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Kandinsky, Motiv aus Improvisation XXV, Derrière le miroir (after)
1955

$956

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£722.62

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€830.42

€1,038.0220% Off

CA$1,331.22

CA$1,664.0320% Off

A$1,480.93

A$1,851.1720% Off

CHF 776.32

CHF 970.4020% Off

MX$18,096.63

MX$22,620.7920% Off

NOK 9,885.51

NOK 12,356.8920% Off

SEK 9,305.84

SEK 11,632.3020% Off

DKK 6,198.74

DKK 7,748.4320% Off

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About the Item

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 77-78, 1955. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions Pierre à Feu, Galerie Maeght, Paris, 1955. Additional notes: Excerpted from a Christie’s, New York lot essay, The life span of Derrière le Miroir was thirty-five years. Publication began in 1946. Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launch of Derrière le Miroir. The name, Derrière le Miroir was suggested by Jacques Kober, manager of Galerie Maeght. The gallery had opened in 1945; the first number of Derrière le Miroir was released a year later. For this first issue Geer van Velde was invited to create lithographs to illustrate the publication. The lithographs in the first issue was printed by Mourlot, Paris. The first three issues of Derrière le Miroir were unsuccessful for Maeght as far as the edition size—the initial print-runs were far too large. From 30,000 for the first issue, the number was taken down to 10,000 for numbers two and three, until Derrière le Miroir number four was published in an edition of 1500. Maeght instituted a policy whereby unsold issues were recycled and used for the fabrication of new paper for the coming editions—this served to both conserve resources and also usually result in ultimate edition sizes far less than 1,500. With number four, the permanent format for Derrière le Miroir was established. Lithographs in colours were key; text was limited to comments on the featuring artist's exhibition taking place in the Galerie Maeght, and this catalogue format was defining to Derrière le Miroir. Galerie Maeght took on the leading role in Paris and presented all main artists including Braque, Matisse, Chagall, Léger, Bonnard, Chillida and many more. So too did Derrière le Miroir. The idea of a magazine was meanwhile still on the mind of Aimé Maeght. He found an insert as a solution. Two, and later four, pages of art review were inserted from 1952 onwards. In 1968 this find had ripened to independency and the dream of Aimé Maeght was now a tangible fact named l'Art vivant. Derrière le Miroir was on it's own again. Over 250 issues in a row. At that point publisher Aimé Maeght wished to make a mark with the publication of an hommage to all who once contributed to the magazine which came in the form of issue number 250, but was delayed by the death of Aimé Maeght. It was published after number 253 in 1982 and became a tribute to Aimé and Marguérite Maeght and 35 years of friendship with artists and poets. The era of Derrière le Miroir was closed with that final publication. WASSILY KANDINSKY (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art and in influence to the Modern masters including, Picasso. Born in Moscow, he spent his childhood in Odessa, Ukraine, where he graduated from Odessa Art School. He enrolled at the University of Moscow, studying law and economics. Successful in his profession, he was offered a professorship (chair of Roman Law) at the University of Dorpat (today Tartu, Estonia). Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896 Kandinsky settled in Munich, studying first at Anton Ažbe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914, after the outbreak of World War I. Following the Russian Revolution, Kandinsky "became an insider in the cultural administration of Anatoly Lunacharsky," and helped establish the Museum of the Culture of Painting. However, by then "his spiritual outlook... was foreign to the argumentative materialism of Soviet society", and opportunities beckoned in Germany, to which he returned in 1920. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France, where he lived for the rest of his life, becoming a French citizen in 1939 and producing some of his most prominent art. He died in Neuilly-sur-Seine in 1944, three days before his 78th birthday. On March 1, 2023 Kandinsky's painting, Murnau mit Kirche II set the artist's world auction record at Sotheby’s London for $44.9 million USD.

Creation Year:

1955

Dimensions:

Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)

Medium:

Lithograph

Movement & Style:

Modern

After:

Wassily Kandinsky (1866 - 1944, Russian)

Period:

1950-1959

Condition:

Gallery Location:

Auburn Hills, MI

Reference Number:

1stDibs: LU1465216424492

$956 Sale Price

20% Off

1960s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Paper, Watercolor, Pen

Abstract Composition, c. 1960's

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Motif aus Improvisation 25: The Garden of Love

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Located in Henderson, NV

Medium: woodcut (after Kandinsky). Printed in 1959 for the art revue of XXe Siecle (issue number 13) and published in Paris by San Lazzaro. Image size: 8 1/2 x 8 3/4 inches (217 x 22...

Category

1950s Expressionist Prints and Multiples

Materials

Woodcut

(after) Wassily Kandinsky
Motif aus Improvisation 25: The Garden of Love, 1957

$200

At Galerie 33, 1986

Located in Brooklyn, NY

This striking exhibition poster by Peter Nyborg showcases his mastery of color and form. Printed on heavy stock paper, it boasts vibrant, richly layered hues that radiate energy and ...

Category