Toko Shinoda

Kasanari

C. 1970's

UNIDENTIFIED "ABSTRACT FIGURE" OIL ON CANVAS, UNSIGNED AMERICAN, C.1960S 27.5 X 35 INCHES Fine Condition

Signed bottom left center and again verso along with title and date 1979. Bill Parker (from the Chase Gallery letter of December 6,1974) Born Texas 1922 Worked in Paris from 1951 o...

Provenance: Barry Friedman Gallery, Modernism Fine Arts, New York. Estate Stamped. Thilo Maatsch (1900-1983) Thilo Maatsch has an epiphany at age 16 when, having been taken to Berlin’s prestigious Avant Garde art gallery Der Sturm, he’s mesmerized by the work of Franz Marc, and determines to be an artist. Eleven years later, he’ll one day recall with pride, his work exhibits there. Born and raised in 1900 Braunschweig, Germany, Maatsch by age 18 forms "Gesellschaft der Freunde junger Kunst" (Society of Friends of New Art) with Rudolf Jahns and Johannes Molzahn. Its members include soon-to-be-famous Lyonel Feininger, Paul Klee and Wassily Kandinsky, who promotes Maatsch and becomes something of a father figure. Introductions to collector Otto Ralfs in Braunschweig and the esteemed painter Heinrich Vogeler in Worpswede over the next two years influence his expanding body of work. By 1922 Maatsch has a growing family to support, and as his art fails to provide this he begins training to be a teacher, a vocation he’ll fall back on repeatedly throughout his life. His first assignment is that of primary school teaching in Holzminden. 1924 sees Ralfs purchasing a Maatsch work and hanging it alongside the now well-known names of Mondrian, Kandinsky and Klee. The following year Ralfs launches an entire exhibition of the Society of Friends of New Art. Because of his day job, Maatsch is unable to realize his wish to study at the Bauhaus, the avant garde epicenter in Weimar and later, Dessau. But thanks to Kandinsky, Klee and Laszlo Moholy-Nagy, he’s allowed to occupy their studios and study with them during school holidays. His befriending of Kurt Schwitters during this time explains why Maatsch is often included in the so-called Schwitters Group. In 1925 he joins the Novembergruppe (November Group) and exhibits annually in the renowned Große Berliner Kunstausstellung (Great Berlin Art Exhibition...

This large painting was exhibited in 2012 at the 5th Biejing Biennale. It is pictured on page #33 of that substantial, hard cover catalogue. It is one of Lorena's environmental works...

untitled lithograph drawn in 2019 and published in 2020 in an edition of 44. Measuring 25 by 36 inches, the work is designated number 29 of 44 lower left and signed in pencil "R Hunt...

Richard Hunt untitled lithograph 1978. Number 20 from an edition of 50, measuring 15 by 22.5 inches. This print has been professionally matted.

untitled 1979 lithograph by Richard Hunt. Number 29 from an edition of 50, measuring 17 by 22.5 inches.

Lithograph printed in black and grey in an edition of 43