Miniature Animal Prints

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Race des forets d'Angleterre' (The English Forest Breed) Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by ...

'Dendrolaugus Inustus Keiensis (Tring Museum Specimen)' Tree kangaroo native of New Guinea. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published ...

How To Eat An Elephant is an original etching by Will Taylor. It explores animal images and mathematics, including the integral of volumes. Each impression is marked on the reverse w...

Ibis is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by London, Bell &...

The Ox is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in...

'Skylark' Colour plate mounted on card with a printed border from 'The Detmold Nature Pictures', published circa 1919. Edward J Detmold (1883-1957) was an important early 20th century illustrator...

'Dendrolagus ursinus (Type of D. Leucogenys Matschie)'' Tree kangaroo native of New Guinea. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published ...

Redpole is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name ...

The Orangutan is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publi...

'Dendrolaugus Inustus Inustus (Type of D Maximus Rothschild)' Tree kangaroo native of New Guinea. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, publi...

'Dendrolaugus Goodfellowi Goodfellowi' Tree kangaroo native of New Guinea. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published in 'Transactions ...

Le Crâne de Chèvre is an artwork realized after Pablo Picasso (Malaga, 1881 - Mougins, 1973) in 1952. Phototype print. Dated, 12.04.52, and signed on the plate. Good condition. P...

This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous artist in the 18th c...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Dendrolaugus Inustus Keiensis' Tree kangaroo native of Kei Island, South Molucca, Indonesia. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, publish...

'Dendrolaugus Dorianus Dorianus' Tree kangaroo native to New Guinea. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published in 'Transactions of th...

Signed and numbered from the edition of 15. Printed on Chine colle. Image of a young woman with her hands poised to make magic, with a large flower before her, and a bird whispering ...

'Dendrolaugus Goodfellowi Shawmayeri' Tree kangaroo native to New Guinea. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published in 'Transactions ...

Nude is a etching on cardboard realized by Sergio Barletta in 1974. sheet dimensions, 25 x 17 cm. Handsigned in pencil in the lower right margin. Edition XXXVIII/XL Very good c...

Tarsier is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

Roman Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions with some folding. The etch...

"Morning Star" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edition total of 5, signed and numbered by the artist Alexis Kandra. The image features a beautiful wildlife painting of a mother wolf...

'Black Leghorn Chick' Colour plate mounted on card with a printed border from 'The Detmold Nature Pictures', published circa 1919. Edward J Detmold (1883-1957) was an important early 20th century...

Royal Tiger is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publish...

Spermophilus is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publis...

Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...

Mike Mitchell - Yellow-Fronted Woodpecker - Contemporary Artist Edition Details Year: 2020 Class: Art Print Status: Official Released: 05/06/20 Run: 275 Technique: Giclee Paper: Signa Smooth 300gsm Cotton Rag. Size: 8 X 10 Markings: Signed & Numbered Manufacturer: Static Medium About Artist: Mike Mitchell is an American artist known for his pop surrealism and for leading the online grassroots movement in supporting Conan O'Brien during the 2010 Tonight Show conflict. He designed the "I'm with Coco" poster, which was based on a photo, that went viral on the internet in January 2010. The poster has been widely circulated and displayed on the web and at various rallies during the 2010 Tonight Show conflict, and afterwards for O'Brien's The Legally Prohibited from Being Funny on Television Tour. He also designed a poster in response to the Deepwater Horizon oil spill...

Lovely etching, framed, with fine art glass. Signed, E/A.

This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...

Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is f...

Mario AVATI Playing Cat Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) Excellent condition

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Limited edition, 6/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...

LEONOR FINI Cat with Flower 1973 Color lithograph Ed. 157/230 12.5 x 9 inches

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...

'Ancienne Race de Norfolk (The Old Norfolk Breed) ' Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by Willia...

'Ancienne Race de Wiltshire (The Old Wiltshire Breed)' Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by Wil...

'Race a tete noire, des Bruyeres' (Black-Faced Heath Breed - Ram). Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a pain...

Marc Chagall Fables : The Wolf and The Lamb, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 c...

Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...

Etching on fine art paper, E.A. 1/1 from the cycle " Botanical Dream Nr. 11", presented in the Danubiana Meulenstein Art Museum in Bratislava/2021..

Archival pigment print on textured matte paper. Signed on back, edition of 25.

Signed silkscreen work by Noche Crist (1909- 2004). From Women Loving Woomen series. Wonderful work printed by the artist on thick paper. Catalogue of a postumous retrospective in...

Le Bouc is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"....

This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Yellow-billed Cuckoo, 1. Male, 2, Female, Papaw Tree", No. 55, Plate 275 from Audubon's "B...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Canard a Longue Queue (The Long Tailed Duck)" (Plate 954) Portfolio: Histoire Naturelle Des...

Mario AVATI The Dover Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) Excellent condition

Dunlin is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917). Woodcut print on ivory-colored paper. Hand-colored, published by London, Bell...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 155, 1965. Published by Aimé Maeght, Éditeu...

Cirl Bunting is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. ...

This is an original John James Audubon hand colored lithograph entitled "Ring-Tailed Bassaris", No. 20, Plate XCVIII, 98, from John James Audubon's Qu...

Cynocéphale Chacma is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was ...

"Floral Portrait with Fur Hat on Black Background" is a limited edition high-quality Dibond direct UV Print titled "Night in May With Hat". This piece, like the entire "Fetiches" ser...

Animal Anatomy is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. The artwork belongs to the suite "Histoire naturelle, générale et parti...

Artist: Burton Morris Title: Dollar Sign from Heard on the Street Year: 1997 Medium: Screenprint, signed and numbered in pencil Edition Size: 375 Image Size: 11 x 14 inches Paper Siz...

Kanguroo Dorsal is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was pub...