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David Hockney
The Glass Mountain by David Hockney (Six Fairy Tales from the Brothers Grimm)

1969

About the Item

This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate because it began with the words 'A king built a glass mountain', and the problem of drawing a glass mountain intrigued him. He tried to draw the glass eight different ways, even smashing a sheet of glass and piling it up as reference. He ultimately decided to draw the tree and house behind the glass mountain, distorting their reflection to indicate the mountain’s transparency. This composition in particular was completely fabricated by Hockney with no composition reference. However the houses in this image are from a photograph of an ordinary building. In the tale of Old Rinkrank, a king builds a glass mountain and declares that anyone who can scale it will win the hand of his daughter. The princess, however, secretly helps one of the suitors. During their climb, she slips and falls into the mountain, where she encounters Old Rinkrank. He offers her a choice between death and servitude. Opting for servitude, she works for Rinkrank for many years, while he uses a magical ladder to climb out and gather riches. One day, she traps him by locking all the doors except one, and when he peeks through the small window, she slams the sash on his beard, forcing him to surrender the ladder. She then climbs to the top of the mountain, frees Rinkrank, and returns to her father and suitor. The king punishes Rinkrank, seizing his treasures, and the princess marries her suitor. They live happily ever after. The glass mountain (Six Fairy Tales from the Brothers Grimm) 1969 Plate 17.3 x 12.8 in / 44 x 32.5 cm Paper 24.75 x 17.5 in / 62.87 x 44.45 cm Unique publisher’s copy aside from the edition of 400 books and 100 portfolios This etching is from a unique Publisher’s Copy of the thirty-nine etchings which is aside from the four editions of 100 bound books and 100 portfolios plus proofs. They are printed on the same W S Hodgkinson rag paper watermarked with the artist’s initials DH and the publisher’s initials PP. The prints were originally intended for presentation purposes and are not signed; they are the only unsigned prints with full paper margins in existence.

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