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Art Subject: Tapestry
Homage a Dito, 1982, Folk Art Woodcut by Florence Grace Putterman
By Florence Putterman
Located in Long Island City, NY
Artist: Florence Grace Putterman, American (1927 - )
Title: Homage a Dito
Year: 1982
Medium: Woodcut, signed in pencil
Edition: TP
Size: 27.5 x 39 in. (69.85 x 99.06 cm)
Category
1980s Conceptual Animal Prints
Materials
Woodcut
Airavat, Paul Bartlett, Giclee Print, Elephant Art, Safari Artwork, African Art
Located in Deddington, GB
Paul Bartlett
Airavat
Limited Edition Giclee Print
Edition of 100
Image Size: H 11.8cm x W 38cm
Mounted Size: H 27cm x W 53.5cm x D 0.5cm
Sold Unframed
Please note that in situ image...
Category
21st Century and Contemporary Animal Prints
Materials
Paper, Giclée
Zebras, Folk Art Lithograph and Blind Embossing by Judith Bledsoe
Located in Long Island City, NY
Judith Bledsoe, American (1938 - 2013) - Zebras, Year: circa 1980, Medium: Lithograph and Blind Embossing, signed and dedicated in pencil, Edition: EA, Image Size: 9.5 x 17.5 i...
Category
1980s Folk Art Animal Prints
Materials
Lithograph
Baj Chez Picasso 2, Aquatint Etching by Enrico Baj
By Enrico Baj
Located in Long Island City, NY
Artist: Enrico Baj, Italian (1924 - 2003)
Title: Baj Chez Picasso 2
Year: 1969
Medium: Aquatint Etching, Signed and numbered in pencil
Edition: 86/100
Image Size: 15 x 22 inches...
Category
1960s Cubist Animal Prints
Materials
Etching, Aquatint
Giraffe Pochoir with Zebras and Frogs
By Andre Durenceau
Located in New York, NY
Plate 22 from "Inspirations" by Andre Durenceau. New York: Perleberg, 1928. Original hand-colored pochoir process print.
Category
1920s Art Deco Animal Prints
Materials
Paper
MEASURED ALONG THE GROUND #4
Located in Aventura, FL
Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300.
Certificate of Authenticity Included. Artwork in Excellent Conditi...
Category
Late 20th Century Contemporary Figurative Prints
Materials
Paper, Lithograph
$80 Sale Price
36% Off
Non-Existent Letter
Located in Toronto, ON
Image Size: 8.5" x 6" Unframed
Limited Edition Etching of 20
Hand Signed by Mariko Ando
2015
Category
2010s Animal Prints
Materials
Etching
Screenplay - 21st Century, Contemporary, Figurative, Pigment Print, Animals
By Corvengi
Located in Barcelona, Catalonia
Pigment print on aluminium
Edition of 30
“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.”
Corvengi’s works ...
Category
21st Century and Contemporary Contemporary Figurative Prints
Materials
Pigment
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Art Deco Etching and Aquatint "Jeunesse" Original Signed by Louis Icart
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Untitled
Located in San Francisco, CA
Artist: Billy Al Bengston – American (1934-2022)
Title: Untitled
Year: 1990
Medium: Lithograph, silkscreen on Arches paper
Sight size: 19.5 x 25.5 inches.
Sheet size: 24 x 30 inches.
Signature: Signed lower right
Publisher: Cirrus Editions, Ltd., Los Angeles, CA
Edition: 250 This one: 120/250
Condition: Excellent
This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches.
Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene."
Early life and education
Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956.
Career
Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang".
After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface."
Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...
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Monkey - Lithograph by Alberto Mastroianni - 1970s
Located in Roma, IT
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Lithograph.
Hand Signed.
Edition of 150 pieces.
Category
1970s Contemporary Figurative Prints
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H 27.17 in W 11.03 in D 0.04 in
Insectes
Located in London, GB
Seguy, E.A.
Insectes.
Paris, Du Chartre et van Buggenhoudt [1924]
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Located in Riga, LV
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imprint size 10x25,5 cm total page size 20x34cm
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Located in Long Island City, NY
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Édouard Dermit, French (1925–1995)
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