Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Emilio Amero
Emilio Amero Original Aquatint Etching, 1969 - The Fetish

1969

$2,000
£1,511.39
€1,769.38
CA$2,792.95
A$3,142.32
CHF 1,664.93
MX$38,803.74
NOK 20,410.23
SEK 19,611.41
DKK 13,198.48
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Original aquatint by Mexican artist Emilio Amero (1901-1976) created 1969. Titled: “The Fetish.” Edition size is 9 of 50. Signed and dated in pencil lower right and numbered lower left. In excellent condition, archivally matted and framed. Image size: 8 5/8"h x 7 1/4"w. The frame measures: 20 3/8"h x 19"w. Born in the village of Ixtlahuaca, in the state of Mexico, Emilio Amero counts Spaniards and Otomi Indians among his ancestors. Shortly after his birth, the family moved to Mexico City. In 1911 he began his studies in art at the Academy of San Carlos. He also studied drawing privately with Antonio Gomez, a family friend and well-known newspaper artist. At the academy in 1917, he became acquainted with Diaz de Leon, Rufino Tamayo, Ramon Alva de la Canal, Enrique Ugarte, and Leopoldo Mendez-all students there at the time. Later he joined the open air school in Coyoacan, founded and directed by Alfredo Ramos Martinez. He and Jean Charlot, with whom he later worked closely in graphic arts, first met in 1921 in the library of the Academy of San Carlos at an exhibition which included some of Amero's work. The two became better acquainted when, together with Mewrida, Guerrero, and Rivera, they worked on the Preparatory School and Ministry of Education murals. The year 1923 found Amero and Charlot at work on the same lithographic stone, intent on reviving the long neglected art of printmaking. Amero is generally acknowledged as chiefly responsible for the renaissance of graphic arts, especially lithography, which paralleled the mural renaissance in Mexico. Amero went to New York in 1924 and worked for several magazines and newspapers, among them the Herald Tribune, the Times, the World-Telegram, the Brooklyn Eagle, The New Yorker, Theatre Magazine and the Boston Transcript. At the beginning of the 'thirties Amero returned to Mexico and taught at San Carlos, now known as the Central School of Plastic Arts of the University of Mexico. In 1940 Amero came to Seattle, Washington to teach at the University of Washington....... He later became art director of the Cornish school and afterward directed his own New School of Art. In 1946 he became a member of the art faculty of the University of Oklahoma. Amero had at least ten major one-man shows, in New York, Havana, Mexico City, Seattle and in Norman, Oklahoma. He also participated in many important group shows and won many awards.
  • Creator:
    Emilio Amero (1901 - 1976)
  • Creation Year:
    1969
  • Dimensions:
    Height: 20.38 in (51.77 cm)Width: 19 in (48.26 cm)Depth: 1.38 in (3.51 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Phoenix, AZ
  • Reference Number:
    1stDibs: LU2749215057642

More From This Seller

View All
Paul Cadmus Signed Original Etching, 1938 - “Two Boys on a Beach No. 1"
By Paul Cadmus
Located in Phoenix, AZ
Original Etching in excellent condition by New York artist Paul Cadmus (1904-1999). Signed in pencil lower right. Created 1938. Presents in a simple black frame, archivally matted. ...
Category

Mid-20th Century Figurative Prints

Materials

Etching

Erich Heckel German Expressionist Woodblock Print, 1919 "Dostoevski's Idiot"
By Erich Heckel
Located in Phoenix, AZ
Erich Heckel (1883-1970) Original Woodblock print, 1919. “Dostoevski's Idiot (Final Scene)” Unframed and in excellent condition. Image size: 9 3/4" H x 11 1/2" W. In a 16" H x 20" ...
Category

Early 20th Century Figurative Prints

Materials

Paper

Germaine Richier French Artist Original Etching, Figure with Owl
By Germaine Richier
Located in Phoenix, AZ
Germaine Richier (1902-1959) etching Richier was a French artist noted for making animal and insect figures with human attributes. Etching, figure and owl, circa 1950. Unframed, matt...
Category

Mid-20th Century Figurative Prints

Materials

Paper

Color Woodblock Print - Apres La Danse "Celebes"
By Paul Jacoulet
Located in Phoenix, AZ
This beautiful color woodblock print by Paul Jacoulet was printed in 1940. This limited-edition work is numbered on the verso: 102 from the edit...
Category

Mid-20th Century Figurative Prints

Materials

Woodcut

Victor Manuel Cuban Artist, Original Pen & Ink Drawing, circa 1930s-1940s
Located in Phoenix, AZ
Original pen & ink drawing by well-known Cuban artist Victor Manuel (1897-1969). The subject is a man and woman seated near the water. This pen and ink drawing on graph paper bears a rubber stamp on the verso. Image measures: 10" H x 8" W image. Paper size 12" x 9.” The work presents in an archival mat and is unframed. Born in Havana, Victor Manuel began studying the arts at San Alejandro Art School at age 12. When he was 14, he started to act as unofficial professor of elementary drawing classes. He studied with Leopoldo Romañach, another famous Cuban painter, and performed his first personal exhibition in 1924. In 1925, he traveled abroad, visiting France. He returned home in 1927 and participated in an exhibition at the Painters and Sculptors Association of Havana. In this time, he dedicated himself, for almost two years, to train other Cuban painters free of charge. Afterwards, he returned to Europe, visiting Spain and Belgium, returning to Cuba again in 1929. It was in this year that he created his most famous painting: La Gitana Tropical ("The Tropical Gipsy"), popularly known as La Gioconda...
Category

Mid-20th Century Figurative Prints

Materials

Paper

Moses Soyer Graphite and Conte Crayon Drawing, Circa 1950's - Resting Female
By Moses Soyer
Located in Phoenix, AZ
Original drawing by Raphael Soyer’s twin brother Moses (1899-1974) of a resting woman. The medium is conte crayon and graphite and the work is signed by the artist lower right. It is...
Category

Mid-20th Century Figurative Prints

Materials

Paper

You May Also Like

14th Street Oriental
By Isabel Bishop
Located in Middletown, NY
New York, Associated American Artists, 1950. Drypoint and aquatint on cream wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed and numbered 48/50 in pencil, lower margin. Printed by Stephen Sholinsky...
Category

Mid-20th Century American Modern Portrait Prints

Materials

Drypoint, Aquatint

Le Chat et Les Fleurs
By Édouard Manet
Located in Middletown, NY
Etching and aquatint on cream laid, watermarked Rives paper. 6 5/8 x 5 inches (167 x 126 mm). Sixth and final state, a posthumous impression. A fine, inky impression with full margin...
Category

1860s Realist Figurative Prints

Materials

Aquatint, Etching

Byloke, Ghent; From Picturesque Architecture in Paris, Ghent, Antwerp, Rouen...
By Thomas Shotter Boys
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 1/2 x 14 5/8 inches (266 × 370 mm), full margins. Moderate mat tone, scattered spots of light brown discoloration in...
Category

1830s English School Landscape Prints

Materials

Oil, Handmade Paper, Aquatint

Rue de Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....
By Thomas Shotter Boys
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...
Category

1830s English School Figurative Prints

Materials

Oil, Handmade Paper, Aquatint

From the Ponte Vecchio, Florence
By John Taylor Arms
Located in Middletown, NY
Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...
Category

1920s American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Durham Cathedral - English School
Located in Middletown, NY
Etching with aquatint on cream laid paper with a partial Arches watermark, 5 3/8 x 4 inches (135 x 100 mm), full margins. Signed illegibly in pencil in the lower right margin.
Category

Early 20th Century Landscape Prints

Materials

Etching, Laid Paper, Aquatint