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Adolf Arthur Dehn“5 O’Clock”1922
1922
$1,280
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£991.64
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€1,129.60
€1,411.9920% Off
CA$1,832.63
CA$2,290.7820% Off
A$2,001.37
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CHF 1,050.55
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NOK 13,231.11
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DKK 8,434.90
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About the Item
.
Here for your consideration is an original signed lithograph by Adolf Arthur Dehn done in 1922 titled 5 O’Clock. The condition of the lithograph is excellent.
Signed in the plate and hand signed in pencil by the artist and titled in pencil by the artist. Under glass. The artwork is housed in a black and gold custom gallery frame. Overall framed measurements are 21 by 26.5 inches. Provenance: A Sarasota, Florida collector.
Adolf Dehn
Biography
Adolf Dehn (1895 – 1968) was one of the most notable lithograph artists of the 20th century. His innovative and unusual textural effects ultimately reshaped the entire character of American printmaking, producing prints that had the tonal and textural richness of a painting. Dehn was also an accomplished painter, and in watercolor, ranks nearly on a par with the very greatest American masters of this medium. An author and teacher as well, Dehn helped define some important movements in American art including Regionalism, Social Realism, and caricature.
Born in Waterville, Minnesota, Dehn was the descendent of farmers who had emigrated from Germany. His family lived in rural poverty. His father, a hunter and trapper, was also an atheist and anarchist. His mother was a socialist and feminist, so Dehn was exposed to a wide range of radical thinking while growing up. His mother encouraged Dehn’s artistic talent which was apparent at an early age. After graduating as valedictorian from Waterville High School, he went to the Minneapolis School of Art where he met a woman, Wanda Gág, who was to be Dehn’s close companion for the next five years. Both received scholarships to attend the Art Students League in New York. After graduation, Dehn was drafted to serve in World War I, but was imprisoned in Spartanburg, South Carolina after declaring himself a conscientious objector. Upon his release, he worked for several months as a volunteer painting teacher at an army rehabilitation hospital in Asheville, North Carolina. Dehn then returned to the Art Students League for another year of study and created his first lithograph, The Harvest.
When Dehn returned to New York, his lithographs were featured at Weyhe Gallery and he became politically affiliated with left wing activists. In 1921, he went to Europe, becoming part of a group of expatriate intellectuals and artists, including Andrée Ruellan, Gertrude Stein, and E.E. Cummings.[4] While abroad, Dehn took odd jobs as a magazine illustrator to support himself and his first wife, Mura Ziperovitch, a Russian dancer he met in Vienna. A number of his caricatures depicting the Roaring 20s, burlesque, opera houses, and the café scene appeared in such magazines as Vanity Fair. Coming back to New York in 1929, Dehn’s art focused on depicting scenes of Manhattan, and his work appeared in magazines such as the New Yorker and Vogue.
As the Great Depression took hold in the 1930s, Dehn experienced financial difficulties which contributed to the divorce of his first wife, and caused him to make trips back home to Minnesota where he could live more cheaply. During this time, he did a number of drawings and lithographs based on Midwest scenes. It was in 1936 that he began executing watercolors, and in 1939, he received a Guggenheim Fellowship which allowed him to travel to the western United States and Mexico. Dehn’s watercolors were immensely popular and placed him in the top tier of American watercolorists. Around the peak of his national fame and financial success in 1943, he met his second wife, Virginia Engelman. They married in 1947, after which Dehn traveled extensively to places including Venezuela, Cuba, Haiti, Afghanistan and other parts of the world; his experiences were reflected in his prints, drawings, and paintings. Dehn won a second Guggenheim Fellowship in 1951.
Among his many honors, Dehn was elected as a full academician to the National Academy of Design and as a member of the National Institute of Arts and Letters. His works are held in over 100 museums including the National Gallery of Art, National Portrait Gallery, Metropolitan Museum, Museum of Modern Art, and Whitney Museum of American Art. Dehn died on May 19, 1968, at the age of 72, after suffering a massive heart attack.
- Creator:Adolf Arthur Dehn (1895-1968, American)
- Creation Year:1922
- Dimensions:Height: 11.5 in (29.21 cm)Width: 17.25 in (43.82 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU14115711522
Adolf Arthur Dehn
Adolf Dehn, printmaker, watercolorist, and illustrator, was born in Waterville, Minnesota, in 1895. In 1914 he began studying at the Minneapolis School of Art, and in 1917, the year his first published drawing appeared in the progressive magazine, The Masses, he received a scholarship to study at the Art Students League in New York. There he worked with Kenneth Hayes Miller and was introduced to lithography by Boardman Robinson. While in New York, Dehn threw himself into liberal politics. Declaring himself a conscientious objector in 1918, he was forced to spend four months in a Spartanburg, South Carolina, boot camp for refusing to serve in the armed forces and eight months as a volunteer instructor teaching painting and drawing at a hospital for war victims in Asheville, North Carolina. Dehn spent the years 1920 to 1929 in art-related travel in Europe, primarily in Vienna and in Paris, where he made lithographs at the Atelier Desjobert. Throughout this time, Dehn exhibited his work at the Weyhe Gallery in New York and contributed drawings both to magazines abroad and to the radical journal The Masses. Upon his return to New York in 1929, he became a leading figure in printmaking circles, exhibiting his prints to considerable critical acclaim. In 1937, Dehn had worked exclusively in black and white until 1937—halfway through his career—when he began to work in watercolor. During his summer visits to Minnesota, he created a large body of regional watercolors depicting the lakes and farms of his home state. Lithography and watercolor remained his two primary media, and his subjects ranged from social satire to naturalistic landscapes. He authored the treatise, Water Color Painting, in 1945 and two other instructional books on lithography and watercolor in 1950 and 1955. From 1938 to 1939 he taught at Stephens College in Columbia, Missouri, and during the summers of 1940-1942 he taught at the Colorado Springs Fine Arts Center. In 1939 and 1951 Dehn received Guggenheim Fellowships, and 1961 he was elected Full Academician to the National Academy of Design. Dehn exhibited throughout his career, and his works are in the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Art Institute of Chicago, the Museum of Fine Arts in Boston, and the British Museum, among others. Adolf Dehn died in New York in 1968.
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