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Conrad BuffNavajo Weaver1937
1937
About the Item
This artwork titled "Navajo Weaver" 1937, is an original color lithograph on paper by noted Swiss/American artist Conrad Buff, 1886-1975. It is hand signed in pencil by the artist, titled, dated and numbered 10/25. The artwork (image size ) is 8 x 9.75 inches, framed size is 17 x 18.25 inches. Custom framed in a wooden gold frame, with light beige matting and brown fillets. It is in excellent condition, the frame have very small minor dents. An example of this particular artwork is held at the Philadelphia Museum Of Art, Philadelphia.
About the artist.
Buff was born in Speicher, Switzerland, the son of a farmer. At age fourteen, he apprenticed with a baker, and later entered trade school to study lace design. After studying briefly in Munich, he emigrated to the United States in 1905, first working in Wisconsin as a sheepherder.
In 1907, Buff found his way to Los Angeles where he took various jobs as a gardener, baker, cook, and house painter while also painting scenes in oil on canvas in his spare time. From his work as a house painter, he eventually established himself a contractor, but continued to teach himself to paint.
Buff had his first one man show at the Los Angeles County Museum of Art in 1920 and he exhibited extensively around southern California over the next two decades. He was a member of the California Art Club and associated with important early West Coast landscape painters such as William Wendt, Guy Rose, and Jack Wilkinson Smith. However, Buff drew little artistic inspiration from these "California Impressionists." He had cultivated an angular, modernist style using strong color applied in a pointillist manner, but laid down in large color blocks more in line with post-impressionism. His landscapes emphasize geometric forms usually assembled in flat layers. His mountain landscapes, in particular, had an architectural feel. Buff also produced color and black-and-white lithographs, mostly of landscape subjects.
In the 1920s Buff developed close friendships with the modernist architects Rudolph Schindler and Richard Neutra, and the artist, Maynard Dixon. Undoubtedly, he shared a much greater aesthetic affinity with these artists than with most of his California contemporaries. He accompanied Dixon on painting trips through the desert Southwest, and executed two mural commissions with Dixon in the late 1920s.
In 1922, Buff married artist and museum curator, Mary Marsh. In 1936 they began collaborating on children's books which Mary wrote and Conrad illustrated. Nature and the environment, Native Americans, and Switzerland constituted the themes of most of the thirteen books they published together. Several were nominated for Newbery and Caldecott awards.
As Buff's work matured, it became increasingly abstract. Where he had once emphasized basic shapes in the landscape, he later came to exaggerate them to create two-dimensional patterns, rendered in increasingly bright and simple colors. Although he retained his pointillist technique, the strokes became much broader and, often, unconnected. He loved the clear air of the desert and, through color, attempted to capture its effects on the red rocks of his favorite places such as Zion, Monument Valley, and the Colorado River. The work of Conrad Buff is held in private collections, and museums including the Philadelphia Art Museum and Laguna Art Museum.
- Creator:Conrad Buff (1886-1975, Swedish)
- Creation Year:1937
- Dimensions:Height: 17 in (43.18 cm)Width: 18.25 in (46.36 cm)Depth: 0.95 in (2.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: buf/nav/wea/011stDibs: LU666314193022
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Located in San Francisco, CA
Artist: John Maxon (American, born 1947)
Title: Dust Time
Year: 1993
Medium: Color lithograph
Edition: Numbered 146/210
Paper: Arches
Image size: 26.5 x 39.75 inches
Paper size: 31.5 x 44 inches
Signature: Hand signed in pencil by the artist
Condition: Excellent, has never been framed
About the artist.
Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings.
Education
San Francisco Art Institute
B.A., Painting, San Jose State University
M.F.A., Painting, University of California, Davis
Stanford University, Palo Alto, California
Cabrillo College, Aptos, California
Selected Solo Exhibitions
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Gallery Panza Verde – Antigua Guatemala, Guatemala
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Desert Art Collection - Palm Desert California
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Galeria Antigua – Antigua, Guatemala
2014
Galeria Panza Verde – Antigua, Guatemala
2008
Linda Durnell Gallery – Los Gatos, California
2006
Linda Durnell Gallery – Los Gatos, California
2005
Robert Allen Fine Art Gallery – Sausalito, California
2004
Ellis West Gallery – Durango, Colorado
2002
Ellis West Gallery – Durango, Colorado
2001
Robert Allen Fine Art Gallery – Sausalito, California
1997
Stanford University Faculty Club – Stanford, California
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2018
Chemers Art Gallery – Los Angeles, California
2009, 2010, 2016, 2017 & 2018
Robert Allen Fine Art – Sausalito, California
2017 Christopher Hill Gallery - St Helena, California
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Gallery North - Carmel, California
2015
Desert Art Collection - Palm Desert, California
2014
Paul Scott Gallery - Bend, Oregon
2014
Christopher Hill Gallery Healdsberg, California
2013
Firehouse Art Center - Pleasanton, Ca. 2013
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Robert Allen Fine Art – Sausalito, California
2010 - 2012
Susan Street Gallery – Solano Beach, California
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Salisbury Fine Art – Avila Beach, California
2010
Bryant Street Gallery – Palo Alto, California
2009
Museum Art and History – Santa Cruz, California
2008
Cabrillo College – Aptos, California
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Christopher Hill Gallery – St. Helena, California
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Fort Lewis College – Durango, Colorado
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St. Supery Winery & Fine Art Gallery, Napa California
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Napa Valley Wine Auction – St. Helena, California
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West Coast Painting and Sculpture – Ocean Side, California
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About the artist:
Edna Hibel, a painter of sentimental pictures of children, has had a more than 60-year career as painter and lithographer and promoter of peace through exhibitions of her artwork.
She was born in 1917 in Boston, Massachusetts. Her parents were Abraham and Lena Hibel, and she was raised in the Boston area and educated at Brookline High School where she met her future husband, Theodore Plotkin.
She began to paint when she was nine years old and learned watercolor during summers at the shore where her family vacationed in Maine and Hull, Massachusetts.
Hibel studied at the Boston Museum School of Fine Arts, from 1935-39, receiving a Sturtevant Traveling Fellowship to Mexico. In Boston, in 1966, she began lithography, continuing in 1970 in Zurich, where she still works every year. She has created lithographic works with up to 32 stones (or colors) on paper, silk, wood veneer and porcelain. The latter pieces are called lithographs on porcelain and result from a complicated process, that she keeps a secret, whereby she transfers stone lithographic color separations onto Bavarian hard paste porcelain. Hibel has created the "Arte Ovale" series and various plaques with this technique.
She organized the Edna Hibel Museum of Art, in Jupiter, Florida, to display and promote her work and also created a United Nations stamp, "Mother Earth."
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In November, 2001, the World Cultural Council based in Mexico City gave her the Leonardo da Vinci World Award of Arts.
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Works in Permanent Collections:
Harvard University
Boston University
Museum of Fine Arts, Boston
Springfield Museum of Arts, Massachusetts
University of New Hampshire
Fleischmann Collection, Cincinnati
Detroit Art Institute
Milwaukee Art Museum
Phoenix Art Museum
La Jolla Museum, California
Lowe Gallery, University of Miami, Florida
Columbus Museum of Arts and Crafts, Georgia
WarrenHall Coutts, Ill, Memorial Museum of Art, El Dorado, Kansas
Palais des Nations,Geneva, Switzerland
United Nations Headquarters, New York City
Norton Gallery, West Palm Beach, Florida
de Saisset Museum, Santa Clara, California
Russian Academy of Art, St. Petersburg, Russia
Hibel Museum of Art, Lake Worth, Florida
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Shacknow Museum of Fine Arts, Plantation, Florida, 2000
Cornell Museum of Art and History, Delray Beach, Florida, 1999 (and 1993)
Klutznick National Jewish Museum, Washington, D.C., 1999
The Museum of Printing History, Houston, Texas, 1999 (and 1998)
Mitsukoshi Fine Art Gallery, Tokyo, Japan, 1995 (and 1994)
Lyme Academy of Fine Art, Old Lyme, Connecticut, 1994
Grenchen Art Museum, and Galerie BrechbUhl, Grenchen, Switzerland, 1992
Soviet Union Academy of Art, and Exhibition Hall of the Russian Union of Artists, Leningrad (St. Petersburg),
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Northern Indiana Arts Association Gallery, Munste~ Indiana, 1990
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The National Museum of Women in the Arts, Washington, D.C., 1989
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Year: 1994
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Edition: Inscribed and numbered 15/20
Paper: Arches
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Signature: Hand signed in pencil by the artist
Condition: Excellent, has never been framed
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