Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

The Connor Brothers
I Drink, Therefore I Can (PP/150)

2021

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

The Connor Brothers I Drink, Therefore I Can, 2021, (PP/150) giclée in colors with Screenprinted varnish 14.50 x 9.62 in
  • Creator:
  • Creation Year:
    2021
  • Dimensions:
    Height: 14.5 in (36.83 cm)Width: 9.62 in (24.44 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Fort Lauderdale, FL
  • Reference Number:
    Seller: 319771stDibs: LU574311125452

More From This Seller

View All
Lasting Impression
Located in Fort Lauderdale, FL
Thomas Arvid Lasting Impression, 2013, (15/195) Limited Edition on Canvas 43 x 17.50 in
Category

2010s Contemporary Prints and Multiples

Materials

Canvas, Archival Ink

Three's Company
Located in Fort Lauderdale, FL
Thomas Arvid Three's Company, 2012, (31/195) Limited Edition on Canvas 43 x 21.50 in
Category

2010s Contemporary Prints and Multiples

Materials

Archival Ink

Three's Company
Located in Fort Lauderdale, FL
Thomas Arvid Three's Company 14/75 AP, 2015 Limited Edition on Canvas Artist Proof 43 x 21.50 x 54.61 in
Category

2010s Contemporary Prints and Multiples

Materials

Archival Ink

Tour De Force
Located in Fort Lauderdale, FL
Thomas Arvid Tour De Force, 2006, (275/325) Limited Edition 31 x 18 in
Category

2010s Contemporary Prints and Multiples

Materials

Archival Ink

Beak to Beak
By Hunt Slonem
Located in Fort Lauderdale, FL
About the Artwork: Signed: Recto, bottom right The artist's desire to illuminate his works was the impetus for the Glowbox series. Inspired by the luminescence and light quality of blown glass, each acrylic painting on a plex substrate is internally lit by a custom-designed LED light box with a controllable dimmer switch. About the Artist: Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely, Francesco Clemente and Roberto Juarez, all exoticists whose works convey a spiritual aura. Lest we leave the impression, belied by the paintings that Slonem is all depth and piety, we should note that there is a remarkable levity in his work, a lightness of being.” Born in the Year of the Rabbit, according to the Chinese astrological...
Category

2010s Contemporary Mixed Media

Materials

LED Light, Acrylic

Hombre
By Hunt Slonem
Located in Fort Lauderdale, FL
Hunt Slonem’s Hombre (2024) is a radiant and captivating small-scale painting, measuring 10 x 8 inches, crafted with oil and acrylic enhanced by diamond dust on wood. Despite its mod...
Category

2010s Contemporary Animal Paintings

Materials

Oil, Acrylic

Hombre
Price Upon Request

You May Also Like

I Drink Therefore I Can
By The Connor Brothers
Located in London, GB
I Drink Therefore I Can By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating works that mix vintage...
Category

2010s Contemporary More Prints

Materials

Pigment

We Love To Drink
By Todd White
Located in Toronto, ON
28" x 20.5" Unframed Limited Edition Giclée with Hand Embellishment of 100 Hand Signed by Todd White
Category

2010s Figurative Prints

Materials

Giclée

My Relationship with Whiskey Is On The Rocks
By The Connor Brothers
Located in London, GB
My Relationship with Whiskey Is On The Rocks By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating w...
Category

2010s Contemporary Figurative Prints

Materials

Pigment

Alcoholism By The Connor Brothers
By The Connor Brothers
Located in London, GB
Alcoholism By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating works that mix vintage imagery wit...
Category

2010s Contemporary Abstract Prints

Materials

Pigment

Be Yourself Everyone Else Is Taken
By The Connor Brothers
Located in London, GB
Be Yourself Everyone Else Is Taken By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating works that ...
Category

2010s Contemporary Figurative Prints

Materials

Pigment

Down the Drink
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...
Category

1980s Post-Modern Figurative Prints

Materials

Screen