Emile Bellet

Woman in a Yellow Dress in a Poppies Field - Handsigned lithograph

Fernand LÉGER Still life with Journal and Flowers, 1959 Original lithograph and stencil Printed signature in the plate On vellum Auvergne 50,2 x 40 cm (c. 19,7 x 15,7 Inches) Publ...

Georges ROUAULT The Horse Rider Original lithograph Printed in Mourlot workshop On heavy paper 31.5 x 24 cm (c. 12.5 x 9.5 in) Posthumously published in the special issue Xxe Siècl...

Richard Seewald Boatyard on Corfu Lithograph 1974 Size: 32.28 x 22.04 inches (82 × 56 cm) Signed in stone COA provided *will shipped rolled in a double boxed tube, unless other arrangements are made before placing the order. Richard Seewald (1889–1976) was born in Arnswalde, Germany and began studying architecture in Munich in 1909 at his father's request. However, he quickly turned to painting as a self-taught artist. Early drawings published in Die Jugend led to illustration work for other magazines. His first oil painting was created in 1913 on the island of Rab. That same year, he joined the Münchener Neue Secession and later the Deutscher Künstlerbund. Seewald became a sought-after illustrator for authors such as Daniel Defoe and Heinrich von Kleist. His own illustrated books and frequent travels around the Mediterranean influenced his evolving artistic style. In 1924, he was appointed professor at the Cologne Art School. After converting to Catholicism in 1929, he completed commissions for church murals. Disillusioned by the political climate, Seewald relocated permanently to Switzerland in 1931. The Nazis labeled his work "degenerate" in 1937, and many of his pieces were confiscated or destroyed. After WWII, Seewald cautiously re-entered the German art scene, eventually accepting a professorship in Munich in 1954. Following personal losses, he destroyed a significant portion of his work. His sketchbooks were donated to the Germanic National Museum, and his remaining estate was entrusted to a foundation in Ascona, where he is buried. Richard Seewald, German artist, illustrator, modern art, Munich Secession, degenerate art, art professor, Mediterranean influence, Catholic convert, Nazi art...

This artwork titled "La Collana II" 1952, is an original color lithograph on Wove paper by renown German/Italian artist Massimo Campigli, 1895-1971. It is hand signed and numbered 15...