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Nancy GravesLarge Nancy Graves Color Aquatint Drypoint Etching Screenprint Metallic Gold1988
1988
About the Item
Nancy Graves, American (1939-1995)
Borborygmi (1988)
aquatint, drypoint, gold leaf and screenprint on Fabriano Artistico paper
pencil hand signed by artist lower right, numbered 4/50 (there were also 6 Artist Proofs of this edition)
plate: 49.5 x 49.5 inches
Publisher: 2RC Edizioni d'Arte, Rome
Nancy Graves (December 23, 1939 – October 21, 1995) was an American woman sculptor, painter, printmaker, and sometime-filmmaker known for her focus on natural phenomena like camels or maps of the moon. Her works are included in many public collections, including those of the National Gallery of Art (Washington, D.C.), the Brooklyn Museum of Art, the Smithsonian American Art Museum, the National Gallery of Australia (Canberra), Walker Art Center (Minneapolis), and the Museum of Fine Arts (St. Petersburg). When Graves was just 29, she was given a solo exhibition at the Whitney Museum of American Art. At the time she was the youngest artist, and fifth woman to achieve this honor.
Graves was born in Pittsfield, Massachusetts. Her interest in art, nature, and anthropology was fostered by her father, an accountant at a local museum. After graduating from Vassar College in English Literature, Graves attended Yale University, where she received her bachelor's and master's degrees. Fellow Yale Art and Architecture alumni of the 1960s include the painters, photographers, and sculptors Brice Marden, Richard Serra, Chuck Close, Janet Fish, Gary Hudson, Rackstraw Downes, and Robert Mangold.
After her graduation in 1964, she received a Fulbright Scholarship and studied painting in Paris. Continuing her international travels, she then moved on to Florence. During the rest of her life, she would also travel to Morocco, Germany, Canada, India, Nepal, Kashmir, Egypt, Peru, China, Australia.
A prolific artist who worked in painting, sculpture, printmaking and film, Graves first made her presence felt on the New York art scene in the late 1960s and 70's, with life-size sculptures of camels that seemed as accurate as a natural history display. Like-minded artists included Eva Hesse, Close, Bruce Nauman, Keith Sonnier, and Richard Serra, to whom Graves was married from 1965 to 1970. Her work has strong ties to the Alexander Calder's stabiles and to the sculptures of David Smith, with their welded parts and found objects; she collected works by both artists.
Her most famous sculpture, Camels, was first displayed in the Whitney Museum of American Art. The sculpture features three separate camels, each made of many mixed media materials, among them burlap, wax, fiberglass, and animal skin. Each camel is also painted with acrylics and oil colors to appear realistic. The camels are now stored in the National Gallery of Canada, and two later "siblings" reside in the Ludwig Forum für Internationale Kunst in Aachen, Germany. Working in Fiberglas, latex, marble dust and other unorthodox materials, Graves later moved on to camel skeletons and bones, which she dispersed about the floor or hung from ceilings. In Variability of Similar Forms (1970), from drawings that Graves made of Pleistocene camel skeletons, she sculpted 36 individual leg bones in various positions, each nearly the height of a man, and arranged them upright in an irregular pattern on a wooden base. In the early 1970s, she made five films. Two of them, Goulimine, 1970 and Izy Boukir, recorded the movement of camels in Morocco, reflecting the influence of Eadweard Muybridge's motion-study photography. In 1976, German art collector Peter Ludwig commissioned a wax variation of a 1969 sculpture of camel bones.
Graves began showing open-form polychrome sculptures in 1980, one prime example being Trace, a very large tree whose trunk was made from ribbons of bronze with foliage of steel mesh. Also in the early 1980s, she began to produce the works for which she became most widely known: the colorfully painted, playfully disjunctive assemblages of found objects cast in bronze, including plants, mechanical parts, tools, architectural elements, food products and much more. Graves emerged from 1970s New York alongside fellow artists Lynda Benglis and Richard Serra. Graves works in a style distinct from her post minimalist peers. Graves also created a distinctive body of aerial landscapes, mostly based on maps of the moon and similar sources. Below is a link to an example (VI Maskeyne Da Region of the Moon). Author Margaret Dreikosen (1985) writes extensively of Graves's aerial works as part of a broader discussion of the aerial view and its importance in modern and contemporary art.
Some of Graves's other works include:
• Goulimine (film, 1970)
• Izy Boukir (film, 1971)
• VI Maskeyne Da Region of the Moon (lithograph, 1972)
• Fragment (painting, 1977)
• Wheelabout (sculpture, 1985)
• Hindsight (sculpture, 1986)
• Immovable Iconography (sculpture, 1990)
• Footscray (oil on canvas, paint, and sculpture)
• Metaphore & Melanomy, (cast bronze, 1995)
At the end of her life, Graves was incorporating handblown glass into her sculptures and experimenting with poly-optics, a glasslike material that can be cast.
Graves worked and lived in Soho and in Beacon, New York, where she maintained a studio.
Graves, whose first New York exhibition was at the Graham Gallery in 1968, has been represented by M. Knoedler & Company since 1980. She exhibited extensively in galleries in the United States and Europe and is represented in museums around the world. A comprehensive museum retrospective, organized by the Modern Art Museum of Fort Worth, later traveled to the Brooklyn Museum in 1987. When the restored Rainbow Room reopened in Manhattan's Rockefeller Center in 1987, a Graves sculpture was installed at the entrance.
• Skowhegan Medal for Drawing/Graphics (1980)
• New York Dance and Performance Bessie Award (1986)
• Honorary Degree, Skidmore College (1989)
• Elected into the National Academy of Design (1992)
Nancy Graves made her last works in April 1995 at the Walla Walla Foundry with Saff Tech Arts in Washington state.
- Creator:Nancy Graves (1940-1995, American)
- Creation Year:1988
- Dimensions:Height: 51 in (129.54 cm)Width: 51 in (129.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good. frame and plexi have minor wear and scuffing. piece is well protected.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38215718582
Nancy Graves
A sculptor of animals and American Indian shamanistic objects, filmmaker, and painter, Nancy Graves had a highly successful and varied career, primarily in New York City. In her abstract work, she united her interest in anthropology, totemic objects, cartography, and biomorphic shapes. She was born in Pittsfield, Massachusetts, and became a graduate of Vassar College in 1961 and then Yale University's School of Art and Architecture. Graves won a Fulbright-Hayes Fellowship for painting, allowing her to spend a year in Paris in 1964-65. In the next few years, she traveled in North Africa and the Near East and lived and worked in Florence, Italy where she did her first signature work, which was sculptures of life-size Bactrian camels.
In 1966, she moved to New York City and further experimented with ways to produced these sculptures by building wood and steel armatures, covering them with skins of animal embryos, stuffing the skins with polyurethane to form humps, and tinting the skins with oil paints.
In 1968, she had her first New York one-woman show at the Graham Gallery followed by her second one-woman show at the Whitney Museum in 1969. Both exhibitions featured her camels.
In 1972 at the Philadelphia Institute of Contemporary Art, she made sculpture suggestive of Indian objects such as bones, skins, and feathers and added also steel rods to this motif for other exhibitions.
As a filmmaker, she has had showings in film festivals in London, New York, and Boston. Source: Charlotte Rubinstein, "American Women Artists"
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Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987).
In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan.
The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988.
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Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine.
In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented.
In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland.
In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children.
In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors.
In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania.
In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs.
In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni.
In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings.
In 2007 Laura was also invited to take part in Milan’s Cow Parade...
Category
20th Century Contemporary Abstract Prints
Materials
Offset, Screen
Abstract Italian Woman Artist Modern Metallic Foil Mirror Lithograph Laura Fiume
By Laura Fiume
Located in Surfside, FL
This is not signed or numbered. it is from a folio of prints.
Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father.
At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours.
In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988.
Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987).
In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan.
The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988.
In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production.
In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France.
Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine.
In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented.
In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland.
In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children.
In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors.
In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania.
In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs.
In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni.
In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings.
In 2007 Laura was also invited to take part in Milan’s Cow Parade...
Category
20th Century Contemporary Abstract Prints
Materials
Offset, Screen
Abstract Italian Woman Artist Modern Metallic Foil Mirror Lithograph Laura Fiume
By Laura Fiume
Located in Surfside, FL
This is not signed or numbered. it is from a folio of prints.
Laura Fiume was born in Urbino, central Italy in 1953. Her education took place in Milan at the Liceo Artistico and at the Polytechnic School of Design. In 1976 she moved to Canzo, near Como where she learned serigraphy, ceramics, and painting from the well known artist Salvatore Fiume, her father.
At the beginning the main subject of her works was that of fishes. She then extended her interest to the wider world of animals, interpreted through a deliberately naïve style and very bright colours.
In 1983 Laura’s works were exhibited both at the Basel Art Fair and at Artexpo in New York. The latter marked the beginning of a collaboration with the Work’s II Gallery In Southampton (NY) which would continue until 1988.
Her major exhibitions of those years were in Milan at the Palazzo dell’Arengario, now home of the Museo del Novecento in Piazza Duomo, (1985), and in Venice at the Assicurazioni Generali headquarters in Piazza San Marco (1987).
In 1983 Laura began her ceramic production in her father’s workshop of Canzo located in a former silk mill. Between 1990 and 1992 thanks to an exclusive agreement with a Japanese company her paintings and graphic works were distributed throughout Japan.
The 1990 exhibition at the Artesanterasmo Gallery of Milan on the theme of mirrors was the only occasion in which she exhibited her paintings with her father. Her collaboration with that gallery has been steady since 1988.
In 1992, following a suggestion from the well known architect Pepe Tanzi, Laura collaborated to the launch of the Pozzi & Verga new collection of tables and chairs by including images of those pieces of furniture in her own paintings. Between 1992 and 2000 she had her own showroom in Milan where her collections of ceramics and her creations for leading companies like Ricchetti (tiles), Fede Cheti (home fabrics), Edilkamin (fireplaces and stoves), Kaigai (textiles for clothings and bathroom towels), Rosenthal (china), and Proserpio Arredamenti (furnishings and frabrics) were on display. In 1995 she was chosen as Designer of the Year by Meyer Mayor, the distinguished Swiss company specialising in kitchen and table linen production.
In the 1995 exhibition entitled Walls and Terracottas at the Artesanterasmo Gallery of Milan abstract most of the subjects were painted on dirt-like materials. In the same year she also presented her new Tableaux an Terre at the L’Ile en terre Gallery of Saint Paul de Vence, France.
Between 1996 and 2005 she collaborated with the Edizioni San Paolo Publishers illustrating children’s books and stories for kids in the G-baby Magazine.
In 1999 she increased her show-room space by creating Atelier Produzioni d’Arte where prints, ceramics, and sculptures by various international artists were presented.
In 2000 Laura began her collaboration with Raika of Japan designing their fashion collections which have been on display since 2002 in the Showroom Laura Fiume at the Mitsukoshi Department Store in Tokyo. In 2000 Laura designed a collection of coffee cups called The Jungle Collection for Cellini Deutschland.
In April 2003, as part of the events that took place during the Salone del Mobile of Milan, Laura held a large exhibition at the Spazio Exté entitled Other Rooms: A Tribute To Philippe Starck. On that occasion Laura enjoyed the collaboration of Alessi, Driade, and Flos who kindly lent her the pieces from their Philippe Starck production represented in her paintings for an installation in that exhibition. In June 2003 Laura held a one-artist exhibition at the Svetog Krševana Gallery in Šibenik, Croatia as part of the International Children’s Festival of that town where she exhibited her early works dedicated to the world of children.
In 2005 she gave her contribution to the restyling of the L’Arenella Hotel on the Isola del Giglio, Tuscany, by providing a number of enlarged images of her works which became the characterizing element of the hotel’s interiors.
In the summer of the same year she held a retrospective at the Vartai Gallery in Vilnius, Lithuania.
In 2005 she also presented an installation within the project Ten Arm-chairs for Ten Artists, an initiative by Molteni & C, a leading company in the furniture field, where Laura was asked to decorate a Molteni arm-chair from the Reversi collection and to carry out a number of paintings using the same fabrics covering their couches and arm-chairs.
In 2006 there were as many as three exhibitions of Laura’s. The first one, called Visual Amplifications was held in Fiesole, near Florence, in the museum within the St. Alexander Basilica building. The second one, entitled Private Stories, took place in Sansepolcro, Tuscany at the Piero della Francesca City Museum. The third exhibition, entitled Trame d’interni (Plots in Interiors) was hosted in Milan by the Artesanterasmo Gallery where Laura presented her new paintings on fabrics provided by well known fabric producer Enzo degli Angiuoni.
In 2007 she exhibited her works in Rome at the Galleria Margutta 3 and then at the trendy TAD Conceptstore showroom of Via del Babuino. Both exhibitions were strictly connected through the idea of displaying works in harmony with TAD’s furnishings.
In 2007 Laura was also invited to take part in Milan’s Cow Parade...
Category
20th Century Contemporary Abstract Prints
Materials
Offset, Screen
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