment Print Sig...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Black and white fine art long exposure seascape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order ...

This vintage silver gelatin print is signed in pencil on the mount beneath the image. Printed in 1950 in an edition of 100 numbered copies and 5 presentation copies; this print is fr...

archival inkjet print on watercolor paper 16 x 16 inches unframed 2018 Photographed in Maine, this color archival pigment print by Betsy Weis captures a grouping of trees at dusk. The serenity of the moon's gentle light against a deep blue evening sky illuminates the dark forest below. This photograph is available unframed. The image measures 16 x 16 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

Snowy Egret in the Bayou by Cheryl Medow is a color portrait of a white bird perched on a branch, in front of a swampy landscape. Edition of 6 Signed and numbered in pencil, and bli...

Daniel Mansur In Paradisum #2, 2018 40 x 60 inches 100 x 150cm 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigment Print Sig...

Old days Photo - The Tree is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including h...

February 1989: Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines. Slim Aarons Estate Edition, Certificate of Aut...

Pierre Vincent Marais and his wife Isabelle holiday with friends at Gelliceaux House, their home on the island of Mustique in the Grenadines, February 1...

February 1989: Pierre Vincent Marais holidays with friends on the island of Mustique in the Grenadines. Slim Aarons Estate Edition, Certificate of Aut...

Portofino Villa 1977 (printed later) C print Estate stamped and numbered edition 1 of 150 with Certificate of authenticity Caption: Guests by the pool at Klaus Pudel's villa, the C...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...

Signed, titled and numbered aquatint print. Summer light infuses the Live Oaks in a park near the town of Sonoma, CA. Wheat colored grasses rustle lightly in the brease. This is a g...

Capri Bay 1958 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: 1958: Faraglioni Rocks on the Italian island of Capri. S...

This art work, as all of Marek`s pieces can be custom size. It is part of an edition of 5 and comes ready to hang. It was taken place in Croatia. I use the medium of photography freely and instinctively, at times beyond its conventional role, form and expectations. Constantly experimenting, discovering new meanings. Attempting to move imaginations. From sharp, colourful geometric shots to soft and calming landscapes. From intensely minimalist to intensely complex. Looking for beauty and poetry in the mundane. Hunting for treasures. Photographs chosen to present in collaboration with Contempop Gallery...

The Dominion of Trees (2000 - 2005) Constructed fictions about humans relationship to the natural world “Nature is never spent” - G. M. Hopkins This series of landscape-based nar...

Massachusetts Mist A heron in his chosen hunting spot on a misty New England summer morning in Marion, Massachusetts USA. by Stuart Möller Born in Kabul, part German and Anglo-In...