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Jamie WyethUnsettled (hand signed and inscribed by Jamie Wyeth), offset lithograph poster2024
2024
$1,000
£751.92
€873.16
CA$1,396.48
A$1,548.80
CHF 813.35
MX$19,020.35
NOK 10,296.28
SEK 9,709.53
DKK 6,514.74
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About the Item
Jamie Wyeth
Unsettled (hand signed and inscribed by Jamie Wyeth), 2024
Offset lithograph poster (signed and inscribed to Kevin in black marker)
Boldly signed and inscribed "for Kevin" on the lower front. Accompanied by documentation of the event at Rizzoli's where Jamie Wyeth signed
31 × 22 1/2 inches
Unframed, unnumbered
Offset lithograph poster
hand signed and inscribed "For Kevin" in black marker by Jamie Wyeth
Published by The Brandywine Museum of Art, PA and the Farnsworth Art Museum, ME
This poster was signed and inscribed in black marker in person by the artist for the present owner, at a special event at Rizzoli in New York City in 2024. (documentation shown)
unframed
- Creator:Jamie Wyeth (1946, American)
- Creation Year:2024
- Dimensions:Height: 31 in (78.74 cm)Width: 22.5 in (57.15 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent condition. The print was photographed from a bit of an angle, but in person it's perfectly straight. .
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215875982
Jamie Wyeth
Wyeth is an American realist painter. He is the son of Andrew Wyeth and grandson of N.C. Wyeth. He was raised in Chadds Ford Township, Pennsylvania. Wyeth is known for capturing the essence of domestic animals, such as chickens, dogs, pigs, and horses and the texture of animal fur and feathers, the glossiness of its eye, the grass around its feet. Wyeth is also drawn to the subject of trees and has rendered compostitions of tree trunks and their tangled roots. Wyeth's works are included in many public collections, including those of the Terra Museum of American Art, National Gallery of Art, National Portrait Gallery, John F. Kennedy Library, Museum of Modern Art, Joslyn Art Museum, Farnsworth Art Museum, Delaware Art Museum, Brandywine River Museum, Morgan Library and Museum, Museum of Fine Arts, Boston, Whitney Museum of American Art and Bowdoin College Museum of Art. Wyeth is a participating lender for the United States Department of State, Art in Embassies Program.
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Early in his career Walter Henry “Jack” Beal Jr. painted abstract expressionist canvases, because he believed it was “the only valid way to paint.” By the early 1960s he totally altered his approach and fully repudiated abstraction. Turning to representation, he painted narrative and figurative subjects, often enhanced by bright colors and dramatic perspectives.
Beal was born in Richmond, Virginia, and from 1950 to 1953 he attended the Norfolk Division of William and Mary College Polytechnic Institute, (now Old Dominion University) where he studied biology and anatomy. Shifting gears, he sought art training at the School of the Art Institute of Chicago where he focused on drawing, and met his wife, artist Sondra Freckelton. His art history instructor encouraged her students to paint in the manner of established artists, and to that end he frequented the Institute’s galleries. For Beal this was significant: “Until I saw pictures of real quality I had tended to think of painting as just so much self-indulgent smearing around, but when I saw masterpieces by Cézanne and Matisse, and other painters of similar stature, I was bowled over; suddenly I realized the force of art.”
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