Alan Maley

A Festive Occasion

1989

This artwork titled "Family Reunion" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947....

This artwork titled "Winners Loosers" is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and inscribed/n...

This artwork "After Lunch" 1994 is an original etching by French/Canadian artist Pierre Roland Renoir b.1958 (Grand son of the famous impressionist artist Pierre Auguste Renoir) It i...

This artwork titled "Street Market" c. 1975, is an oil painting on canvas by noted Dutch artist Johannes Josephus Hovener, b.1936. It is signed at the lower right corner by the artist. The artwork (canvas) size is 24 x 32 inches, framed size is 33.5 x 41.5 inches. Framed in original wooden gold frame, with fabric liner. It is in excellent condition. About the artist: Johannes Josephus (Jan) Hovener (1936) Johannes Josephus (Jan) Hovener was born in Rotterdam on 14th August, 1936. Hovener enjoyed the study at the Rotterdam Academy. After his studies, Hovener won the Talens Prize in 1959. It was therefore Willem Sandberg, director of the Stedelijk Museum in Amsterdam, who wrote the following about a self-portrait by Hovener: As someone who could do something and had an incredible vision. Especially for someone of twenty years old. Hovener initially started as a pottery painter with Delft blue at the Porceleyne Fles. Meanwhile, Hovener has more than half a century of experience and has become a all round...

Nicely painted contemporary cafe interior scene. Oil on board. Framed. Signed.

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2010 Title: 19th Century Party Size: 17...

Edward M. Plunkett, American (1922 - 201?) - Cafe with Tango Dancers, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 13.5 x 21.5 inches,...

Artist: Tony Minartz (French, 1873-1944) Title: "L'Avant-Foyer de l'Opera" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1903 Medium: Original Etching on cream laid paper Limited edition: Unknown Printer: Unknown Publisher: Revue de l'Art Ancien & Moderne, Paris, France Framing: Recently framed in a traditional gold and black moulding with 100% cotton rag matting Framed size: 18.63" x 16.38" Sheet size: 12" x 9" Image size: 9" x 7.25" Condition: In excellent condition Notes: Printed in one color: bistre. This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community. Biography: Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French. Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...