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Chuck ElliottFlow / turquoise base2018
2018
About the Item
Flow / turquoise base is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch.
Individually signed and numbered
From an edition of 24 prints, plus 2 APs
Image size ⋅ 66cm H x 90cm W
Sheet size ⋅ 78cm H x 102cm W
.
A fair while after I made the original Flow series, I started looking at the idea of creating a new more saturated variation, with a fairly solid colour base, and after some considerable exploration, came up with this turquoise and copper palette.
As is often the way with much of the work, I then put it to one side and ignored it for several years.
In the summer of 2018 however, a good friend of the family turned 18, and so I offered him a print for his birthday, and after much deliberation, we decided to try out this study as a pigment print.
To my eye the gouache like quality of the pigments make the colours really sing, so I then editioned the study to sit alongside the earlier silvered and black C type works.
I hope it makes for a good addition to the series.
- Creator:Chuck Elliott (1967, British)
- Creation Year:2018
- Dimensions:Height: 30.71 in (78 cm)Width: 40.16 in (102 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bristol, GB
- Reference Number:1stDibs: LU158128454622
Chuck Elliott
Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art printmaking for the digital age. Pure logical progression.
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View AllKlint / reDux / kbrk
By Chuck Elliott
Located in Bristol, GB
Klint / reDux / kbrk is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch.
Individually signed and numbered
From an edition of 48 prints, plus 4 APs
Image size ⋅ 50.8cm H x 66cm W
Sheet size ⋅ 65cm H x 80cm W
.
Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works on paper in 2015.
Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous.
The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life.
The first piece I drew, ACDH (acid house...
Category
21st Century and Contemporary Abstract Geometric Abstract Prints
Materials
Archival Pigment
Klint / reDux / chrm
By Chuck Elliott
Located in Bristol, GB
Klint / reDux / chrm is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch.
Individually signed and numbered
From an edition of 48 prints, plus 4 APs
Image size ⋅ 50.8cm H x 66cm W
Sheet size ⋅ 65cm H x 80cm W
.
Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works on paper in 2015.
Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous.
The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life.
The first piece I drew, ACDH (acid house...
Category
21st Century and Contemporary Abstract Geometric Abstract Prints
Materials
Archival Pigment
Motorik / TWO / chromatic shift
By Chuck Elliott
Located in Bristol, GB
Motorik / TWO / chromatic shift is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to h...
Category
21st Century and Contemporary Abstract Geometric Abstract Prints
Materials
Archival Pigment
Millefiori / DMG / silver base
By Chuck Elliott
Located in Bristol, GB
Millefiori / DMG / silver base is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to ha...
Category
21st Century and Contemporary Abstract Geometric Abstract Prints
Materials
Archival Pigment
interStella / Quad 1 pt1
By Chuck Elliott
Located in Bristol, GB
interStella / Quad 1 pt1 is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I ...
Category
21st Century and Contemporary Abstract Geometric Abstract Prints
Materials
Archival Pigment
Torsion / primer
By Chuck Elliott
Located in Bristol, GB
Torsion / primer is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch.
Individually signed and numbered
From an edition of 24 prints, plus 2 APs
Image size ⋅ 88cm H x 72.2cm W
Sheet size ⋅ 100cm H x 82.2cm W
.
Torsion / primer is a variant of an original base drawing that was used to create the ‘torqued’ forms of the more complex Torsion / REZ works on Plexiglass.
The idea comes from a number of places but in particular the modernist sculptural work of Walter Leblanc, and his idea that if you heat up a thin bar of steel, and torque one end through a number of rotations, whilst clamping the other end firmly, the resulting form will be a hugely satisfying candy twist of metal, spiralling up or down, depending on your choice of rotational direction.
For Torsion / primer I drew tall...
Category
21st Century and Contemporary Abstract Geometric Abstract Prints
Materials
Archival Pigment
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