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Seurat, Le peintre au travail, Seurat (after)

1948

About the Item

Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Seurat, 1948. Published by George Besson, Paris; printed by Les Éditions Braun & Cie, Mulhouse-Dornach, Paris, Lyon. Excerpted from the album (translated from French), This album, the third of the "Plastique" collection published under the direction of George Besson, was printed on velin Vidalon paper by Braun & Cie, Mulhouse-Dornach, Paris, Lyon. GEORGES SEURAT (1859-1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work A Sunday Afternoon on the Island of La Grande Jatte (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting.
  • Creation Year:
    1948
  • Dimensions:
    Height: 12.5 in (31.75 cm)Width: 9.75 in (24.77 cm)
  • Medium:
  • Movement & Style:
  • After:
    Georges Seurat
  • Period:
  • Condition:
  • Gallery Location:
    Fairfield, CT
  • Reference Number:
    1stDibs: LU1342116191682

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