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Charles Lapicque
Apocalypse, Société internationale d'art XXe siècle
1975

Name: Apocalypse, Société internationale d'art XXe siècle
Brand: Charles Lapicque
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About the Item

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXXVIe Année, N°42, Décembre 1974, Cahiers fondés en 1938 par Gualtieri di San Lazzaro et publiés sous la direction d'Alain Jouffroy, Pierre Volboudt et Gilbert Lascault Rédacteur en chef: Alain Jouffroy, Panorama 74, 1974. Published by Société Internationale d'Art XXe siècle, Paris; printed by Mourlot Frères, Paris, 1974. Additional notes: Excerpted from the academic article, “Promoting Original Prints, The Role of Gualtieri di San Lazzaro and XXe Siècle” by Valerie Holman, published in Print Quarterly, XXXIII, 2016, 2, Until recently very little has been written on the Italian author and art publisher Gualtieri di San Lazzaro (1904-75), yet for 50 years he chronicled the life and work of contemporary artists, produced monographs of exceptional quality, and disseminated original prints by modern painters and sculptors through his best-known periodical, XXe Siècle. Although still a relatively unfamiliar figure in the United Kingdom, San Lazzaro is one of the half-dozen great art publishers of the mid-twentieth century who, together with his exemplar, Ambroise Vollard (1866-1939), and those of his own generation, Christian Zervos (1889-1970), Tériade (1889-1983) and Albert Skira (1904-73), chose to base himself in Paris, seeing it throughout his life as the centre of the art world….XXe Siècle, an illustrated periodical, was launched in 1938 and printed in editions of approximately 2,000, each issue containing both photographs and four-colour separation reproductions across a wide spectrum of visual imagery ranging from masterpieces of Western painting to popular prints from the Far East. Its large format, lively design, and close integration of text and image, were immediately striking, but its most innovative feature, introduced at the suggestion of Hans Arp (1886-1966), was the inclusion of original prints by contemporary artists in every issue. With obvious appeal for collectors, XXe Siècle was also designed to introduce a wider, international public to contemporary painting and sculpture through good quality colour reproductions and the immediacy of original prints. Comparable in price to Cahiers d'Art, early issues of XXe Siècle sold out rapidly. While San Lazzaro's own aesthetic preferences tended towards lyric abstraction, he made clear that XXe Siècle was non-partisan [publication ceased during World War II]….in 1951, San Lazzaro relaunched XXe Siècle with thematic issues that were materials based, or centred on a topic of current interest in the visual arts, particularly in Europe: concepts of space, matter, monochrome, mark-making and the sign.' A defining feature of the new series was Italy's artistic dialogue with France for, while San Laz-zaro had originally concentrated on Paris-based painters and sculptors, his aim was to create an international network, to make known the work of French artists in Italy and Italian artists in France, and subsequently extend this bilateral axis to the English-speak-ing world. The artists represented in No. I by an original print were all best known as sculptors: Arp, Laurens, Henry Moore (1898-186) and Marino Marini, San Lazzaro not only sought to show readers the full range of an artist's work, but to encourage the production of prints, a stimulus much appreciated, for example, by Magnelli…. Suffering from failing health, in 1968 San Lazzaro lost overall control of XXe Siècle to Léon Amiel, a printer-publisher who had provided financial backing and helped with distribution in America." Thematic issues now ceased and were replaced by a 'panorama' of the year, but San Lazzaro was still active as a publisher of books and albums of prints….Shortly after his death, San Lazzaro himself was the subject of two exhibitions: 'Omaggio a XXe Siècle' in Milan in December 1974 centred on graphic work by those artists closest to him late in life, while 'San Laz-zaro et ses Amis' at the Musée d'Art Moderne de la Ville de Paris in 1975 featured work by all those whose work he had promoted for more than 50 years: Arp, Calder (1898-1976), Capogrossi, Chagall, Sonia Delau-nay, Dubuffet, Estève, Lucio Fontana (1899-1968), Gili-oli (1911-77), Magnelli, Marini, Miró, Moore and Poliakoff. This exhibition was seen by one of his closest colleagues as an indirect portrait of San Lazzaro, a complex man whose modesty and reserve masked his unremitting drive to extend international appreciation of contemporary art, and to bring the reading public closer to its making through the medium of print. CHARLES LAPICQUE (1898-1988) was a French artist. He was mobilized to fight in the First World War and was eventually awarded the Croix de Guerrein 1918. The following year, he began engineering studies in Paris. During this period, the strong impulse he felt for Art led him to devote much of his time to self-taught painting. This proves to be a profound need that leads him to abandon his engineering career to devote himself full-time to the practice of painting. Lapicque held his first solo exhibition in 1929, at the Jeanne Bucher Gallery, following an invitation from its founder to join the gallery's group of artists. His works, between the years 1939 and 1943, were instrumental in the development of non-figurative painting. It was during this period that Charles Lapicque met the philosopher Gabriel Marcel who introduced him to Jean Wahl, initiating his philosophical and aesthetic reflection. Since his youth, Lapicque developed a particular taste for music, which led him to practice the clarinet, bassoon and trombone, and took part of several amateur ensembles. In 1953, he was awarded the Raoul Dufy Prize at the Venice Biennale. In 2021, Charles Lapicque's painting, Portrait d'un Tigre, sold for $384,463 USD at Sotheby's London, setting a world record for the artist.

Creator:

Charles Lapicque (1898 - 1988, French)

Creation Year:

1975

Dimensions:

Height: 12.4 in (31.5 cm)Width: 9.65 in (24.52 cm)

Medium:

Lithograph

Movement & Style:

Modern

Period:

1970-1979