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Nicholas Krushenick
Untitled (Wire Mill Variant)

1979

About the Item

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Untitled (Wire Mill Variant) Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 34 in. x 26 in. (86.4 cm x 66.0 cm) Unframed This bold serigraph is immediately recognizable as the work of Nicholas Krushenick (1929-1999). This print is signed and dated, lower right and editioned “A.P. 19/30” in the lower left. It is in very good condition, with one small area of minor thinning ½ inch square on the top edge, right side.
  • Creator:
    Nicholas Krushenick (1929-1999, American)
  • Creation Year:
    1979
  • Dimensions:
    Height: 34 in (86.36 cm)Width: 26 in (66.04 cm)Depth: 0.1 in (2.54 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    It is in very good condition, with one small area of minor thinning ½ inch square on the top edge, right side. See picture.
  • Gallery Location:
    San Francisco, CA
  • Reference Number:
    Seller: PM05272020-21stDibs: LU66636232602

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Cultural Center. Santa Cruz, Bolivia. Ø 1992. Sotage Gallery, Puerto La Cruz, Venezuela. Ø 2017. Arteconsult Gallery. Panama City, Panama. Awards Ø 1969. Rome Prize. XXIX Official Salon of Venezuelan Art, Museum of Fine Arts. Caracas Venezuela. Ø 1971. Honorable mention. First Young Artists' Salon. Maracay, Venezuela. Ø 1984. First prize, Salón Aragua. Maracay, Venezuela. Murals Ø 1974. Venezuelan Consulate. New York City, USA. Ø 1982. Creator of the First Road Museum in the World. El Tigre, Venezuela. Ø 1983. Road Museum. Roldanillo, Colombia. Ø 1984. Bicentennial Road Museum. Cucuta, Colombia. Ø 2000. Ceramic mural. Dairy, Venezuela. Group exhibitions Ø 1963 to 1966. Spiral Gallery. Caracas Venezuela. Ø 1966. El Pez Dorado Gallery. Caracas Venezuela. Ø 1966. “Zapato Roto” Festival. Caracas Venezuela. Ø 1967. D´Empaire Hall. Maracaibo Venezuela. Ø 1970. Drawings and engravings room. Central University of Venezuela. Caracas Venezuela. Ø 1966 and 1971. Arturo Michelena Hall. 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