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Animal Prints For Sale
Orientation: Horizontal
Orientation: Square
The Lucky Elephant (Limited Edition Print)
Located in LOS ANGELES, CA
**90 DAYS ANNUAL SUPER SALE UNTIL APRIL 30TH** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating the wild life with this colorful piece. >...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Cotton Canvas

Lesser Moddy and Moddy Tern, antique sea bird chromolithograph print, 1889
Located in Melbourne, Victoria
'Lesser Moddy and Moddy Tern' Chromolithograph from Gracius Broinowski's 'The Birds of Australia' , 1887-1891. Gracius Joseph Broinowski (1837-191...
Category

Late 19th Century Naturalistic Animal Prints

Materials

Lithograph

Fight - Original Etching by Gérard Cochet - Early 20th Century
Located in Roma, IT
Fight is an original etching realized by Gérard Cochet in the Early 20th Century. Good conditions. Hand-signed. Numbered. Edition,35/50. The artwork is depicted through soft stro...
Category

Early 20th Century Modern Animal Prints

Materials

Etching

Untitled
Located in Toronto, Ontario
Stanley Whitney (b.1946) is a contemporary African-American abstract painter known for his signature composition of loose grids of saturated color. Whitney holds an MFA from Yale Uni...
Category

2010s Abstract Animal Prints

Materials

Etching

Oiseau Bleu - Woodcut Print by G. Halff - Late 1900
Located in Roma, IT
Oiseau Bleu is a beautiful original colored xylograph on wove paper, realized by the French artist Giselle Halff between the half and the end of XX century...
Category

Late 20th Century Contemporary Animal Prints

Materials

Woodcut

Tauramachie Surrealiste The Giraffe on Fire
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Giraffe on Fire MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXIV/C MEASUREMENTS: 20" x 26" YEAR: 1970 FRAMED...
Category

1970s Surrealist Animal Prints

Materials

Etching

Shattered Silence, American Western Art Etching by Noel Daggett
Located in Long Island City, NY
Noel Daggett, American (1925 - 2005) - Shattered Silence, Year: Circa 1980, Medium: Etching with Chine Colle, signed and numbered in pencil, Edition: 8/40, Size: 22 x 29 in. (55...
Category

1980s American Realist Animal Prints

Materials

Etching

Early Speed
By Clarence W. Anderson
Located in Fairlawn, OH
Early Speed Lithograph, 1953 Signed lower right Edition 250 Published by Associated American Artists Illustrated: AAA catalog 1953-03 Reference: AAA Index 1187 Condition: The sheet i...
Category

1950s American Realist Animal Prints

Materials

Lithograph

Antique Rooster Woodblock Print circa 1910 by Prosper Alphonse Isaac
Located in SANTA FE, NM
Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...
Category

1910s Art Nouveau Animal Prints

Materials

Ink, Laid Paper

Panthera Leo - 40x60, Black and White Lion Photograph, Lion Photography Unsigned
Located in Los Angeles, CA
This is a contemporary photograph of an African Lion. Printed on archival paper using archival inks. 40x60 Unsigned Print Printed on archival paper and using archival inks Framing ...
Category

21st Century and Contemporary Animal Prints

Materials

Archival Pigment

So I lean back (Oo La La) Jim Dine lithograph and Ron Padgett poetry pink bird
Located in New York, NY
A sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lea...
Category

1970s Pop Art Animal Prints

Materials

Lithograph

Night Time, Dieppe.
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category

1920s Modern Animal Prints

Materials

Drypoint, Etching

Euphemia No 2, Allan Forsyth, Limited Edition Butterfly Print, Affordable Art
Located in Deddington, GB
Euphemia No 2 is a limited edition still life study of a butterfly by Allan Forsyth. Allan Forsyth is available at Wychwood Art online and in our gallery. Allan is an artist who expl...
Category

21st Century and Contemporary Photorealist Animal Prints

Materials

Archival Ink, Photographic Paper

Yellow-breasted Rail Bird: Original 19th C. Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "yellow-breasted Rail, Adult Male in Spring", No. 62, Plate 307, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840 and 1841. It depicts an adult male yellow-breasted Rail bird on the left standing on a rock on the bank of a body of water, looking to the right, perhaps at something in the water or on an island on the right with trees. The landscape surrounding the bird is striking. This original 1st octavo edition hand-colored Audubon lithograph...
Category

Late 19th Century Naturalistic Animal Prints

Materials

Lithograph

Braque, Oiseaux, Verve: Revue Artistique et Littéraire (after)
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, The Intimate Sketchbooks of G...
Category

1950s Modern Animal Prints

Materials

Lithograph

The Physiognomy - The Insects - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Insects is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the...
Category

1810s Modern Animal Prints

Materials

Etching

Naturalistic Modern Texas Bobcat Black and White Animal Wildlife Print
By Charles Beckendorf
Located in Houston, TX
A signed and numbered print of a bobcat from Texas artist Charles Beckendorf. Charles did the original in pencil for this series. The print is displayed in a chrome frame and white m...
Category

1960s Naturalistic Animal Prints

Materials

Paper, Black and White

American Trotting Horse No II from Currier & Ives suite by Salvador Dali
Located in Paonia, CO
American Trotting Horses No. 2 by Salvador Dali has dynamic movement in the two trotting horses with an added giant Dalian insect head in coll...
Category

1970s Surrealist Animal Prints

Materials

Lithograph

Horseman - Original Etching - 1875
Located in Roma, IT
Horseman is an original etching artwork on paper realized in 1875 by Alphonse Edouard Enguérand Aufray de Roc'Bhian (French, Paris 1833– 1887). Signed on the plate on the lower of t...
Category

1870s Modern Animal Prints

Materials

Etching

Cattle Trail
Located in Houston, TX
Lovely etching of cattle and ranchers on mountain pass trail, 1991. Signed lower left. 20/50 Original artwork on paper displayed on a white mat with a gold border. Archival plasti...
Category

1990s Animal Prints

Materials

Etching

Like Moths to a Flame
Located in Greenwich, CT
Like Moths to a Flame is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 156/275 (there were also 100 Roman and 20...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Paper, Lithograph

White-fronted Shearwater, Sea Bird lithograph with hand-colouring, 1928
Located in Melbourne, Victoria
'Calonectris Leucomelas (White-Fronted Shearwater)' Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of Norfolk and Lord Howe Isla...
Category

Early 20th Century Victorian Animal Prints

Materials

Lithograph

Scribble Cat
Located in Toronto, Ontario
William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Kentridge balances universal experiences with the complexity of South African political history and society. Born in Johannesburg to two prominent lawyers active in anti-apartheid efforts, Kentridge’s proximity to the dissolution of apartheid gave him a unique social sensitivity. His upbringing would shape the socio-political lens that informed his work as an artist. Kentridge is somewhat of a polymath. Having pursued formal education across politics, fine art, miming, and theater, it comes as no surprise that his work cannot be contained to the bounds of a single medium. Charcoal and ink are often his first tools for creation. The density, darkness and texture of the medium is instantly recognizable throughout his oeuvre.. Click here to learn more about Kentridge’s artist process from inside his Johannesburg studio. "Scribble Cat" is a paradigm of Kentridge's work and is instantly recognizable for its strong aesthetic and composition of layered pages. Kentridge's interest in cats stems back to his childhood when the prominent South African artist Cecil Skotnes...
Category

2010s Contemporary Animal Prints

Materials

Aquatint

Horse Laugh
Located in New York, NY
Alfred Bendiner (1899-1964) was trained as an architect but worked as an artist throughout his career. He was a noted lithographer, as well an author, muralist, and caricaturist. The...
Category

Mid-20th Century American Modern Animal Prints

Materials

Crayon

Horse by the Barn, woodblock print by Penelope Ellis
Located in London, GB
Penelope Ellis (1935-2016) Horse by the Barn Woodblock print 11 x 16 cm Provenance: From the artist's estate sale. ​Penelope Mary Ellis (1935–2016) was a British artist celebrate...
Category

1950s Folk Art Animal Prints

Materials

Woodcut

"Californian Hare": An Original Audubon Hand-colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Californian Hare", No. 23, Plate 112, CXII, from Audubon's "Quadrupeds of North America". It was...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

"American Swan", Audubon Hand-colored First Octavo Edition Lithograph
Located in Alamo, CA
This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background. This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Lionne à l'affût - Etching and Aquatint by Evert van Muyden - 1900
Located in Roma, IT
Lionne à l'affût is a wonderful etching on cream-colored laid paper, realized in 1900 by Evert Van Muyden (1853-1922). Signed and dated on plate on the lower left margin, this beaut...
Category

Early 1900s Animal Prints

Materials

Etching, Aquatint

Etudes de Mains et Colombe II, Cubist Lithograph after Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Etudes de Mains et Colombe". The original drawing ...
Category

1980s Modern Animal Prints

Materials

Lithograph

The Lucky Bear (Limited Edition Print)
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating the wild life with this unique piece by...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Giclée

THOMSON Gyrathomic, Original horizontal French mid-century vintage poster
Located in Spokane, WA
Original THOMSON Gyrathomic. Horizontal format original French vintage lithograph poster. Artist: Guy Georget. C. 1955. Archival linen backed. Very good condition. A fun...
Category

1950s Bauhaus Animal Prints

Materials

Lithograph

"Orca Double Breach" 36x48 Black and White Killer Whale Photography Photograph
Located in Los Angeles, CA
Shot in the off the San Juan Islands this is the only known image of a double synchronized breach with two adult Orcas. This was a once in a lifetime event. This is the first time t...
Category

21st Century and Contemporary Animal Prints

Materials

Archival Pigment

"Grizzly Bear", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "Grizzly Bear", No. 27, Plate CXXXI from Audubon's "Quadrupeds of North America". It was drawn on...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Birds - XXI century, Figurative print, Black and white, Animals
Located in Warsaw, PL
Limited edition, 8/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...
Category

2010s Other Art Style Animal Prints

Materials

Paper, Etching

The Lucky Bear (Limited Edition Print)
Located in LOS ANGELES, CA
**FINAL MONTH OF THE ANNUAL 90 DAYS SALE FOR INVENTORY RENEWAL** **PRICED EXTRA LOW TO BE SOLD BY MARCH 31ST ONLY - TAKE ADVANTAGE OF IT** Celebrating the wild life with this unique...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Giclée

Leda and the Swann - lithograph - 399 copies
Located in Paris, IDF
Georges BRAQUE Leda and the Swann Stone lithograph (Art-Litho workshop, Paris) Printed signature in the pate Limited to 399 copies unumbered On Arches vellum 18 x 23" (45 x 58 cm) E...
Category

Late 20th Century Cubist Animal Prints

Materials

Lithograph

Buff-breasted Merganser: Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Buff-breasted Merganser Goosander, 1. Male 2. Female", No. 83, Plate 411 from Audubon's "Birds of America, li...
Category

Late 19th Century Naturalistic Animal Prints

Materials

Lithograph

A Family of Moorhens & Lilly Pad: A 19th C. Hand-colored Lithograph by Gould
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Gallinula Chloropus" (Moorhen) by John Gould, published in his "Birds of Great Britain", published in London between 1862 and 1873. The print, which was drawn by Gould and Henry Richter and lithographed by Walter & Cohn, depicts a family of Moorhens, including two adults and six babies in a beautiful landscape. The adults are in the water and the babies are lying on the leaves a flowering lilly pad. This striking Gould hand-colored moorhen family lithograph is augmented with gum-arabic paint. The sheet measures 14.88" high and 21.75" wide. It is in excellent condition, other than a spot in the upper portion of the right margin and two small spots at the edge of the lower margin on the left. The original descriptive text pages from Gould's 19th century publication are included. There are several other unframed Gould hummingbird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Twoturtle Doves, Kate Heiss, Contemporary art, Animal and Wildlife art
Located in Deddington, GB
TwoTurle Doves by Kate Heiss [2017] Limited edition Linocut Hand signed by the artist Edition of 30 Oil based inks on 300gsm Somerset Velvet soft white paper Image Size: H:30cm x W:30cm Complete size of unframed work (sold in mount) H:40cm x W:40cm x D:0.1cm Two visiting Turtle doves perched in a hawthorn bush who have survived their migratory journey to spend the summer in the English countryside. The Turtle Dove is now the UK’s fastest declining breed of bird. Between 1995 and 2004 the number of breeding turtle doves in the UK fell by 93%. This print is featured in a new book called “When Turtle Doves Fly” produced in conjunction with Operation Turtle dove (a branch of the RSPB dedicated to saving Turtle Doves from extinction) Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Paper, Linocut

NEW INTERNATIONAL ECONOMIC ORDER Signed Serigraph, Abstract Cornucopia, Fruit
Located in Union City, NJ
"NEW INTERNATIONAL ECONOMIC ORDER" is a brightly colored serigraph by the American artist/sculptor Chaim Gross printed in 16 colors including shades of yellow, blue, purple, salmon p...
Category

1970s Contemporary Animal Prints

Materials

Lithograph

"White Swan" (2022) By Kate Breakey, Archival Pigment Print
Located in Denver, CO
"White Swan" (2022) by Kate Breakey is an archival pigment print that depicts a swan in a lake. This piece was hand colored using pencil and pastel. About the artist: Kate Breakey...
Category

2010s Animal Prints

Materials

Pastel, Pencil, Archival Pigment

Rural Resistance Series - Home Guard, Animal print, Bunny, Abstract print
Located in Deddington, GB
Rural Resistance Series - Home Guard by Harry bunce consists of pink and brown tones that display a bunny holding a gun and a flower with gunshots on thr sheet. Additional informati...
Category

2010s Contemporary Animal Prints

Materials

Archival Pigment

American Bittern: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background. This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Moon Stag by Guy Allen. Print from copper plate etching. Unframed
Located in Coltishall, GB
Deep in the forest, amidst the mists of dawn, a red deer stag appears… Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings captur...
Category

21st Century and Contemporary Other Art Style Animal Prints

Materials

Paper, Etching

Swamp Hare: an Original 19th Century Audubon Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century John James Audubon hand colored lithograph entitled "Swamp Hare", No. 8, Plate XXXVII, 37, from Audubon's "Quadrupeds...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

BALD EAGLE FS II.296
Located in Aventura, FL
Bald Eagle, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 75/150 (there were also 30 AP's, 5 PP's, 5 EP'...
Category

1980s Pop Art Animal Prints

Materials

Paper, Screen

Isolation Art: Bat II, Surreal digital collage, lunar cycle, pastels, gold frame
Located in Jersey City, NJ
Bat II from the artist's Isolation Art series. Pink wood grain background with lunar cycle imagery around surreal triple headed bat, framed in beveled edge gold frame ABOUT THE ARTIST Deming King...
Category

2010s Contemporary Animal Prints

Materials

Digital

Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category

Mid-19th Century Naturalistic Animal Prints

Materials

Lithograph

Chicken and Hens - Original Lithograph - Late 19th Century
Located in Roma, IT
Image dimensions: 18 x 24,3 cm. Chicken and Hens is a color lithograph contained in the Meyers Konversations-Lexikon (or Meyers Lexikon). The print is from the encyclopedia Meyers ...
Category

Late 19th Century Animal Prints

Materials

Lithograph

Barbican Piano Pond, Claire Halifax, Barbican, London, Contemporary print
Located in Deddington, GB
Barbican Piano Pond by Claire Halifax Limited edition print and hand signed by the artist Screen Print on Paper Image size: H:22cm x W:55cm Complete size of unframed work: H:22cm x W:55cm x D:0.1cm Sold unframed Please note that insitu images are purely an indication of how a piece may look Barbican Piano Pond is a limited edition Screen Print by artist Claire Halifax, featuring koi fish in a tiled mosaic pond at the Barbican, London. Claire resides in London and in this particular print you can see her uniques experience and perspective of London pushing through as she narrows into a view of fishes moving around a decorative pond. Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...
Category

2010s Contemporary Animal Prints

Materials

Paper, Screen

Trumpet Flowers and Playing Dogs, monochromatic black and white
Located in Brooklyn, NY
This is a one of a kind aquatint printed in rich blacks. The image is 12 x 12 and is printed on a 20 x 20 piece of paper. The image depicts large trumpet flowers in a garden with d...
Category

2010s Contemporary Animal Prints

Materials

Paper, Ink, Etching, Aquatint

Bernard Sanders, Dancers
Located in New York, NY
Sander's interiors are always intriguing. This work also reads as a stage with a dance; it recalls the Porch of the Maidens at the Erectheum at the Acropolis in Athens. There of cour...
Category

Early 20th Century American Modern Animal Prints

Materials

Drypoint

Blue Dog "And the Dog Jumped Over the Moon"
Located in Mount Laurel, NJ
This Blue Dog work consists of two blue dogs on a purple and blue background. One of the dogs is sitting upright and the other is upside down suspended over a red moon. The dogs ha...
Category

Early 2000s Pop Art Animal Prints

Materials

Screen

RED HORSE ON ORANGE, THREE GEISHAS Signed Lithograph, Asian Women, Parrots, Fan
Located in Union City, NJ
Red Horse on Orange, Three Geishas is an original hand drawn lithograph on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING...
Category

1980s Contemporary Animal Prints

Materials

Lithograph

The Lady Dunlin With Her Hand Fan - Original Lithograph by J.J Grandville - 1852
Located in Roma, IT
The Lady Dunlin With Her Hand Fan is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published ...
Category

1850s Modern Animal Prints

Materials

Paper, Lithograph

"Chittering & Chattering I" Folk inspired linocut series of bird, blue/white,
Located in Wellesley, MA
This is one of a series of 6 related bird prints, identical in size and each the same shade of bright blue and white, which are as commanding individually as they are in groupings. Lisa Houck is a very established New England area artist as recognized for her public installations, paintings, watercolors, textiles and mosaics as her work with linocuts and woodblock prints. At times reminiscent of Folk and Aborigine art, inspired as well by James Audubon and Hokusai, Houck is widely known for a gorgeous and elegant sensibility which is both playful and quite serious that is uniquely her own. Lisa Houck 'Chittering and Chattering I' Linoleum Block Print, Edition 10 11 1/2 x 11 1/2 Inches (Image Size) Sold individually or as sets of 2, 3, 4, 5 or 6. These prints are unframed. Also available is a separate series of 8 larger linoleum block prints (editions of 10 each, 35 1/4 x 23 1/4 inches image size) of very related bird themes each in a different shade of blue. These series are also sold individually or as sets of 2, 3, 4, 5, 6, 7 or 8. Among the many large public art commissions the artist has completed for interior and exterior sites in Boston and nationwide in mosaic and mural format are permanent installations for The Dana Farber Cancer Institute, Children's Hospitals in Boston and Waltham, The Frieda Garcia Park, Fort Point Channel, The Cambridge Senior Center, and 4 libraries in Broward County, Florida. LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers SELECTED SOLO EXHIBITIONS: Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. SELECTED GROUP EXHIBITIONS: Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan SELECTED PUBLIC COLLECTIONS, NUMEROUS PRIVATE COLLECTIONS: Museum of Fine Arts, Boston Fogg Art Museum Boston Athenaeum The Boston Company The Boston Public Library Brigham and Women’s Hospital Fidelity Investments Goodwin Procter Harvard Business School Harvard Community Health Plan Brunnier Museum, Ames, IA Coopers & Lybrand Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ GRANTS/PROJECTS: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River...
Category

2010s Animal Prints

Materials

Linocut

Deux Pigeons, Cubist Lithograph after Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Deux Pigeons". The original painting was completed in 1960. In the 1970's after Picasso's de...
Category

1980s Modern Animal Prints

Materials

Lithograph

Horsemen
Located in San Francisco, CA
This artwork titled "The Horsemen" 1935, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hand signed in pencil by the artist. The artwork (image) size is 9.5 x 12.75 inches, framed size is 17.5 x 20.40 inches. Published by Associated American Artists, New York, printed by George Miller. Referenced and pictured in the artist catalogue raisonne by Steinberg, page 246 and Windisch and Cole, plate #602. Custom framed in a black metal frame, with off white matting. It is in excellent condition, the frame have very minor scratches. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. and at the Portland Museum, Portland. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses, The New York Post, The New Yorker and Vanity Fair. By the late 1920s Gropper was an established cartoonist and draughtsman. He sympathized with the labor movement and was a champion of peace and personal liberty. Gropper began to paint seriously, but privately, on these themes in 1921. Gropper's first exhibition of monotypes was held in 1921 at the Washington Square Book Shop in New York. At this time, he also began to do illustrations for books. Gropper took his first sketching trip in 1924 to the West with Morris Pass. By 1930 Gropper began to receive recognition as a fine artist. In 1934, he received two mural commissions from the Schenley Corporation in New York City. In 1935, he was commissioned to paint a mural for the Hotel Taft in New York City. In 1936, Gropper received several public mural commissions: one was for the Freeport, Long Island Post Office, which was completed in 1938 and followed by another mural for the Northwestern Postal Station, Detroit, Michigan. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior in Washington, DC. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...
Category

Mid-20th Century American Realist Animal Prints

Materials

Lithograph

Butterfly, Art Deco Silkscreen by Edouard Dermit
Located in Long Island City, NY
Butterfly Édouard Dermit, French (1925–1995) Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 19.5 x 25 inches Siz...
Category

1970s Art Deco Animal Prints

Materials

Screen

"Aus der Tierlegende" original woodcut
Located in Henderson, NV
Medium: original woodcut. Catalogue reference Lankheit 831-3. Published in 1919 for Genius. Image size: 7 3/4 x 9 1/2 inches (198 x 240mm). This is a very richly inked impression pri...
Category

1910s Expressionist Animal Prints

Materials

Woodcut

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