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Hans BurkhardtCalifornia Abstract Expressionist Linocut Lithograph Sepia Print Edition of 61983
1983
$1,200
£927.21
€1,071.94
CA$1,695.69
A$1,901.83
CHF 995.96
MX$23,109.03
NOK 12,646.98
SEK 11,990.23
DKK 8,001.47
About the Item
Untitled, 1983, lithograph printed in sepia ink,
Hand signed and dated lower right, numbered in pencil with the artist's chop mark lower left, inscribed
by artist. From a series of experimental abstract linocuts done in 1983. These are very small editions and were gifted to a friend of the artist. They are done on deckle edged French Arches Art paper.
Hans Gustav Burkhardt (1904 – 1994) was a Swiss-American abstract expressionist artist.
Hans Burkhardt was born in the industrial quarter of Basel, Switzerland. Captivated by Germanic art, he began dabbling in art in his spare time while learning how to decorate furniture in antique styles. He became foreman of the furniture company's decorating department. From 1925 to 1928 he attended the Cooper Union School of the Arts, where he befriended mentor Arshile Gorky and Willem de Kooning—sharing Gorky's studio from 1928 to 1937.
Burkhardt's paintings of the 1930s are part of the genesis of American abstract expressionism. In 1937 he moved to Los Angeles and represented the most significant bridge between New York and Los Angeles. His experimental investigative approach paralleled, and in many instances anticipated, the development of modern and contemporary art in New York and Europe including the work of Mark Rothko, Jackson Pollock, and Barnett Newman.
Burkhardt held his first solo exhibition in 1939 at Stendahl Gallery in Los Angeles, arranged by Lorser Feitelson, and, in response to the Spanish Civil War, he painted his first anti-war works. From the late 1930s he began to produce apocalyptic anti-war compositions, a theme which became particularly pronounced in an abstract expressionist style after the atom bomb was dropped on Hiroshima and Nagasaki at the end of the Second World War. In the years following an acclaimed (1945) solo exhibition at the Los Angeles County Museum, Burkhardt continued in his art to respond to WWII, in the aftermath of Gorky's suicide in 1948, Burkhardt delved into his grief and celebration of Gorky's life creating several versions of “Burial of Gorky” and a series entitled “Journey into the Unknown.” Burkhardt first visited Mexico in 1950, and spent the next decade living half of the year in and around Guadalajara. Strongly influenced by Mexican attitudes towards the dead, and by the country's colors, sensuality, and spiritual qualities, Burkhardt “painted the soul of Mexico” with Mexican themes and colors—especially those of burials and ceremonies surrounding death—permeating his abstract work. His Mexican work flirted with Surrealism although he was never really considered a Surrealist artist. Art critics of the time considered him a "great Mexican master” alongside Orozco, Diego Rivera, and Siqueiros, and Rufino Tamayo admired his work. Overall, in the 1950s Burkhardt held 23 solo exhibitions in Los Angeles and Mexico, and participated in group shows at over thirty museums worldwide. He was friends with June Wayne from Tamarind Press.
In the 1960s he produced paintings in protest against the Vietnam War, some of which incorporated the human skulls he had collected from Mexican graveyards. As art historian Donald Kuspit stated, Burkhardt was “a master—indeed the inventor—of the abstract memento mori.” In 1964, for the first time in forty years, Burkhardt returned to Basel, and began making annual summer visits where he became a friend of Mark Tobey—printing linocuts for the artist and collecting his work. In the 1970s Burkhardt continued his anti-war paintings—incorporating protruding wooden spikes into the canvas—while simultaneously painting abstractions of merging lovers and cityscapes during his summer visits to Basel. His “Small Print” (protesting smoking), “Graffiti,” and “Northridge” series demonstrate the evolution of his symbolism, and his “Desert Storms” series, in response to Iraq's invasion of Kuwait, was discussed by critic Peter Selz at a presentation at the International Congress of Art Critics Conference.
In the last decades of his life, Burkhardt's work had moved from images of imbalance to a study of human tragedy—which he embraced in an attempt to discover beauty and facilitate understanding. Critic Peter Frank called Burkhardt “…one of America’s most vital abstract expressionist painters, someone who took the seed of the movement and cultivated it a rather different way in very different soil.”
Burkhardt taught at numerous colleges and universities and retired as a professor emeritus from California State University, Northridge. In 1992 Burkhardt was honored as the recipient of the Lifetime Achievement Award by the American Academy and Institute of Arts and Letters’ Jimmy Ernst (son of Max Ernst) Award. Also in 1992, he established the Hans G. and Thordis W. Burkhardt Foundation. In 1993, the last year of his career, his final series “Black Rain” channeled pain and hardship, but provided poignant, symbolic beacons of hope and wishes for a better future for humanity. His unique role as an important American painter is affirmed by the constant interest and continuing reassessment afforded his work.
Select Solo exhibitions
1939: Stendahl Gallery, Los Angeles, March 27 – April 17
1945: Hans Burkhardt, Los Angeles County Museum of Art
1951: Museo de Bellas Artes, Guadalajara, Mexico: Exhibición de Pinturas Modernas; Comara Gallery, Los Angeles
1953: Fisher Gallery, University of Southern California, Los Angeles
1957: Pasadena Art Museum, California: Ten Year Retrospective, June 14 – July 14;
1968: San Diego Museum of Art: Vietnam Paintings
1977: Santa Barbara Museum of Art, California, Linocuts and Pastels, March 5 – April 20;
1978: Laguna Beach Museum of Art, California: Mark Tobey / Hans Burkhardt, September 12 – October 23
1982: Jack Rutberg Fine Arts, Los Angeles: Arshile Gorky and Hans Burkhardt, January 9 – February 27
1983: Jack Rutberg Fine Arts, Los Angeles: Hans Burkhardt: Basel Graffiti Series;
1984: Jack Rutberg Fine Arts, Los Angeles: Pastels: 50 Years of Figurative Expressionism, April 7 – May 12
1985: Jack Rutberg Fine Arts, Los Angeles: Hans Burkhardt: The War Paintings, February 2 – March 23
1990-91 Portland Art Museum, Oregon: Mark Tobey and Hans Burkhardt: Works on Paper Permanent Collection
Group exhibitions
1947-48: Art Institute of Chicago: Abstract and Surrealist American Art, November 6, 1947 – January 11, 1948; Modern Institute of Art, Beverly Hills: Modern Artists in Transition; Legion of Honor (museum), San Francisco: 2nd Annual Exhibition of Painting, November 19, 1947 – January 4, 1948; Los Angeles County Museum of Art: Artists of L.A. and Vicinity, May 15 – June 30, 1948
1950: Metropolitan Museum of Art, New York: American Painting Today; California State Fair
1951: Corcoran Gallery of Art, Washington, D.C.: 22nd Biennial; Whitney Museum of American Art, New York: Contemporary American Painters; Pennsylvania Academy of Fine Arts, Philadelphia; Art Institute of Chicago, Illinois, 60th Annual American Exhibition, October 25 – December 16
1964: Kunsthalle Basel, Switzerland; Long Beach Museum of Art, California: Art of Southern California: Early Moderns
1974: Los Angeles Institute of Contemporary Art, Los Angeles: Nine Senior Southern California Painters – Peter Krasnow, Nicholas Brigante, Lorser Feitelson, John McLaughlin, Florence Arnold, Helen Lundeberg, Emerson Woelffer, Hans Burkhardt
1976-77: Painting and Sculpture in California: The Modern Era (travelled to San Francisco Museum of Art, National Collection of Fine Arts, Smithsonian, Washington, D.C.)
2004-5: Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, From Pablo Picasso to Wayne Thiebaud: Modern & Contemporary Art, February 18 – June 20; An American Odyssey 1945 / 1980 (Debating Modernism), Círculo de Bellas Artes, Madrid, Spain, April 13 – May 30, 2004 (travelled to Domus Artium 2002, Salamanca, Spain, June 10 – July 31, Kiosco Alfonso, A Coruña, Spain, September 2 – October 2, QCC Art Gallery / CUNY, New York, October 24, 2004 – January 15, 2005); San Diego Museum of Art, Modern Art Installation, 2004 – 2005
2009-10: The Philadelphia Museum of Art, Arshile Gorky: In Context, October 21, 2009 – January 10, 2010; Los Angeles Municipal Art Gallery, Barnsdall Park, LA Printmaking: 1962 to 1973, Los Angeles Printmaking Society: 20th National Exhibition, October 29, 2009 – January 3, 2010
2012: Pasadena Museum of California Art, LA Raw: Abject Expressionism in Los Angeles, 1945 – 1980, From Rico Lebrun to Paul McCarthy,
2015: Los Angeles Convention Center, LA Art Show 2015 (Group Show), January 14 – January 18; Hollis Taggart Galleries, New York, New York, Gallery Selections, March 3; Palm Springs Art Museum, California, Modern Works from the Collection, March 28 – September 13
2017: Jack Rutberg Fine Arts Gallery (part of the Getty Foundation’s Pacific Standard Time: LA/LA), Hans Burkhardt in Mexico.
Select Major collections
British Museum, Metropolitan Museum of Art, Kunsthalle Basel, Whitney Museum of American Art, Los Angeles Museum of Contemporary Art, Norton Simon Museum, Moderna Museet (Stockholm, Sweden), Ahmanson Collection, Arkansas Art Center (Little Rock, Arkansas), California State University (Northridge, California), Coca-Cola Collection, Columbia Museum of Art (South Carolina), Corcoran Gallery of Art, Detroit Institute of Arts, Downey Art Museum (California), Grunwald Center for the Graphic Arts, The Solomon R. Guggenheim Museum, Hirshhorn Collection (Washington, D.C.), Joslyn Art Museum (Omaha, Nebraska), Portland Museum of Art, Kunstmuseum (Switzerland), Laguna Beach Museum of Art (California), Museum of Contemporary Art San Diego, Emily and Joe Lowe Gallery, University of Miami (Florida), Oakland Museum, Palm Springs Desert Museum, Pasadena Art Museum (California), Norton Simon Museum, Portland Museum of Art, San Diego Museum of Art, Santa Barbara Museum of Art, Skirball Museum (Los Angeles), Tamarind Institute (University of New Mexico, Albuquerque), Weatherspoon Art Museum (North Carolina), American Jewish University (Los Angeles)
- Creator:Hans Burkhardt (1904 - 1994, Swiss)
- Creation Year:1983
- Dimensions:Height: 20 in (50.8 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38215499732
Hans Burkhardt
Hans Gustav Burkhardt was a Swiss-American abstract expressionist artist. He was born on December 20, 1904, in Basel. Burkhardt’s paintings of the 1930s are part of the genesis of American abstract expressionism. He moved to Los Angeles in 1937 and represented the most significant bridge between New York and Los Angeles. He brought with him many of the nascent ideas of abstract expressionist painting that had been swirling among New York's artists, foremost among them, Arshile Gorky and Willem de Kooning. Working independently in Los Angeles, Burkhardt's experimental investigative approach parallelled and in many instances anticipated the development of modern and contemporary art in New York and Europe. His unique role as an important American painter is affirmed by the constant interest and continuing reassessment afforded his work. In 1992, Burkhardt was honored as the recipient of the Lifetime Achievement Award by the American Academy of Arts and Letters. His works are displayed across many museums, including the British Museum, Metropolitan Museum of Art, Whitney Museum of American Art, Los Angeles Museum of Contemporary Art and Norton Simon Museum. Burkhardt died on April 22, 1994, in Los Angeles.
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Columbia University Art Gallery, New York City
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Solomon R. Guggenheim Museum, New York City
Honolulu Museum of Art, Honolulu, Hawaii
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The Metropolitan Museum of Art, New York City
Museum of Art, Rhode Island School of Design, Providence
Museum of Fine Arts, Boston
Museum of Fine Arts, Houston
Museum of Modern Art, New York City
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