Eleni Zerva

Green Cosmos - Pink - Lithograph by Eleni Zerva - 1971

1971

Décrépitude - From Territoires is an original black and white lithograph realized by Jean Dubuffet (1901 Le Havre - Paris 1985). The artwork is the plate n. 4 from the portfolio Ter...

The Route is an original lithograph realized in 1970s by Italian artist Armando Pizzinato. Hand-signed on the lower right in pencil, numbered on the...

Cover for Derrière Le Miroir is an original composition realized by Bazaine in 1968, for the Art Magazine "Derrière Le Miroir no. 170.. The artwork is in good conditions, name of th...

Composing is an original lithography realized by Raoul Ubac in 1964, for the Art Magazine Derrière Le Miroir no. 142. The picture is in very good conditions, the title "Derriere le...

Joan Miró Untitled from Je traville comme un jardinier 1963 Original lithograph in colors on Rives vellum paper 16 x 13 inches Hand signed in pencil From an edition of 5 H.C. copies...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U....

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...