
From Here to There
1 of 5
Diana CooperFrom Here to There2002
2002
About the Item
- Creator:Diana Cooper (1964, American)
- Creation Year:2002
- Dimensions:Height: 16.25 in (41.28 cm)Width: 15 in (38.1 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:Edition of 35Price: $1,800
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU148728021472
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.You May Also Like
Air: 24 Hours (Hand signed and inscribed hardback monograph) abstract figurative
By Jennifer Bartlett
Located in New York, NY
Jennifer Losch Bartlett
Air: 24 Hours, 1994
Hardback monograph (book) bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket.
Hand signed and inscribed by the artist on the half title page to Nadine (Witkin)
11 × 9 1/4 × 1 inches
Unframed
Hand signed and inscribed to Nadine on the title page
Hardback monograph bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket.
Publisher's Blurb:
In Air: 24 Hours, Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish...
Category
2010s Contemporary More Art
Materials
Fabric, Mixed Media, Lithograph, Offset, Mylar, Ink
Thou Shalt Not Take the Name of God in Vain (The Third Commandment)
Located in New York, NY
Gretchen Bender
Thou Shalt Not Take the Name of God in Vain (The Third Commandment), 1987
2 Color Lithograph and embossment on reflective mylar
Signed ...
Category
1980s Contemporary Abstract Prints
Materials
Mylar, Lithograph
Busy Signal
By James Rosenquist
Located in New York, NY
A very good impression of this color lithograph with collage of screenprinted reflective Mylar on Arches. One of 9 numbered artist's proofs, aside from the edition of 84. Signed, tit...
Category
1970s Modern Abstract Prints
Materials
Mylar, Color, Lithograph, Screen
SheHadItBackwards, grey and pink abstract monotype on paper, pastel tones
By Karin Bruckner
Located in New York, NY
Mixed media composite (acrylics, sumi ink and pencil on mylar, fused with Monotype mounted with white thread stitching) on white BFK Rives Printmaking Paper
Paper: 15" x 19"
At the...
Category
2010s Contemporary Abstract Prints
Materials
Paper, Ink, Mixed Media, Monotype, Thread, Mylar, Acrylic, Pencil
Mountain Water Series n. I
By Christine Nguyen
Located in Los Angeles, CA
This is a series of five original photo based drawing and painting created on layered mylar as a negative to create the glowing images. The final piece is printed onto archival pigment paper.
- Series of 5 original images
- Edition of 3
- Signed and numbered by artist
- Image dimensions 24" (h) x 19.8" (l); paper size: 30" (h) x 20"(l)
- Unframed print - framing available upon request
This technique was used to create an art exhibit installed at Los Angeles' Hammer Museum.
Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine.
As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology.
The layering of works, creating depth, process and nature are important elements of her work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time.
Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing and object making alike, each body of work permeated with a sense of profound discovery.
–Julie Dickover, Associate Registrar at the Hammer Museum in Los Angeles from 2003 to 2010
Her work has been exhibited locally, nationally and internationally such as at the Hammer Museum, Los Angeles; Kunsthalle zu Kiel, Kiel, Germany; Laguna Beach Art Museum, Laguna Beach;Pasadena Museum of California Art, Pasadena and are in many private collections.
---
Images show:
- Mountain Water...
Category
21st Century and Contemporary Contemporary Abstract Prints
Materials
Mylar, Archival Pigment
Mountain Water Series n. V
By Christine Nguyen
Located in Los Angeles, CA
This is a series of five original photo based drawing and painting created on layered mylar as a negative to create the glowing images. The final piece is printed onto archival pigment paper.
- Series of 5 original images
- Edition of 3
- Signed and numbered by artist
- Image dimensions 24" (h) x 19.8" (l); paper size: 30" (h) x 20"(l)
- Unframed print - framing available upon request
This technique was used to create an art exhibit installed at Los Angeles' Hammer Museum.
Christine Nguyen is a Los Angeles based artist. She received her B.F.A from California State University, Long Beach and M.F.A from University of California, Irvine.
As an artist, she is inspired by literature, science, nature, astronomy, geology, marine biology.
The layering of works, creating depth, process and nature are important elements of her work . For example, salt crystallization has been used on found objects and encrusted on photo based works on paper. The salt crystallization process is similar to preserving some objects, while disintegrating others with time. By incorporating salt crystals onto the photo based paintings, the image presents a mystical otherworldly feel, capturing and refracting light and the slippage of time.
Using photography’s processes as a point of departure, Christine Nguyen’s pioneering spirit led her to begin manipulating negatives and onward–creating her own by cutting, layering, and adding on. Nguyen’s subsequent explorations embrace drawing...
Category
21st Century and Contemporary Contemporary Abstract Prints
Materials
Mylar, Archival Pigment