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Eduardo Chillida"Galerie Maeght-5 Livres Graves, " Original Lithograph Poster by Eduardo Chillida1973-74
1973-74
About the Item
"Galerie Maeght - 5 Livres Graves" is an original lithograph poster by Eduardo Chillida. The poster features one of Chillida's signature abstract designs as well as some information about an exhibition put together by Galerie Maeght. The poster is in black, white, red, and green.
25" x 16" art
33 1/8" x 24 3/8" frame
EDUARDO CHILLIDA was born the 10th of January of 1924 in San Sebastian (Spain). His first exhibition was in Paris in 1950. In this year he marries Pilar Belzunce. He has received almost all the existing prices throughout his life: from the Biennial of Venice to the Kandinsky, from the Wilhem Lehmbruck to Prince de Asturias, from the German Kaiserring to the Imperial Price in Japan. His work is present in more than twenty museums worldwide, and retrospective exhibitions have been celebrated in Houston and Berlin, Madrid and Caracas, London and Palermo. His sculptures are in front of the sea like in San Sebastián, or in the mountain like in Japan, and in cities like Washington, Paris, Lund, Munster, Madrid, Palma de Mallorca, Guernica or Berlin. About his work have written architects, mathematicians, philosophers like Martín Heideggeer and Emile Cioran, or poets like Octavio Paz.
- Creator:Eduardo Chillida (1924 - 2002, Spanish)
- Creation Year:1973-74
- Dimensions:Height: 33.125 in (84.14 cm)Width: 24.375 in (61.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Milwaukee, WI
- Reference Number:Seller: 422d1stDibs: LU60532955771
Eduardo Chillida
Eduardo Chillida studied in Madrid and then went to Paris, where he was influenced by Pablo Palazuelo in his first figurative work, done in plaster and clay. Other influences were Frank Lloyd Wright, Albert Giacometti and Joan Miro. In 1950, he began doing printmaking lithography, woodcuts, etchings, drypoints and silkscreens. His graphics are not related to his sculpture but are creative expressions unto themselves. During the 60s, his graphics tended to be massive black lines on white, giving the appearance of realistic shapes.
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