Yvon Taillandier

Original Gouache by Yvon Taillandier

Circa 1975

Gouache Yvon Taillandier (1926–2007) was a French painter and lithographer known for his significant contributions to contemporary art. Born in Paris, Taillandier began his artistic...

Gouache Yvon Taillandier (1926–2007) was a French painter and lithographer known for his significant contributions to contemporary art. Born in Paris, Taillandier began his artistic...

The original poster project in gouache by Y. Adam for the Jamboree International in London in 1953 stands as a vivid testament to the spirit of camaraderie and international collabor...

The circa 1935 original gouache by Boris Lacroix, titled "Composition Verte," stands as a testament to the artist's mastery of color, form, and expression. Signed in charcoal at the ...

Nice work in gouache and watercolor entitled Israel and signed Uytterhoeven.

Beautiful poster project with gouache and watercolor signed Cerutti for the brand Lustucru. Lustucru is a French brand specialized in pasta, created in 1911.

This set of four antique 19th century Italian mixed media painting on paper hand made with gouache, tempera and watercolor, features several characters silhouettes acting in a theater play. These fine artworks are very unusual, they probably were sketches for theatrical costumes and sets. A rare example of Venetian 19th century theatrical figures in the scenery of Italian opera or characters of the Italian Commedia dell'arte. These four paintings featuring costume design figurines, with the characters acting in a theatrical set, are rendered through the decoupage technique mixing watercolor painting or gouache with tempera on paper. Each tiny figurine is made of paper hand-colored in watercolor, then cut and applied to an antique sheet...

Italian School, 16th Century Provenance: Private Collection, New York This intriguing drawing is a study by an anonymous 16th-century Italian artist after a vignette in Michelangelo’s fresco of The Last Judgement in the Sistine Chapel. The altar wall of the Sistine Chapel was already richly decorated when Pope Clement VII commissioned Michelangelo to paint his Last Judgment...

Florentine, Probably Seventeenth Century Titled L’ultime parti note nel Indie occidentali Dated on the edge of the cartouche: “M.D. LXIII. M.AG” [1564…the month of August] In the 1560s Cosimo I de’Medici, the powerful Duke of Florence, undertook a major renovation of the Palazzo Vecchio, the venerable palace that to this day dominates the city at the Piazza della Signoria. For the Sala della Guardaroba, literally the wardrobe room, but in fact the storeroom of the Duke’s most precious holdings, Cosimo conceived of a grand decorative project that was to reflect in one space the entire cosmos --both an indication of the Duke’s ambition and an allusion to his name. The plan, supervised by Giorgio Vasari, involved the construction of walnut cabinets to contain the Medici treasures, on the outside doors of which were to be placed large hand-painted maps specially commissioned to document and illustrate the current knowledge of the world. Portraits of famous men were to decorate the tops of the cabinets and two large globes –one representing the terrestrial world, the other celestial—were to descend from openings in the ceiling. The commission for the maps, inspired by Ptolemy’s Geographia, was given to the celebrated mathematician and cosmographer, Fra Egnazio Danti (Perugia 1536-1585 Alatri). Fifty-three maps were ultimately created. Thirty were conceived and executed by Danti between 1563 and 1575. The remaining twenty-three were completed by Stefano Bonsignori between 1576 and 1686. They remain in place in Florence in the room for which they were created. The present work is an exact-size painted, drawn and inscribed copy of Danti’s map of California...

Signed, lower right: M Dobuzhinsky

Wilhelm Heine (Dresden 30 January 1827-Löbnitz 5 October 1885) ‘Funeral of Robert Williams in the cemetery of the Temple Gyokusen-ji at Shimoda in April 1854’ With a sticker on the reverse of the frame by Coupil & Co. 1855 Watercolour on paper, H. 57 x W. 92 cm Depicted is the Bay of Shimoda with seven American ships including the two paddle-wheel warships USS Mississippi and Susquehanna. On the Gyokus- en-ji temple grounds on the right is the coffin in the middle with the remains of US marine Robert Williams, ready to be lowered into the grave. Looking on from the left are the Buddhist monks and Japanese officials who joined the first Christian funeral on Japanese soil. Around the grave are US marines, Commodore Perry...

Follower of Zacharias Wagener (1614-1688) Tamanuâguasû (Giant Anteater) On Italian 17th or 18th-century paper, H. 28 x W. 43.5 cm ​The present painting is a copy after Wagener’s painting of the anteater, Tamanduá-bandeira, which is illustrated in his “Thier Buch”, with 109 drawings of Brazilian fish, birds and mammals, published in Amsterdam c. 1641, in German. ​ Zacharias Wagener, or Wagenaer in Dutch, (Dresden 1614 – Amsterdam 1668) was a real adventurer who became Opperhoofd on Deshima and Governor of the Cape of Good Hope in the service of the VOC. During the Thirty-Year War in Germany Wagener tried his luck in Amsterdam where he worked for the map-maker Willem Blaeu. In 1634 he joined the WIC and left for Dutch Brazil where he worked as writer and painter, together with Frans Post...