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Chuck ElliottDazzle / 12 bar crop2017
2017
$650.29
£480
€561.08
CA$897.49
A$1,005.39
CHF 523.90
MX$12,263.69
NOK 6,657.57
SEK 6,277.61
DKK 4,187.71
About the Item
Dazzle / 12 bar crop is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch.
Individually signed and numbered
From an edition of 48 prints, plus 4 APs
Image size ⋅ 60cm H x 48.6cm W
Sheet size ⋅ 72.8cm H x 60.6cm W
.
The Dazzle piece I drew for my 2017 show Current at Catto was 200cm wide, but the drawing seemed to offer an opportunity to generate a smaller work on paper as well.
So after a little further experimentation, I cropped the study down to the 12 vertical bars that form the central core of the composition, and tried it out at various sizes on the Hahnemühle paper, settling in the end for this pigment print edition at 60cm high. I like the idea of the 12 bar crop, with its strong musical connotations.
Dazzle is another work that uses my SV (systematic variation) technique to modulate the line drawing in ways that make it denser, more complex, and less overtly machine generated.
I hope it takes on some of the life you’d find in a classic Missoni fabric, as well as drawing inspiration from the amazing ‘camouflaged’ vessels that became known as dazzle ships in the war.
There’s a nod to the astonishingly baroque Siousie Sioux track here too, of course, as well as a particularly important custom Lambretta that really led the way back in the eighties when I was still heavily involved in the custom spray painting scene, using American metal flake and Candy paints.
I tend to think it's this distillation of the life lived that informs all the decision making that lies at the heart of my studio practice. An amalgamation of visual references and experiences that inform the works being made. It’s more than that of course, but that's an important part of it I think.
- Creator:Chuck Elliott (1967, British)
- Creation Year:2017
- Dimensions:Height: 28.35 in (72 cm)Width: 23.63 in (60 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bristol, GB
- Reference Number:1stDibs: LU158128454682
Chuck Elliott
Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art printmaking for the digital age. Pure logical progression.
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Individually signed and numbered
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Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous.
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