Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Peter Saul
Peter Saul Shicago Justus (Chicago Justice) Black Panther Bobby Seale lithograph

1971

$2,500
$5,00050% Off
£1,897.55
£3,795.1050% Off
€2,217.40
€4,434.8150% Off
CA$3,484.38
CA$6,968.7750% Off
A$3,928.08
A$7,856.1550% Off
CHF 2,082
CHF 4,16450% Off
MX$48,427.30
MX$96,854.6050% Off
NOK 25,309.31
NOK 50,618.6250% Off
SEK 24,326.28
SEK 48,652.5550% Off
DKK 16,538.05
DKK 33,076.0950% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Peter Saul Shicago Justus (Chicago Justice) from Conspiracy: The Artist as Witness, 1971 Lithograph on Arches paper Edition AP (Rare AP, aside from the regular edition of 150) Hand-signed by artist, Pencil signed and dated lower right: Saul '71. Bears Printer's distinctive Blindstamp: Stamped verso: COPYRIGHT © 1971 BY PETER SAUL American Pop Art master Peter Saul's "Shicago Just Us" is a powerful four color lithograph proofed by hand and pulled by machine from zinc plates on Arches paper at the Shorewood-Bank Street Atelier, New York. It was created in one of the most desirable and influential eras, the early Seventies. Peter Saul is one of the pioneers of the Pop Art movement - especially recognized for his powerful anti-War pieces of the early Seventies; the subject of a monumental exhibition at the New Museum. This politically evocative piece of protest art was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", published by the Center for Constitutional Rights, to raise money for the legal defense of the Chicago 7, a group of Yippies, radicals and anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. (Bobby Seale was severed from the case and sentenced to four years for contempt after being handcuffed, shackled to a chair and gagged - hence the "Chicago 7".) This work is a homage to Bobby Seale, co-founder of the Black Panthers, and the artist's message about the kind of Justice Seale got in Chicago during the Conspiracy Trial is anything but subtle! Although Abbie Hoffman would later point out that these (now famous) radicals couldn't even agree on lunch, the jury convicted them of conspiracy. All of the convictions, contempt citations and lengthy jail sentences were ultimately overturned by the 7th Circuit Court of Appeals. This particular piece by Paul is a tribute to Bobby Seale, whose Constitutional rights were trampled upon by the lower court. For fans of Pop Artist Peter Saul, and for students of American history who appreciate Bobby Seale, as well as for collectors of Art of the Sixties - and protest art -- and for those who still believe in social justice, this iconic print symbolizes a piece of American history! Many editions of this work are already in the collections of major museums and institutions. Stamped in ink on verso: COPYRIGHT © 1971 BY PETER SAUL Measurements: Framed: 19 inches (vertical) x 25 inches (horizontal) Sheet: 18 inches (vertical) x 24 inches (horizontal) Peter Saul Biography Peter Saul was born in 1934 in San Francisco, California. He attended the California School of Fine Arts in San Francisco, and the Washington University School of Fine Arts in St. Louis. In 2020, the New Museum of Contemporary Art mounted "Peter Saul: Crime and Punishment," the first retrospective of Peter Saul's work in New York. In 2019, les Abattoirs, Toulouse presented "Peter Saul: Pop, Funk, Bad Painting, and More," a major retrospective of Saul's work, which traveled to Le Delta in Namur, Belgium. His work has been the subject of numerous international solo presentations, including recent exhibitions at the Deichtorhallen Hamburg; the Schirn Kunsthalle, Frankfurt; the Städtische Galerie Wolfsburg; The Arnold and Marie Schwartz Gallery Met, Metropolitan Opera House, Lincoln Center, New York; and the Fondation Salomon Art Contemporain, Alex. In 2008, his work was the subject of a traveling retrospective curated by Dan Cameron, which opened at the Orange County Museum of Art, Newport Beach, and traveled to the Pennsylvania Academy of Fine Arts, Philadelphia, and the Contemporary Arts Center New Orleans. An earlier retrospective of his work opened at the Musée de l’Hôtel Bertrand, Dole, in 1999, and traveled to the Musée des Beaux-Arts, Mons. Saul’s work is frequently featured in major group exhibitions at institutions both stateside and abroad, including recent presentations at the Crystal Bridges Museum of American Art, Bentonville; The Met Breuer, New York; the Sheldon Museum of Art, Lincoln; Kunsthalle Emden; the Brant Foundation Art Study Center, Greenwich; the New York Academy of Art; the Whitney Museum of American Art, New York; the Musée d’Art Contemporain, Marseille; the National Centre for Contemporary Arts, Moscow; MoMA PS1, Long Island City; the Rhode Island School of Design Museum, Providence; and the Wexner Center for the Arts, Columbus. His work is held in the permanent collections of numerous public institutions, including the Art Institute of Chicago; the Berkeley Art Museum and Pacific Film Archive; the Carnegie Institute, Pittsburgh, the Centre Georges Pompidou, Paris; the Dallas Museum of Art; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; Moderna Museet, Stockholm; the Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Smart Museum of Art at the University of Chicago; the Smithsonian American Art Museum, Washington, D.C.; the Stedelijk Museum, Amsterdam; the Yale University Art Gallery, New Haven; the Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. In 1993, Saul received the John Simon Guggenheim Memorial Foundation Fellowship. In 2008, Saul received the Artist’s Foundation Legacy Award. In 2010, Saul was elected to the American Academy of Arts and Letters. Peter Saul lives and works in New York City and Germantown, New York. -Courtesy Venus Over Manhattan
  • Creator:
    Peter Saul (1934, American)
  • Creation Year:
    1971
  • Dimensions:
    Height: 19 in (48.26 cm)Width: 25 in (63.5 cm)Depth: 0.5 in (1.27 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Not examined outside of original 1970s vintage metal frame, but the work appears in excellent condition. (frames are not guaranteed).
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745213852632

More From This Seller

View All
Donald Judd's Chinati Foundation, Marfa Texas (Hand Signed by Claes Oldenburg)
By Claes Oldenburg
Located in New York, NY
Claes Oldenburg Chinati Foundation, Marfa Texas (Hand Signed), 2003 Offset Lithograph poster. Hand signed by Claes Oldenburg 23 1/2 × 13 1/2 inches Exceedingly rare when hand signed. This offset lithograph poster was created on the occasion of the Claes Oldenburg & Coosje van Bruggen...
Category

Early 2000s Pop Art Abstract Prints

Materials

Offset, Lithograph

Historic Galleria Lucio Amelio, Naples poster - rarely found collectors item
By Robert Rauschenberg
Located in New York, NY
Robert Rauschenberg Lucio Amelio Napoli poster, 1987 Offset lithograph poster Plate signed 39 × 21 inches Unframed This poster was published for the exh...
Category

1980s Pop Art Figurative Prints

Materials

Lithograph, Offset

I Love New York, Lt Ed print Statue of Liberty & Twin Towers Limited Edition 300
By Robert Rauschenberg
Located in New York, NY
Robert Rauschenberg I Love New York, 2001 (LARGE) Plate signed on the front Offset lithograph on high quality wove paper 39.25" x 25 inches (This ships rolled in a tube measuring 37...
Category

Early 2000s Pop Art Figurative Prints

Materials

Offset, Lithograph

Los Angeles 1984 Olympic Games w/COA from Olympic Committee offset lithograph
By Robert Rauschenberg
Located in New York, NY
Robert Rauschenberg Star In Motion, 1982 for the Los Angeles Summer 1984 Olympic Games (with COA from Olympic Committee) Offset Lithograph on Parson's Diploma paper Stamp signed (aut...
Category

1980s Pop Art Abstract Prints

Materials

Lithograph, Offset

Rare Philadelphia Museum of Art exhibition poster (Hand Signed by Jasper Johns)
By Jasper Johns
Located in New York, NY
Jasper Johns, Prints, 1960-70 (Hand Signed by Jasper Johns), 1970 Offset lithograph poster (signed by Jasper Johns) Boldly signed in black marker on the front 35 × 23 1/2 inches Published by the Philadelphia Museum of Art The artwork depicted in the poster is Jasper Johns lithograph...
Category

1970s Pop Art Abstract Prints

Materials

Offset, Lithograph

Rare 1970s European print, Annely Juda Gallery, London (HAND SIGNED by Christo)
By Christo and Jeanne-Claude
Located in New York, NY
Christo and Jeanne-Claude Christo (Hand Signed by Christo), 1971 Offset lithograph Hand signed in pencil by the artist on the lower right front Published by Annely Juda Gallery, Lond...
Category

1970s Pop Art Figurative Prints

Materials

Lithograph, Offset

You May Also Like

U.N. Stamp FS II.185 (hand signed limited edition)
By Andy Warhol
Located in Aventura, FL
Offset lithograph on Rives paper. 1,000 signed in felt pen vertically along the right margin by Andy Warhol and numbered in pencil lower center. There is also a small printed signa...
Category

1970s Pop Art Figurative Prints

Materials

Paper, Lithograph

NOTES (KASSEL)
By Claes Oldenburg
Located in Aventura, FL
Hand signed and numbered by the artist. Edition of 100. Sheet size 23 x 15 in. Framed. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable of...
Category

1960s Pop Art Figurative Prints

Materials

Paper, Lithograph

NOTES (KASSEL)
$3,712 Sale Price
25% Off
Large Bus by Allen Jones classic British 1960s pop art in bright primary colors
By Allen Jones
Located in New York, NY
This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...
Category

1960s Pop Art Abstract Prints

Materials

Lithograph

Tumbleweed, James Rosenquist neon blue barbed wire sculptural lithograph drawing
By James Rosenquist
Located in New York, NY
This print depicts the tangle of barbed wire encircling curling and twisting neon, with lengths of wood at the center. The dark paper sets off the electric blue, and captures the ori...
Category

Late 20th Century Pop Art Figurative Prints

Materials

Lithograph

Alexander Calder Roses lithograph (1960s Calder)
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder Lithograph c. 1966: Lithograph in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: Derrière le miroir Publish...
Category

Mid-20th Century Pop Art Abstract Prints

Materials

Lithograph

Expo 67 Mural--Firepole 33' x 17'
By James Rosenquist
Located in New York, NY
A very good impression of this color lithograph on Italia handmade paper. Signed, titled, dated and numbered 35/41 in pencil by Rosenquist. Printed and published by ULAE, West Islip,...
Category

1960s Pop Art Abstract Prints

Materials

Handmade Paper, Color, Lithograph