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Chu Teh-Chun2008 original illustrated book titled "Encre Orageuse"2008
2008
$26,431.34
£19,355.83
€22,000
CA$35,979.67
A$40,328.58
CHF 20,997.91
MX$492,429.16
NOK 266,597.11
SEK 252,710.08
DKK 167,426.71
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About the Item
The 2008 original illustrated book titled "Encre Orageuse" is a stunning artistic collaboration featuring the work of the renowned Chinese-French abstract painter Chu Teh-Chun. This exquisite edition combines Chu Teh-Chun's original lithographs and calligraphies with classical Chinese poetry, creating a deeply immersive experience that blends visual art with literary tradition.
Chu Teh-Chun: The Artist
Chu Teh-Chun (1920–2014) was a master of abstract art, whose work was influenced by both Eastern and Western artistic traditions. A member of the Académie des Beaux-Arts, Chu Teh-Chun’s art often evoked a sense of ethereal beauty, with a deep connection to nature and the elements. His work in "Encre Orageuse" demonstrates his extraordinary talent in lithography and calligraphy, where his brushstrokes capture the essence of the poems’ themes—stormy ink landscapes that seem to echo the natural world in a state of flux.
The title, "Encre Orageuse" (translated as "Stormy Ink"), reflects the dynamic and fluid nature of Chu Teh-Chun’s lithographs. His artistic interpretation of the poems brings a visual storm of emotion and movement, encapsulating the poetic imagery with his signature abstract style.
The Poetry: Classical Chinese Poets
The book features three poems from classical Chinese poets:
Lin Bu
Li Yu
Su Shi
These poets are revered figures in Chinese literary history, known for their reflections on nature, emotion, and the human condition. Their works, rich in symbolism and lyrical beauty, are rendered in both Chinese and French in this edition, allowing for a dual appreciation of the original text and its translation.
Translations: Chen Lichuan
The French translations of the poems were masterfully done by Chen Lichuan, a translator with a deep understanding of both the Chinese literary tradition and the French language. Chen Lichuan’s translations preserve the essence of the original poems while making them accessible to a French-speaking audience. This dual-language presentation adds another layer of richness to the edition, inviting readers to engage with the text in both languages.
Edition Details and Production
The "Encre Orageuse" edition was meticulously crafted in 2008, printed at the Atelier de Paris-Litho, with the process supervised by Frédéric Possot, ensuring the highest quality of production. The atelier is known for its fine art printing, particularly lithography, making it an ideal partner for this ambitious project.
The edition is highly limited and carefully structured, with a total of 164 copies divided as follows:
99 copies numbered in Arabic numerals from 1 to 99/99.
30 copies numbered in Roman numerals from I to XXX/XXX, reserved exclusively for Chu Teh-Chun.
15 artist’s proofs (EA) numbered from EA 1/15 to 15/15.
20 hors commerce (HC) copies, which are not for sale, including:
One copy for the Bibliothèque Nationale.
One copy for Atelier Paris-Litho.
One copy reserved for the lithographer Frédéric Possot.
Each copy of "Encre Orageuse" contains:
Six original lithographs, each numbered and signed by Chu Teh-Chun.
Three original calligraphies, each corresponding to one of the featured poems.
Three double-folded pages presenting the poems in both Chinese and French, highlighting the connection between the visual and literary elements.
Rarity and Collectibility
The limited nature of this edition, combined with the involvement of a world-renowned artist like Chu Teh-Chun, makes "Encre Orageuse" a highly collectible work. Each copy is an art piece in its own right, with Chu Teh-Chun’s lithographs and calligraphies adding significant value. The meticulous craftsmanship and artistic integrity behind the edition ensure that it is treasured by collectors of fine art books.
The combination of classical Chinese poetry with Chu Teh-Chun’s modern abstract interpretation makes this work particularly unique. The book stands as a bridge between Eastern and Western art forms, uniting ancient literary traditions with contemporary visual expressions. The inclusion of original signed lithographs further enhances its desirability among art collectors.
Conclusion
The 2008 original illustrated book "Encre Orageuse" by Chu Teh-Chun is a masterpiece of modern book art, blending the abstract beauty of Chu Teh-Chun’s lithographs and calligraphy with the timeless poetry of classical Chinese poets. Published in a highly limited edition and produced with the utmost care by Atelier de Paris-Litho, this book represents a rare and precious union of visual and literary arts. It is an exceptional piece for collectors who appreciate the intersection of poetry, painting, and fine craftsmanship.
Illustrated Book
Lyrical Abstraction - Literature - Poetry - Stormy ink
Original lithographs and calligraphies by Chu Teh-Chun
Three poems by Lin Bu, Li Yu, Su Shi
French translations by Chen Lichuan
This edition was produced and printed in 2008
in 'Atelier de Paris-Litho, supervised by Frédéric Possot
Copy No. 6/99
- Creator:Chu Teh-Chun (1920 - 2014, Chinese)
- Creation Year:2008
- Dimensions:Height: 17.72 in (45 cm)Width: 13.78 in (35 cm)
- Medium:
- Period:
- Condition:Very good condition.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU1792215036622
Chu Teh-Chun
Son and grandson of doctors, scholars and collectors of calligraphy and paintings, Chu Teh Chun was born on October 24, 1920 in China. He entered the Hangzhou School of Fine Arts in 1935. On July 27, 1937, the Sino-Japanese war broke out, causing the exodus of universities to the west of China, reached in Kunming in 1939 in Yunnan and then settled in Songlinkang in Sichuan where professors and students arrived in 1940. In 1941, he was appointed assistant professor in his own school and full professor in 1942 at Nanjing University, near Chongqing. In 1949, he moved to Taipei, and became a professor at the School of Industry, Architecture Section, in 1950. In 1951, he was a professor at the National Normal University where he taught Western painting. On March 29, 1955, Chu Teh-Chun embarked for Europe, and moved to Paris. He paints landscapes of Paris, draws at the Académie de la Grande Chaumière, visits the Louvre, galleries and exhibitions. A trip to Spain made him discover the Prado and Goya, Toledo and the works of Greco. In 1956, he discovered "de visu" abstract art, especially during the retrospective Nicolas de Stael. From 1956 to 1961, he met his first successes in Paris, and since 1964, his reputation spread abroad at exhibitions at the Carnegie Art Museum, Pittsburgh, Jerusalem, Athens, and in 1969, at the Biennale of Sao Paulo. In 1976, he returned to the calligraphy he practiced in his youth. In 1983, he sits on the jury of the Chinese University of Hong Kong. He travels to Beijing, where he is invited by the Union of Chinese Artists. His fame, part of the West, now extends to Asia. In 1987, the National History Museum of Taipei organized a major retrospective exhibition, allowing him, for the first time in thirty-two years since leaving his country, to show all of his work. Chu Teh-Chun was elected in 1997 at the Academy of Fine Arts, painting section, in the chair of Jacques Despierre and Dean of the Academy of Fine Arts since the death of Marc Saltet (1906-2008). Chu Teh-Chun died in Paris in 2014 at 93 years old.
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