Document Animal Prints

A Hot Finish is a fun, bold and colorful caricature of the racing scene in the early 1900’s. As the winning horse and his jockey are racing to the finish...

This poster, produced for the 1978 International Meeting of Fine Art Dealers in Washington, features prominently one of Claude Weisbuch's dynamic images: Le Condottiere. It is an original color lithograph advertising his new works, and is one of only twenty-five that bears the artist's signature in the lower right. In line with Weisbuch's interest in the Renaissance and Baroque in Europe, this image looks back to the early modern period. Condottieri were Italian captains...

Art: 29-3/8"x 21-1/8" Frame: 31'x 22-1/2" Original signed lithograph poster Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' École des Beaux-Arts de Nanc...

Law And Order by Harry Bunce [2021] limited_edition Original Print mounted on mountboard Edition number 24 Image size: H:59 cm x W:73 cm Complete Size ...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller". Fougasse (Cyril Kenneth Bird, 1887 - 1965) 'When we plan our new world, let's g...

David Shrigley White Elephant, 2021 Linocut Format 44 x 57 cm Paper: Somerset 300 gr. Edition of 100 Hand-signed and numbered Published by schaefergrafik

GREGG HESSEL-Hessel Moore McPherson Overland Printers. Publishing Information: Copyright Mirage Editions, Inc. 1981/Gregg Hessel, Santa Monica, Californ...

This artwork titled "Sheet of Studies, Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist...

Zoo - Vintage Poster is a vintage poster realized by M. Swierzy, in 1974. Colored offset print. Signed n the plate. Good conditions, except for som...

Law And Order by Harry Bunce [2021] limited_edition Original Print mounted on mountboard Edition number 24 Image size: H:59 cm x W:73 cm Complete Size of Unframed Work: H:59 cm x...

"Minotaure-Manga-B ". Lithographic print / Black ink printed on 240gr JOHANOT paper. Dimensions : 56 x 38 cm signed and numbered at 6 copies by the artist The prints were made in...

This Blue Dog work consists of a blue dog traced in gold with a purple & gold crown, a red cape, and a gold medallion on a black background. This work depicts a poster with a gold frame and green dots to illustrate the celebration of the "Mystick Krewe of Louisianans" 1997 50th Anniversary Mardi Gras Ball in the nation's capital of Washington, DC. The dog has soulful yellow eyes. This pop art animal original silkscreen print on paper is hand-signed by the artist. Artist: George Rodrigue Title: Blue Dog “Washington Mardi Gras...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Guerrilla Girls: Vintage original 1989 poster for: Guerilla Girls: Do Women Have To Be Naked To Get Into the Met. Museum? Pictured here is the much i...