12 Views for Caroline Tatyana: one plate (H)
View Similar Items
Brice Marden12 Views for Caroline Tatyana: one plate (H)1979
1979
About the Item
- Creator:Brice Marden (1938, American)
- Creation Year:1979
- Dimensions:Height: 24.38 in (61.93 cm)Width: 18.38 in (46.69 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This work is in excellent condition.
- Gallery Location:Houston, TX
- Reference Number:1stDibs: LU598997652
Brice Marden
Acclaimed American artist Brice Marden worked for decades in abstract mode, creating lush, monochromatic multiple-panel paintings and notebooks full of mesmerizing drawings that are imbued with the lyricism of calligraphy. He was deemed a master of minimalism.
“Ultimately, I’m using the painting as a sounding board for the spirit,” Marden once said. “You can be painting and go into a place where thought stops — where you can just be and it just comes out.”
Marden received his BFA from Boston University College of Fine Arts in 1961 and his MFA from Yale University’s School of Art in 1963. Afterward, the Bronxville, New York, native moved back to New York City. There, he was exposed to the work of Jasper Johns while he was working as a guard at the Jewish Museum and later Robert Rauschenberg’s art when he became Rauschenberg’s studio assistant.
Apart from these iconic artists and the Abstract Expressionist movement, Marden’s inspirations were numerous and broad-ranging: trips to the Hydra islands in Greece beginning in the early 1970s (he kept a home there), Baroque masters like Francisco Goya and Chinese stone carvings from the late eighth century. Each of these influences yielded a milestone in Marden’s career, whether he created a revered series of paintings or incorporated a new technique or approach in a practice that had been otherwise evolving for years.
Marden is also known for having experimented with the tools he used to paint his networks of colorful, rhythmic lines. Sometimes he replaced brushes with sticks, dipping their ends in ink and making art that references Chinese calligraphy. In his early days, Marden was also known to paint with kitchen spatulas. His dedication to gesture and line was at the heart of his practice.
Marden’s work can be found in the collections of the Tate Britain, the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., and other institutions.
Find a collection of authentic Brice Marden prints and other art on 1stDibs.
- Metal Shoes 4By Richard TuttleLocated in Houston, TXRichard Tuttle Metal Shoes 4, 2010 Aquatint, hand stencling, copper plate embossment 11 3/4 x 12 ed. 30 FramedCategory
21st Century and Contemporary Abstract Geometric Abstract Prints
MaterialsAquatint, Stencil
- Beginners and OthersBy Ross BlecknerLocated in Houston, TXRoss Bleckner Beginners and Others, 2007 Color aquatint etching 29 x 28 inches Edition of 35Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsEtching, Aquatint
- BeginnersBy Ross BlecknerLocated in Houston, TXRoss Bleckner Beginners, 2007 Color aquatint etching 29 x 28 inches Edition of 35Category
21st Century and Contemporary Contemporary Abstract Prints
MaterialsEtching, Aquatint
- Models for Synthetic PicturesBy Terry WintersLocated in Houston, TXTerry Winters Models for Synthetic Pictures, 1994 Intaglio with aquatint on Gampi laid down on Lana Gravure paper 19 3/8 x 22 1/4 inches Edition of 35Category
Late 20th Century Contemporary Abstract Prints
MaterialsAquatint, Intaglio
- The RobotBy Mary WeatherfordLocated in Houston, TXMary Weatherford The Robot, 2018 Spit bite aquatint on gampi paper chine collé 35 1/4 x 28 1/2 in (89.5 x 72.4 cm) Edition of 25Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsAquatint
- davidelvisandiBy Jack DavidsonLocated in Houston, TXJack Davidson davidelvisandi, 2016 Woodcut 24 1/2 x 17 in (62.2 x 43.2 cm) Edition of 20Category
21st Century and Contemporary Abstract Abstract Prints
MaterialsWoodcut
- Abstract Color Field Gradient Monoprint Aquatint Etching California MinimalismBy Joe NovakLocated in Surfside, FL"Voices XII" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art, Palm Desert, California "Cutting Edge", Zane Bennett Contemporary Art, Santa Fe, New Mexico "Non Objectivity", Pharmaka Gallery, Los Angeles, California Farrell Fischoff Gallery, Santa Fe, New Mexico Eagle Gallery, London, England EVO Gallery, Santa Fe, New Mexico Jill George Gallery, London, England Bert Green Fine Art, Los Angeles, California "Site Unseen 3", James Kelly...Category
Early 2000s Minimalist Abstract Prints
MaterialsColor, Etching, Aquatint, Monoprint
- Abstract Color Field Gradient Monoprint Aquatint Etching California MinimalismBy Joe NovakLocated in Surfside, FL"Voices XXI" Aquatint Etching • Monoprint Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/1 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art, Palm Desert, California "Cutting Edge", Zane Bennett Contemporary Art, Santa Fe, New Mexico "Non Objectivity", Pharmaka Gallery, Los Angeles, California Farrell Fischoff Gallery, Santa Fe, New Mexico Eagle Gallery, London, England EVO Gallery, Santa Fe, New Mexico Jill George...Category
Early 2000s Minimalist Abstract Prints
MaterialsMonoprint, Color, Etching, Aquatint
- Abstract Color Field Red Purple Gradient Aquatint Etching California MinimalismBy Joe NovakLocated in Surfside, FL"Voices VI (A)" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art, Palm Desert, California "Cutting Edge", Zane Bennett Contemporary Art, Santa Fe, New Mexico "Non Objectivity", Pharmaka Gallery, Los Angeles, California Farrell Fischoff Gallery, Santa Fe, New Mexico Eagle Gallery, London, England EVO Gallery, Santa Fe, New Mexico Jill George Gallery, London, England Bert Green Fine Art, Los Angeles, California "Site Unseen 3", James Kelly...Category
Early 2000s Minimalist Abstract Prints
MaterialsColor, Etching, Aquatint, Monoprint
- Abstract Color Field Gradient Yellow Gold Aquatint Etching California MinimalismBy Joe NovakLocated in Surfside, FL"Voices IV" Aquatint Etching Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/3 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art, Palm Desert, California "Cutting Edge", Zane Bennett Contemporary Art, Santa Fe, New Mexico "Non Objectivity", Pharmaka Gallery, Los Angeles, California Farrell Fischoff Gallery, Santa Fe, New Mexico Eagle Gallery, London, England EVO Gallery, Santa Fe, New Mexico Jill George Gallery, London, England Bert Green Fine Art, Los Angeles, California "Site Unseen 3", James Kelly...Category
Early 2000s Minimalist Abstract Prints
MaterialsColor, Etching, Aquatint, Monoprint
- Abstract Color Field Red Purple Gradient Aquatint Etching California MinimalismBy Joe NovakLocated in Surfside, FL"Voices IX" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa...Category
Early 2000s Minimalist Abstract Prints
MaterialsColor, Etching, Aquatint, Monoprint
- Little Queen, Minimalist Etching by Loretta DunkelmanLocated in Long Island City, NYArtist: Loretta Dunkelman (1937 - ) Title: Little Queen from the Delphi Stadium Series from the A.I.R. Women's Portfolio Year: 1974 Medium: Etching, signe...Category
1970s Minimalist Abstract Prints
MaterialsEtching, Aquatint
Recently Viewed
View AllRead More
These 9 Galleries Have Helped Turn the Lone Star State into a Thriving Art Hub
The Texas art scene is booming, thanks to trailblazing gallerists and their savvy collectors.
Out of Context in Houston
New York design impresario Murray Moss has curated an exhibition of intriguing, annotated photographs at Houston's Hiram Butler Gallery, which leave viewers wondering what's the real story.