Swimsuit Photography

Harbour Isle Beach, 1973, Printed Later Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity f...

Last man standing - 2019, part of the series The crazy Adventures of David C. 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back an...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Meg O'Neill, a writer for Town and Country magazine, relaxing by the infinity pool at Colin Tennant's home on the West Indies island of Musti...

Meg O'Neill, a writer for Town and Country magazine, relaxing by the infinity pool at Colin Tennant's home on the West Indies island of Mustique, February 1989. Slim Aarons Estate E...

Meg O'Neill, a writer for Town and Country magazine, relaxing by the infinity pool at Colin Tennant's home on the West Indies island of Mustique, February 1989. Slim Aarons Estate E...

Saint-Tropez Swimmer 1971 by Slim Aarons Slim Aarons Limited Estate Edition A topless swimmer in Saint-Tropez, on the French Riviera, August 1971. unframed c type print printed ...

Dear, 2018, Edition 1/7 plus 2 Artist Proofs, Digital C-print, Based on an original Impossible film, not mounted. Signed on the back and with certificate. Artist inventory PL2018-400...

Shooting Range (Till Death do us Part) - 2005 20x20cm, Edition 8/10, Archival C-Print, based on a Polaroid, Certificate and Signature label, Artist Inventory # 9487. Not mounted...

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude, with psychedelic multiple exposure effect, pho...

Sunbathing in Capri, Catherine Wilke, Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity fr...

Truth or Dare - 2017 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, not mounted. Signature label with certificate. Artist inventory PL2017-27...

Unknown photographer, 1950's nude, printed on Epson paper, original was hand tinted. Outdoors 13.375 x9 in Colors: Pink, Yellow, Green, Skin color with hand tinting,

This contemporary figural limited edition photograph by Alyssa Fortin is a reinterpretation of the mythological story of Undine. The two female figures that Fortin captures with her ...

My Girl (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x2...

Modern edition, C-Type print estate stamped and authenticated on reverse by a representative of the Eva Sereny archive. American film star and sex symbol Raquel Welch...

large format original photograph of the iconic Mediterranean rock pools of Calafuria Vaschette in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale ...

Somali-American fashion model and actress Iman at King Peter’s Bay, Tobago wearing a Mexicana dress made from Liberty fabric. British Vogue magazine, May 1...

Taken outside the Carlton Hotel in 1958, this photograph by Slim Aarons portrays two holidaymakers in colorful vintage bikinis pausing for a glass of ro...

Black and white promo photo of Marilyn Monroe posed in a bathing suit for her role in "Monkey Business", circa 1952. -- One-of-a-kind original vintage press print from the Celebrity...

A light and very becoming underwater photograph of a girl walking down the steps in pool toward you. The light blue photograph shows no swimsuit neithe...

Museum quality print of Marilyn Monroe by Lawrence Schiller, taken on the set of Somethings Got To Give in 1962 during the famous naked swimming pool scene ...

From The Jon Gould Collection of Andy Warhol Photographs Each photo is unique and blind embossed “Andy Warhol” in the lower right corner Provenance: Gift of the Artist to Jon Goul...

The way we were 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL201...

"Around the World 2" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube...

My Girl (Till Death do us Part) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature labe...

"Heatwave" Photography 20" x 20" inch Edition 2/36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox...

Apollonia van Ravenstein at the Crane Beach Hotel in Barbados wearing a Jane Cattlin swimsuit with a Charles Batten hat, chiffon scarf from Liberty and Saint Laurent Rive Gauche sand...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to capture the nude, not from a position of who holds the power in the relationship, to more of an examination of form without the whisper of sexuality. I have recently revisited my exploration of nudes, this time only from behind the camera. My revelation is that I perceive the subject as a whole, complex human being, giving me the gift of seeing them profoundly. The performance of photographer and subject is on equal footing as we both work within an area of trust and curiosity. What are we really revealing to the camera as one stands before it? Ultimately the experience connects us not only in our shared experience, but as two women, both bringing a level of acceptance and courage to our efforts. It is exhilarating to change the masculine history of photography into a feminine one. Lisa McCord is a fine art and documentary photographer from the Arkansas Delta...

Runaway Lovers (Till Death do us Part) - 2005, 20x24cm, Edition of 10, digital C-Print print, based on an original expired Polaroid. Certificate and Signature label. Artist Inve...

Daisy in front of Trailer (Till Death do Us Part) - 2005 Edition 4/5, 48 x 47 cm. Analog C-Print, printed on Fuji Crystal Archive Paper, hand-printed by the artist, based on the Polaroid. Artist inventory 9250. Signature label and certificate. Not mounted. This Edition comes with the vinyl soundtrack of "Till Death Do Us Part" (directed by Stefanie Schneider), music by Daisy McCrackin. Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Till Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting images rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real-time, and the edited moving shot, despite its artificial rendering of time, all too often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

An underwater black and white photograph of two women talking in the pool with their heads above the water. The heads are hidden from the camer...

Okurimono Pigment Print About the work : Shibari I is a work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. The images from the Okurimono- series is available in 3 different formats : Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed More work will be sent from the artistry request. christian at soulfood no In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play...

All about narcissism. The series, which he started during the exhibition of the Don't Tell Mama photography series at the European Nu Photo Festival (Europeen de la Photo de NU) held...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Tocando a Dimas, 2019 Archival pigment print on Hahnemühle Photo-rag paper 52 x 39 cm (20 1/2 x 15 ...

Edition of 50. Britt Ekland is a striking portrait, on fibre paper, from iconic 20th Century photographer David Steen. Steen’s introduction to photography was as a 15-year-old school...

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 24×16 inches/61×41 cm Art-ID: CW8_4718 Aaron Knight is an American visual ...

Mathew , Platinum Palladium print on Arches Platine paper from Ian Sanderson, unframed. Edition 1 of 12 plus 2 AP ( small Size ) Portrait of a charismatic man, shirtless, pr...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Untitled (Beachshoot) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1456 Not mounted. Stefanie Sc...

'Red' (Bombay Beach) 2019, 20x20cm, Edition 2/7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid, Not mounted. Signed label & certificate. Artist inventory PL2019-5...

Somali-American fashion model and actress Iman at King Peter’s Bay, Tobago wearing a Shuji Tojo swimsuit. British Vogue magazine, May 1976. Iman at King P...

Three framed artworks from Richard Heeps Burlesque series. Boudoir, Tease-O-Rama, Hollywood, 2003 Delilah Right Red Hand I, The Whoopee Club, London, 2004 Dirty Martini Fan Dance XX...

'Wake-up call' (Bombay Beach) - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on a Polaroid, Not mounted. Signed on the back and with certificate. Art...

Slim Aarons Sunbathing In Burgenstock 1955 C print estate edition of 150 Lilian Hanson, sunbathing by a pool at the Brgenstock Resort in Can...

Vintage silver print Studio stamp in black ink, verso This artwork is offered by ClampArt, located in New York City. One of the most famous names in physique photography, Bruce Bellas (1909–1974)—best known under the pseudonym Bruce of Los Angeles—is remembered today as a pioneer of beefcake. Beginning in the 1940s and continuing until his death in the 1970s, Bruce of LA photographed...

Hawaiian Scenes 1957 A couple in beachwear, Hawaii, 1957 by Toni Frissell 16 x 20" inches / 41 x 51 cm paper size Archival pigment print unframed (framing available see exampl...

Sunspots - Signed limited edition archival pigment print - Edition of 10 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free a...

This is a series of black and white nude photographs that began with analog photography between 1992 and 2005, followed by a transition period to digital photography. Erkaya is curre...

"Syrens No3" Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Comes wit...

MISS ERIS #29 [From the series Les Foxy Femmes de Carmen De Vos] Exhibited in solo shows in 2018 in Ghent and Antwerp. Published in her book 'The Eyes of th...

Honey, I love you (Till Death do us Part) 2007, 20x24cm, Edition 1/10. Digital C-Print, based on an original Polaroid, Certificate and Signature label. Artist Inventory No. 8781. N...

'Hot Tub' (Heavenly Falls) 2016, 20x20cm, Edition 1/10, digital C-Print based on a Polaroid, Certificate and signature label, artist inventory number: 19715....

'Sunbathing On Capri' 1980 Slim Aarons Limited Estate Edition Catherine Wilke joins the topless sunbathers - along with Elisabetta Catalano, Charlotte Ticken and Pamela Grupas - on ...

Gossip (Beachshoot) - 2005 40x80cm including white border. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

An underwater black and white photograph of a beautiful naked model on her knees at the bottom of the pool. Original gallery quality archival pigment print on paper signed by the ar...