Sky Photography

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

Man With Pipe, 1981 - Jerry Schatzberg (Portrait Photography) Signed on Reverse Silver Gelatin Print Printed on 20 x 24 inch paper From an Edition of 20 Jerry Schatzberg’s portraits...

Edition of 7 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I am fascinated with the quality of light and the spatial imme...

Tropical Storm II, Sunset Atlantic Ocean, Brazil 47 x 71 inches - Edition of 5 Archival Pigment Print Unframed ABOUT THE ARTIST: Born in São Paulo, Sé...

Araquém Alcântara Serra Geral National Park, Tocantins, Brazil, 2010 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inche...

Seaweed Farm, South China Sea, China (Sepia) Edition of 10 + 2AP Archival Pigment Print Framed “These works present my abiding interest in the thresho...

Tropical Storm, Sunset Atlantic Ocean, Brazil 47 x 71 inches - Edition of 5 Archival Pigment Print Unframed

Edition of 10 + 2AP “These works present my abiding interest in the thresholds that divide and connect the sea to land. I am fascinated with the quality of light and the spatial imm...

"Drift 02" Abstract Landscape Photography 30" x 20" Edition 8/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the s...

Untitled (Nr. 1943) Landscape Photography 18" x 24" in Ed. of 20 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul Mitchell, and Vidal Sassoon. He has photographed Selena Gomez...

David Burdeny Tide Pool, Australia, 2017 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

16" x 20" Unframed Open Edition Silver Gelatin Print Hand Signed by Bill Lemke

20" x 16" Unframed Open Edition Silver Gelatin Hand Signed by Bill Lemke

20" x 16" Unframed Open Edition Silver Gelatin Hand Signed by Bill Lemke

Bernhard Quad Hazy Sea Licata, Italy, 2008 Archival Pigment Print 49 x 75 cm on a 64 x 90 cm paper 20 x 30 inches on a 25 x 35 in paper Edition of 7 85 x 130 cm on a 105 x 150 cm...

Mac Oller Classic 12 x 12 inches Edition of 29 Archival Pigment Print 20 x 20 inches Edition of 19 Archival Pigment Print 30 x 30 inches Edition of 9 Archival Pigment Print 40 x ...

Edition of 8 Archival pigment print on somerset rag, 23 3/4 x 23 3/4 in. Signed, titled, dated and numbered by Stuart Allen Series: Soap Bubbles White wood frame, 24 x 24 in., includ...

Edition of 8 Dye-sublimation print on aluminum Signed, titled, dated and numbered by Jeanine Michna-Bales Series: Through Darkness to Light: Photographs Along the Underground Railroad...

Edition of 3 Signature Label, numbered and dated, mounted and framed.

Edition of 3 Signature Label, numbered and dated, mounted and framed.

Tropical Storm I, Sunset Atlantic Ocean, Brazil Edition of 10 Print only - Ask us for framing options. ABOUT THE ARTIST: Born in São Paulo, Sérgio Ran...

Palm Beach native and grandson of iconic fashion designer Lilly Pulitzer, Chris Leidy grew up with a deep admiration for the ocean and aquatic life and has made his mark as a world-r...

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4000 
20 x 20 in. $5000
 24 x 24 in. $6000
 30 x 30 in. $8000
 42...

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT a...

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4000 
20 x 20 in. $5000
 24 x 24 in. $6000
 30 x 30 in. $8000
 42...

Ed. of 10, includes thin black frame. Debranne Cingari is a well-established American photographer and assemblage artist. Cingari is known for her explorative and boundary breaking artistic approach where she combines photographic images with assemblages of various artifacts. She often combines the two genres into text reliefs and cityscapes. With a background in photojournalism and a hobby of collecting random, assorted objects, Cingari introduces found items such as keys, locks, and book pages into her photographs, welding, drilling, screwing, gluing, and sewing them to the images. Such amalgamated compositions give new meaning to old objects...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT an...

Ed. of 10, includes thin black frame. Debranne Cingari is a well-established American photographer and assemblage artist. Cingari is known for her explorative and boundary breaking artistic approach where she combines photographic images with assemblages of various artifacts. She often combines the two genres into text reliefs and cityscapes. With a background in photojournalism and a hobby of collecting random, assorted objects, Cingari introduces found items such as keys, locks, and book pages into her photographs, welding, drilling, screwing, gluing, and sewing them to the images. Such amalgamated compositions give new meaning to old objects...

This Water series comes out of Schmidt's life long fascination with water and the color blue. Having grown up in Greece as the daughter of an archeologist, Schmidt spent 3 months ...

Edition of 8 Dye-sublimation print on aluminum, 25 x 36 in. Signed, titled, dated and numbered by Jeanine Michna-Bales Dye-sublimation print on Aluminum, wall mount on back. From the series, Through Darkness to Light: Photographs Along the Underground Railroad...

West Texas: Full Moon over the Chisos Mountain depicts a desert landscape at dusk, with a full moon rising over the mountains. The last light of the setting sun hits the distant mountain range, and wispy clouds...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Paper size: 18 x 22 in., Image size: 13 1/4 x 20 in. Series: Hometown Texas Available in additional siz...

Edition of 8 Signed, titled, dated and numbered. Michna-Bales’ work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic — considering different viewpoints, causes and effects, and political climates — and often incorporates found or archival text and audio into her projects. Whether exploring the darkened stations along the Underground Railroad, long-forgotten nuclear fallout...

Signed, titled, and dated in print verso.

Signed and titled in pencil on print margin. Jack Ridley was born in Dayton, Ohio in 1948. He spent his earliest years at Edwards Air Force in California where he first developed an appreciation of high desert landscapes. His family eventually settled in Ft. Worth, TX, and later Dallas, where Ridley currently lives and works. Ridley has been photographing Texas landscapes in black and white with large format cameras for over thirty years. Traveling to the far ridges of Texas, Ridley sets up camp for weeks at a time, thoughtfully composing and creating timeless images of Texas’ most beautiful natural spaces such as Big Bend National Park, Rio Grande National Park and The Guadalupe Mountains...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She re...

Bubble No. 12 by Stuart Allen presents a vibrant soap bubble floating against a cloudy sky. The prismatic colors, created by an optical phenomenon of light, are emphasized against th...

Edition of 8 Signed, titled, dated and numbered. "This series exploits an optical phenomenon that occurs when visible light is distorted by the thin film membrane of a soap bubble. ...

Gelatin silver print, 20 x 16 in. Signed, titled, and dated by Mario Algaze Mario Algaze was a contemporary Cuban-American photographer whose work celebrated the culture of Latin America. In 1960, at the age of thirteen, Algaze was exiled from Cuba with his family. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. Mario Algaze was the recipient of various acclaimed awards, including the Florida Artist Fellowship from the Florida Arts Council (1985), the Cintas Foundation Fellowship in Photography (1991), the Visual Arts Fellowship and the SAF Artist Fellowship sponsored by the National Endowment for the Arts. In 1992, he received the National Endowment for the Arts Fellowship in Photography. A retrospective collection of his work was showcased in the important monograph, Mario Algaze: Portfolio, published by Di Puglia Publisher, 2010. Additional monographs by the artist include, Mario Algaze Portafolio Latinamericano, Mario Algaze: Cuba 1999-2000, and Mario Algaze A Respect for Light: The Latin American Photographs...

Edition of 50 Signed, titled, dated and numbered. Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and mea...

Stanislaus County, California by David Graham is a 20 x 24 inch C-Print, available in an edition of 25. This photograph features a barren field with an orange sign that reads "Really...

Signed and titled. "At least twice a year, Ridley ventures to Big Bend with his 8 x 10 view camera capturing stunning, expansive black and white images of ...

Un double reflet en or sur une rivière près de Budapest Photographie prise par Bellec lors d'un séjour à Budapest, Hungaria.

This image is printed in an edition of 3, but comes in smaller sizes. Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley...

American Decorum Le grand rêve de l'Americana, cette culture américaine peuplée de symboles, de fétiches, de clichés auxquels la majorité d'entre nous a été exposé. Un imaginaire fer...

American Decorum Le grand rêve de l'Americana, cette culture américaine peuplée de symboles, de fétiches, de clichés auxquels la majorité d'entre nous a été exposé. Un imaginaire fer...

"Shadow on Daytona Beachis" a limited-edition black & white photograph by contemporary artist Tadeusz Zych from the series entitled Black and white States. The photo was taken during...

Michael Falco takes his photographs using film. He built this image- a triple exposure and then prints after digitally correcting. This is printed on aluminum and is frameless. We can have the image printed on paper and matted and framed if you prefer. It says American Summer Fun- every state has an amusement park! Michael Falco is a freelance photographer who has worked for a number of publications including, the National Geographic, The New York Times, Harper's Bazaar, and W Magazines. His first book, “Along Martin Luther King Travels on Black America’s Main Street”, published by Random House in 2003, is a collection of photographs spanning two years documenting life along streets named after Dr. Martin Luther King in America. The Museum of Modern Art purchased one of his panoramic images of the Fresh Kills Landfill for its exhibit, “Groundswell: Constructing the Contemporary Landscape” 2005. Selected by the New York City Art Commission, he installed a 10 x28 foot glass mural...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 1/1 on verso. This is a unique print. In the series ‘Weights & Measures’ (2...

Tirage Couleur pigmentaire Papier : Hahnemühle, Photo Rag Bright White 310g/m2 Signé par l’auteur et numéroté à 9 exemplaires American Decorum Le grand rêve de l'Americana, cette c...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Cloud project in 2022. Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above. Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations. Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse. With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide. There are 18 pieces in the Cloud collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...

Archival photo print under acrylic glass. Dimensions: 48 x 48 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images. In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination. Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance. Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future. From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs. --- RIOUX started the Renaissance project in 2016. Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever. “Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell There are 18 pieces in the RENAISSANCE collection. Each archival pigment print is produced under the supervision of the artist. The print is mounted under a single piece of 1/4"/ 6 mm gallery...