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André MarchandComposition, Lettre à mon peintre Raoul Dufy1965
1965
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About the Item
Lithograph on vélin Arjomari paper. Paper Size: 11.75 x 9.375 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie académique Perrin et Cie, Paris; printed by Mourlot Frères, Paris, July 22, 1965. Excerpted from the album (translated from French), The typography of this album was completed to print at L'Imprimerie nationale, Monsieur André Brignole as Director and Paul Lajun as head of typography. The type-set was made with the Garamont corps 20, exclusive property of the grand Établissement d'État on the presses of which the printing was completed on July 22, 1965. The color lithographs and black drawings as well as the manuscripts were shot on Fernand Mourlot's presses. Henri Jadoux was the assistant responsible for the project. It was taken from this edition, XXV examples on vélin B.F.K. de Rives, numbered from I to XXV, accompanied by a suite of lithographs and an original etching signed by Jacques Villon, CMLXXV examples on vélin B.F.K. de Rives, numbered from XXVI to M, accompanied by a series of lithographs, and V̅ examples on vélin Arjomari, numbered from MI to V̅I̅, and finally, CC examples, hors commerce.
ANDRE MARCHAND (1907-1997) was a French painter of the new Paris school and one of the founder members of the Salon de Mai. Born in Aix-en-Provence he spent his youth roaming the surrounding countryside until his father's antipathy to his professed artistic ambitions drove him away. Settling in Paris he spent many hours touring the Louvre and making full use of the many free art academies in Montparnasse. In the 1930s he participated with Francis Gruber and Pierre Tal Coat in the group known as the 'Forces Nouvelles' and began exhibiting his paintings of Biskra in Southern Algeria at the Galerie Billet-Worms in 1934. In 1936 his friend Darius Milhaud introduced him to the gallery owner Pierre Colle who began exhibiting his works and the following year he won the prix Paul Guillaume. He continued to work and exhibit throughout the war, participating in 'Twenty Young French Painters' at the Galerie Braun in May 1941. Marchand and many of his fellow exhibitors at this exhibition went on to form the Salon de Mai. This group, under the direction and presidency of the critic Gaston Diehl was founded in a café on the Rue Dauphine in Paris in 1943 in opposition to Nazi ideology and its condemnation of degenerate art. The same year Marchand married the decorator Yvonne Sjoestadt and began giving drawing lessons to the painter Françoise Gillot. In 1944 the collector Aimé Maeght invited him to work in Cannes and Saint-Paul-de-Vence and introduced him to Matisse and Bonnard. Maeght opened his own gallery in 1945 on the rue de Téhéran in Paris and a year later dedicated a large and critically acclaimed exhibition to Marchand. Picasso took umbrage to the success of Marchand's exhibition and, mortified, Marchand wrote “the falling out between us is complete”. By the end of the 1940s he was enjoying an international reputation and was invited to exhibit at the art bienniale of Sao Paolo in 1951 and Venice in 1954. A large retrospective of his work was held at the Galerie Charpentier in Paris in 1956. A thirty year retrospective was held at Réattu Museum in 1963.
- Creator:André Marchand (1907 - 1997, French)
- Creation Year:1965
- Dimensions:Height: 11.75 in (29.85 cm)Width: 9.375 in (23.82 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465216688312
André Marchand
Anre' Marchand began painting at the age of 14 years, he was from the Provence region of France. He painted landscapes an watercolors, and more modern and semi abstract styles from his influence by Matisse. His paintings can be viewed in several museums including Paris.
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