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Nancy GravesLarge Nancy Graves Color Aquatint Drypoint Etching Screenprint Metallic Gold1988
1988
$5,500
£4,249.70
€4,913.06
CA$7,771.90
A$8,716.70
CHF 4,564.80
MX$105,916.41
NOK 57,965.33
SEK 54,955.21
DKK 36,673.41
About the Item
Nancy Graves, American (1939-1995)
Borborygmi (1988)
aquatint, drypoint, gold leaf and screenprint on Fabriano Artistico paper
pencil hand signed by artist lower right, numbered 4/50 (there were also 6 Artist Proofs of this edition)
plate: 49.5 x 49.5 inches
Publisher: 2RC Edizioni d'Arte, Rome
Nancy Graves (December 23, 1939 – October 21, 1995) was an American woman sculptor, painter, printmaker, and sometime-filmmaker known for her focus on natural phenomena like camels or maps of the moon. Her works are included in many public collections, including those of the National Gallery of Art (Washington, D.C.), the Brooklyn Museum of Art, the Smithsonian American Art Museum, the National Gallery of Australia (Canberra), Walker Art Center (Minneapolis), and the Museum of Fine Arts (St. Petersburg). When Graves was just 29, she was given a solo exhibition at the Whitney Museum of American Art. At the time she was the youngest artist, and fifth woman to achieve this honor.
Graves was born in Pittsfield, Massachusetts. Her interest in art, nature, and anthropology was fostered by her father, an accountant at a local museum. After graduating from Vassar College in English Literature, Graves attended Yale University, where she received her bachelor's and master's degrees. Fellow Yale Art and Architecture alumni of the 1960s include the painters, photographers, and sculptors Brice Marden, Richard Serra, Chuck Close, Janet Fish, Gary Hudson, Rackstraw Downes, and Robert Mangold.
After her graduation in 1964, she received a Fulbright Scholarship and studied painting in Paris. Continuing her international travels, she then moved on to Florence. During the rest of her life, she would also travel to Morocco, Germany, Canada, India, Nepal, Kashmir, Egypt, Peru, China, Australia.
A prolific artist who worked in painting, sculpture, printmaking and film, Graves first made her presence felt on the New York art scene in the late 1960s and 70's, with life-size sculptures of camels that seemed as accurate as a natural history display. Like-minded artists included Eva Hesse, Close, Bruce Nauman, Keith Sonnier, and Richard Serra, to whom Graves was married from 1965 to 1970. Her work has strong ties to the Alexander Calder's stabiles and to the sculptures of David Smith, with their welded parts and found objects; she collected works by both artists.
Her most famous sculpture, Camels, was first displayed in the Whitney Museum of American Art. The sculpture features three separate camels, each made of many mixed media materials, among them burlap, wax, fiberglass, and animal skin. Each camel is also painted with acrylics and oil colors to appear realistic. The camels are now stored in the National Gallery of Canada, and two later "siblings" reside in the Ludwig Forum für Internationale Kunst in Aachen, Germany. Working in Fiberglas, latex, marble dust and other unorthodox materials, Graves later moved on to camel skeletons and bones, which she dispersed about the floor or hung from ceilings. In Variability of Similar Forms (1970), from drawings that Graves made of Pleistocene camel skeletons, she sculpted 36 individual leg bones in various positions, each nearly the height of a man, and arranged them upright in an irregular pattern on a wooden base. In the early 1970s, she made five films. Two of them, Goulimine, 1970 and Izy Boukir, recorded the movement of camels in Morocco, reflecting the influence of Eadweard Muybridge's motion-study photography. In 1976, German art collector Peter Ludwig commissioned a wax variation of a 1969 sculpture of camel bones.
Graves began showing open-form polychrome sculptures in 1980, one prime example being Trace, a very large tree whose trunk was made from ribbons of bronze with foliage of steel mesh. Also in the early 1980s, she began to produce the works for which she became most widely known: the colorfully painted, playfully disjunctive assemblages of found objects cast in bronze, including plants, mechanical parts, tools, architectural elements, food products and much more. Graves emerged from 1970s New York alongside fellow artists Lynda Benglis and Richard Serra. Graves works in a style distinct from her post minimalist peers. Graves also created a distinctive body of aerial landscapes, mostly based on maps of the moon and similar sources. Below is a link to an example (VI Maskeyne Da Region of the Moon). Author Margaret Dreikosen (1985) writes extensively of Graves's aerial works as part of a broader discussion of the aerial view and its importance in modern and contemporary art.
Some of Graves's other works include:
• Goulimine (film, 1970)
• Izy Boukir (film, 1971)
• VI Maskeyne Da Region of the Moon (lithograph, 1972)
• Fragment (painting, 1977)
• Wheelabout (sculpture, 1985)
• Hindsight (sculpture, 1986)
• Immovable Iconography (sculpture, 1990)
• Footscray (oil on canvas, paint, and sculpture)
• Metaphore & Melanomy, (cast bronze, 1995)
At the end of her life, Graves was incorporating handblown glass into her sculptures and experimenting with poly-optics, a glasslike material that can be cast.
Graves worked and lived in Soho and in Beacon, New York, where she maintained a studio.
Graves, whose first New York exhibition was at the Graham Gallery in 1968, has been represented by M. Knoedler & Company since 1980. She exhibited extensively in galleries in the United States and Europe and is represented in museums around the world. A comprehensive museum retrospective, organized by the Modern Art Museum of Fort Worth, later traveled to the Brooklyn Museum in 1987. When the restored Rainbow Room reopened in Manhattan's Rockefeller Center in 1987, a Graves sculpture was installed at the entrance.
• Skowhegan Medal for Drawing/Graphics (1980)
• New York Dance and Performance Bessie Award (1986)
• Honorary Degree, Skidmore College (1989)
• Elected into the National Academy of Design (1992)
Nancy Graves made her last works in April 1995 at the Walla Walla Foundry with Saff Tech Arts in Washington state.
- Creator:Nancy Graves (1940-1995, American)
- Creation Year:1988
- Dimensions:Height: 51 in (129.54 cm)Width: 51 in (129.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good. frame and plexi have minor wear and scuffing. piece is well protected.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38215718582
Nancy Graves
A sculptor of animals and American Indian shamanistic objects, filmmaker, and painter, Nancy Graves had a highly successful and varied career, primarily in New York City. In her abstract work, she united her interest in anthropology, totemic objects, cartography, and biomorphic shapes. She was born in Pittsfield, Massachusetts, and became a graduate of Vassar College in 1961 and then Yale University's School of Art and Architecture. Graves won a Fulbright-Hayes Fellowship for painting, allowing her to spend a year in Paris in 1964-65. In the next few years, she traveled in North Africa and the Near East and lived and worked in Florence, Italy where she did her first signature work, which was sculptures of life-size Bactrian camels.
In 1966, she moved to New York City and further experimented with ways to produced these sculptures by building wood and steel armatures, covering them with skins of animal embryos, stuffing the skins with polyurethane to form humps, and tinting the skins with oil paints.
In 1968, she had her first New York one-woman show at the Graham Gallery followed by her second one-woman show at the Whitney Museum in 1969. Both exhibitions featured her camels.
In 1972 at the Philadelphia Institute of Contemporary Art, she made sculpture suggestive of Indian objects such as bones, skins, and feathers and added also steel rods to this motif for other exhibitions.
As a filmmaker, she has had showings in film festivals in London, New York, and Boston. Source: Charlotte Rubinstein, "American Women Artists"
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