Darryl Hughto

Time XI, Hand-Colored Abstract Screenprint by Darryl Hughto

1981

Artist: Darryl Hughto, American (1943 - ) Title: Lust Date: 1980 Screenprint, signed, titled, dated and numbered in pencil Edition: 180 Size: 36.25 x 50.25 in. (92.08 x 127.64 cm)

Artist: Darryl Hughto, American (1943 - ) Title: Number Four Date: 1978 Screenprint, signed, titled, dated and numbered in pencil Edition: 150 Image Size: 39 x 29 inches Size: 42.5...

Artist: Darryl Hughto, American (1943 - ) Title: Blue Heron Special Date: 1981 Edition: 180 Screenprint, signed, titled, numbered and dated pencil Image Size: 39.5 x 25 inches Size...

Artist: Darryl Hughto, American (1943 - ) Title: 12 Bottom (Version 2) Date: 1982 Screenprint, signed and numbered in pencil Edition of 180 Size: 42 x 30 in. (106.68 x 76.2 cm)

Title: Guide 32 color screenprint on 100% rag handmade, shaped deckle edged paper. with applied glitter. hand signed in pencil, stamped and numbered from edition of 33. Sandy Kinnee...

Large strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint in fluent b...

Using symmetry as a basis, Drakopoulos derives structure by combining elements from the natural world and science. Modifying these elements digitally, Drakopoulos distills into a pattern or shape, and then layers them with a different structure and repeats the process of layering paint in resin. She tries to find the most subtle and interesting way to connect the different layers that will reveal an underlying structure or system. Slowly as the work evolves, these inner-connections and details begin to form and define the energy and invisible forces that govern the movement of matter, from the microcosmic level of molecules and light particles, to the macrocosmic of planets and galaxies. Drakopoulos views the cosmos as a primordial, all encompassing field within which the illusion of matter is created and dissolved. In this field, particles come together to create complex structures and matter evolves into its maximum state of order. This moment is temporary, a state of transition. The form will subsequently dissolve and the process will begin again. The central images that appear in her work describe this moment of emergence. They are not a representation of actual cosmic phenomena but rather an invented image of an inner mindscape. When attention is directed to the infinite vast field, which contains all of existence in potential, the holographic matrix of the universe is revealed, of which our consciousness is an interwoven part. Angie Drakopoulos is an artist who lives and works in New York City. Her work has been exhibited in various galleries including: ODETTA, McKenzie Fine Art, Southampton Art Center, Paris Koh Fine Arts, Smack Mellon, New York Hall of Science, Feature, G-module, Holland Tunnel...

Anthony Baab (Droste Effect, Lithography, Toner Wash) Colin 2014 Medium: Archival Inkjet and 3 Color Hand Lithography Edition: 17 Paper: Somerset Enhanced Velvet Paper Size: 24.75″ x...