Unknown

Propels #4 (Edition 1/25)

1952

Unidentified/ Unknown Artist, " D.O.B." Edition 68/100, Figurative Abstract Lithograph signed and numbered in Pencil, 13.50 x 18, Late 20th Century, 1968 Colors: Blue, Black, Orange...

Eberhard Dänzer (German, 1938-2005), "Untitled: Chess " Edition 17/100, Abstract Lithograph signed and numbered in Pencil, 20.75 x 15.25 , Late 20th Century, 1966 Colors: Black, Whi...

Robert Israel (American, b. 1939), "Pretty Polly" (From Punch & Judy, Seven Hand Colored Lithographs)" Edition. 35/65, 15.50 x 22.75, Late 20th Century, ...

Robert Israel (American, b. 1939), "Pretty Polly" (From Punch & Judy, Seven Hand Colored Lithographs)" Edition. 35/65, 15.50 x 22.75, Late 20th Century, ...

Robert Kushner Paris Review, 1982 Lithograph with Deckled Edges. Hand signed and numbered 142/200 by the artist on the front 30 × 44 inches Unframed This work was part of a series o...

Joe Goode Floating Cards - Part IV, 1969 Lithograph on Arches paper with two deckled edges. Hand signed, dated and annotated Artists Proof on the lower front 22 1/4 × 29 4/5 inches Unframed Part of Joe Goode's five part 1960s series "Floating Cards". Rarely to market. The provenance of this print is from the Reese-Palley Gallery. The famous dealer and adventurer Reese Palley of Atlantic City New Jersey - was the second gallerist in the 1960s - after Paula Cooper - to set up shop in SOHO. Hand signed, dated, and annotated Artist's Proof aside from the regular edition. Pop art pioneer Joe Goode (born 1937) was born in Oklahoma City, Oklahoma, in 1937. In 1959 he moved to Los Angeles, California, where he attended the Chouinard Art Institute until 1961. First recognized for his Pop Art milk bottle paintings and cloud imagery, Goode's work was included along with Roy Lichtenstein, Andy Warhol, Jim Dine, Phillip Hefferton, Robert Dowd, Edward Ruscha, and Wayne Thiebaud, in the 1962 ground-breaking exhibit New Painting of Common Objects, curated by Walter Hopps...

Joan Miro (Spain, 1893-1983) 'Maravillas con variaciones acrósticas en el jardín de Miró (cobertura para el estuche)', 1975 lithograph on canvas 21.5 x 32.25 x 21 in. (54 x 82 cm.) Edition of 1500 Unframed ID: MIR2001-014 It is documented in Cramer, P (1992). Miró Litographer V (1972-1975). Maeght Éditeur, pp 162-163. No. 1051. Artwork history: At the end of 1971 Rafael Alberti wrote from Rome to Joan Miró in the following terms “(…) I think I have news that you liked my folder...

This exceptional 1966 American Modernist abstract color lithograph by renowned artist Lewis Lee Tilley (1921–2005) exemplifies mid-20th-century abstraction with a bold use of color, form, and composition. Pencil-signed by Tilley and numbered 4 of only 5 limited edition prints, this rare lithograph is highly collectible and showcases the artist’s distinctive modernist style. The artwork features a dynamic interplay of vibrant colors and abstract shapes that capture Tilley’s mastery of color theory and geometric abstraction. Perfectly suited for collectors of American Modernist prints or those seeking a striking, sophisticated addition to a contemporary collection. Presented in a custom frame, the piece measures 29 x 23 inches overall, with an image size of 12 ½ x 10 ½ inches, making it a visually impactful artwork ideal for display in galleries or modern interiors. Provenance: Formerly part of the Fremont Center for the Arts collection, Canon City...