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Daniel BurenGreen, from 1000 Placements (Rubber Stamp Portfolio), Limited Edition of 2501977
1977
$1,000
£742.45
€865.15
CA$1,388.32
A$1,552.93
CHF 808.15
MX$19,117.06
NOK 10,281.37
SEK 9,645.95
DKK 6,454.92
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About the Item
Daniel Buren
Blue, from 1000 Placements, 1977
Rubber stamp print on Bristol paper
Limited Edition of 250
This work - Blue, from 1,000 Placements, is one of four color schemes, each published in an edition of 250, for a total run of 1,000 (comprising all four colors schemes), for the renowned Rubber Stamp portfolio, original distributed by the Museum of Modern Art in the mid 1970s.
Published by Parasol Press, Ltd., New York; Printed by Aaron Arnow
Buren’s project, like all his other works from 1965 to the present, involves his signature 8.7 cm wide stripe, a pattern he found in 1965 (a bolt of striped awning fabric). The specificity of the stripes is not meant to be read as content but as a visual tool. Over the years, Buren has created interventions using these stripes in, on, and out of various materials. These interventions only work when they are “in situ” as the materials have to interact with the space in which they are placed, with the interaction itself resulting in the work. For the Rubber Stamp Portfolio, Buren used the guidelines of an 8 x 8 inches (20.32 x 20.32 cm) piece of paper. To create the continuity of his 8.7 cm stripe, he needed to create six different variants. Furthermore, he took those 6 different variants and printed them all in four different colors (blue, green, red, and yellow). On the back of each from the edition of 1000, is instructions of the works particular placement on a wall, which is guided by color, which of six variant “images” it is, and edition number. In the current exhibition, examples of all four colors are exhibited, all installed per the artist’s instructions.
Daniel Buren Biography
Daniel Buren has punctuated the past 50 years of art with unforgettable interventions, controversial critical texts, thought-provoking public art projects and engaging collaborations with artists from different generations. Throughout his career Buren has created artworks that complicate the relationship between art and the structures that frame it. In the early 1960s, he developed a radical form of Conceptual Art, a “degree zero of painting” as he called it, which played simultaneously on an economy of means and the relationship between the support and the medium. In 1965 he began using his 8.7cm-wide vertical stripes as the starting point for research into what painting is, how it is presented, and more broadly, the physical and social environment in which an artist works. All of Buren’s interventions are created in situ, borrowing and colouring the spaces in which they are presented. They are critical tools addressing questions of how we look and perceive, and the way space can be used, appropriated, and revealed in its social and physical nature. In his work life finds its way into art, while autonomous art is able to reconnect with life.
Daniel Buren
Daniel Buren was born in Boulogne-Billancourt (Paris), France in 1938. He lives and works in situ. His work has been the subject of major exhibitions at Museo de Arte Italiano, Lima, Peru (2019); Carriageworks, Redfern, Australia (2018); Walker Art Centre, Minneapolis, OH, USA (2018); Kunstsammlungen Chemnitz, Chemnitz, Germany (2018); Kunsthalle Dusseldorf, Dusseldorf, Germany (2017); Centre Pompidou Málaga, Málaga, Spain (2017); BOZAR Palais des Beaux-Arts, Brussels, Belgium (2016); Museo - Espacio, Aguascalientes, Mexico (2016); Baltic Centre for Contemporary Art, Gateshead, UK (2014); Musée d'Art Moderne et Contemporain, Strasbourg, France (2014); Centre Pompidou-Metz, France (2013); the Solomon R Guggenheim Museum, New York, NY, USA (2005) and the Centre Pompidou, Paris, France (2002). Buren has exhibited in the Venice Biennale, Italy more than ten times and was awarded the Golden Lion for his French Pavilion in 1986. That same year, he produced his first and most controversial public commission, The Two Plateaux, for the main courtyard of the Palais-Royal in Paris, France. In 2007, he received the Praemium Imperiale for Painting from Japan. Most recently, he was selected for the site specific Monumenta 2012 commission at the Grand Palais in Paris, France. Buren’s 1994 installation The Arches, permanent work in situ, is on view at the Southampton City Art Gallery, and in May 2017, he launched another permanent installation in the UK – Diamonds and Circles, works in situ – at Tottenham Court Road station in London, commissioned by Art on the Underground.
-Courtesy Lisson Gallery
- Creator:Daniel Buren (1938, French)
- Creation Year:1977
- Dimensions:Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Ships framed.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745216559732
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