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Chuck ElliottKlint / reDux / kbrk2015
2015
About the Item
Klint / reDux / kbrk is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch.
Individually signed and numbered
From an edition of 48 prints, plus 4 APs
Image size ⋅ 50.8cm H x 66cm W
Sheet size ⋅ 65cm H x 80cm W
.
Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works on paper in 2015.
Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous.
The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life.
The first piece I drew, ACDH (acid house), uses a palette of highlighter pen colours, CHRM (chroma) is a more established blue and orange variant, whilst KBRK (Kubrick) is altogether darker, with a more spiky geometry, as the name suggests.
More recently I made the JDRBNK variant (Jodrell bank) as a larger photographic work mounted to Perspex. It’s cut into 3 unequal parts, to emphasise the horizontal joints of the original model.
- Creator:Chuck Elliott (1967, British)
- Creation Year:2015
- Dimensions:Height: 25.6 in (65 cm)Width: 31.5 in (80 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Bristol, GB
- Reference Number:1stDibs: LU158128454152
Chuck Elliott
Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art printmaking for the digital age. Pure logical progression.
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By Chuck Elliott
Located in Bristol, GB
Torsion / primer is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch.
Individually signed and numbered
From an edition of 24 prints, plus 2 APs
Image size ⋅ 88cm H x 72.2cm W
Sheet size ⋅ 100cm H x 82.2cm W
.
Torsion / primer is a variant of an original base drawing that was used to create the ‘torqued’ forms of the more complex Torsion / REZ works on Plexiglass.
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