Jules Denneulin

"Jamais Bredouille (Never Empty-handed)" Color Lithograph after Jules Denneulin

c. 1888

The present artwork is an excellent example of the woodcut engravings of Auguste-Louis Lepère (1849 - 1918). He was the son of the sculptor Francois Lepère, and is considered a leade...

"Seba after Hiroshige" is an original color lithograph from the Japanese Suite by Michael Knigin. The artist signed the piece lower right and titled...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Lieutenant Crovers Despatch – Return of Governor Stevens to Fort Benton' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXXVII' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...

"Le Prince Iris" is an original color lithograph by Andre Masson. The artist signed the piece lower right in pencil and wrote the edition number, H.C. XXV/XXV, lower left. This artwo...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. Stanley shows here the stop the Stanley Party made at the junction of the Bitterroot and Hell Gate, in present day Montana. While there, the Party met with the Flathead Chief by the name Victor, as is shown in the image. The figures and their encampment are dwarfed by the vast landscape around them, indicating the sublimity of these new American territories. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Victor's Camp - Hell Gate Ronde' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXXI' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix Stanley...

In the mid-nineteenth century, the United States government set out to survey and document its newly acquired lands and territories west of the Mississippi. The goals of these surveys were manifold: to produce topographical maps, to document flora and fauna, and to document natural resources to build the emerging US economy. These surveys, and the images from them, also functioned to build the new sense of American identity with the landscape, condensing vistas into the 'picturesque' tradition of European image making. Thus, the entire span of US territory could be seen as a single, cohesive whole. This lithograph comes from one of six surveys commissioned by the Army's Topographic Bureau in 1853, which sought to find the best route to construct a transcontinental railroad. The result was a thirteen-volume report including maps, lithographs, and technical data entitled 'Explorations and Surveys to ascertain the most practicable and economical route for a Railroad from the Mississippi river to the Pacific Ocean.' In particular, the print comes from the northern survey, commanded by Isaac Stevens, which explored the regions between the 47th and 49th parallels. In this image, Stanley documented the encounter with the Gros Ventre people at Milk River. The explorers were invited to the Gros Ventres camp and the two groups exchanged gifts in friendship. The Stevens Party provided "... blankets, shirts, calico, knives, beads, paint, powder, shot, tobacco, hard bread, etc." The image likewise alludes to how, in 1855, Isaac Stevens, concluded a treaty (Stat., L., XI, 657) to provide peace between the United States and the Blackfoot, Flathead and Nez Perce tribes. The Gros Ventres signed the treaty as part of the Blackfoot Confederacy, whose territory near the Three Fork area became a common hunting ground for the Flathead, Nez Perce, Kootenai, and Crow Indians. 5.75 x 8.75 inches, image 6.5 x 9.25 inches, stone 17 x 20 inches, frame Artist 'Stanley Del.' lower left Entitled 'Distribution of Goods to the Gros Ventres' lower center margin Publisher 'Sarony, Major & Knapp. Lith.s 449 Broadway N.Y.' lower right Inscribed 'U.S.P.R.R. EXP. & SURVEYS — 47th & 49th PARALLELS' upper left Inscribed 'GENERAL REPORT — PLATE XXI' upper right Framed to conservation standards using 100 percent rag matting with French accents; glazed with UV5 Plexiglas to inhibit fading; housed in a gold reverse ogee moulding. Print in overall good condition; some localized foxing and discoloration; minor surface abrasions to frame. John Mix...

Untitled Flower # 26 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 11" x 14” 20" x 24” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" x...

Sophie Berger Sweeping Winds Original Landscapes and seascapes Oil Paint on Canvas Image size: H:15 cm x W:21 cm Complete Size of Unframed Work: H:15 cm x W:21 cm x D:0.5cm Framed Si...

"Drift 26" Photography 30" x 20" Edition of 10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of the natio...

Item has only been displayed in a gallery setting and is in excellent condition. The framed dimensions measure approximately 29.5 x 40 inches. This is handcrafted artisan frame made ...

Sophie Berger Walking in the Teign Valley Original Landscapes Oil Paint on Canvas Image size: H:15 cm x W:21 cm Frame Size: H:20 cm x W:26 cm x D:4cm Sold Framed Please note that ...

The Cryptik Movement is dedicated to helping humanity evolve towards greater awareness and understanding through public art. The purpose of the Movement is to facilitate the developm...

Produced by Les Editions du Livre in France for the Associated American Artists with galleries in New York, Chicago, and Beverly Hills. Printed in France by La Photolitho L Delaporte...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...

FREE SHIPPING TO WORLDWIDE! Artisan: Pedro Joaquin Beltran Aban CAEY 3rd. State Place Category Toys and Musical Instruments CASA DE LAS ARTESANIAS DEL ESTADO DE YUCATAN III Region...

The Hunt British School, 20th century signed oil on canvas, framed framed: 26 x 36 inches canvas: 20 x 30 inches provenance: private collection, England The painting is in very good...

This artwork, "Children in a boat" 1976 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 21.5 x 28.75 inches, sheet size is 32.5 x 39.5 inches. Custom framed in wood dark brown rustic frame and beige matting. It is in excellent condition About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

This artwork "Mykonos, Greece II" c.1990 is an original color lithograph by noted French artist Jean Claude Carsuzan b. 1938. It is hand signed and numbered 116/150 in pencil by the artist. The image size is 10.25 x 14.25 inches, framed is 18.25 x 22.25 inches. It is custom framed in a wooden gold frame. The artwork is in excellent condition, the frame has some scratches. It will be replaced by a new similar one before shipping, which will bring the condition to excellent. About the artist: Jean Claude Carsuzan was born in Bordeaux, France in 1938. France. Hi interest for art began at an early age. He Attended the Bordeaux Art...

This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches. It is in excellent condition, the colors are fresh and bright, it has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

This artwork Titled "Wind Chimes #2" 1983 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 30.25 x 22.75 inches, sheet size is 32.75 x 25.25 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

This artwork titled "Conversation" 1988 is a color lithograph on Arches paper by noted Italian/Argentinian artist Aldo Luongo, b.1941. It is hand signed and numbered 103/275 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 25 x 29 inches. It is in excellent condition. About the artist: Aldo Luongo was born in Buenos Aires, Argentina, of Italian heritage. Since as far back as he can remember, Luongo had two great passions: art and soccer. Shortly after his graduation from the Academy of Fine Arts in Buenos Aires, Luongo came to the U.S. to play professional soccer for the New York Generals. After his athletic career was cut short due to an injury, he arrived in New York City with a dream to pursue his artwork full time. In the 70’s, he had his first major success with multiple reproductions of his black & white drawings. Not only were these prints released to great critical acclaim, they were a huge commercial success as well (hundreds of thousands of pieces sold within several years). Aldo had put himself on the map as a major international artist. Aldo Luongo has continued his reign at the top of the contemporary art world for almost four decades – a distinction that puts him in a class of his own. He has received numerous awards and honors, including being named a 3-time official Olympic Artist (Summer 1988, Summer 1996, and Winter 2002); an official World Cup Artist (1998); an official U.S. Women’s World Cup Artist (1999); and the 1999 Sports Artist of the Year (U.S. Sports Museum). He also has twice been chosen to paint eggs for the White House Easter Egg Hunt which now reside in the Smithsonian Institute. SELECTED PUBLIC EXHIBITIONS & COLLECTIONS 2018 Chloe Gallery Summer Art and Winemakers’ Dinner Exhibition Chloe Gallery, San Francisco, California The Smithsonian Institute, Washington, D.C. The Museum of Science and Industry, Los Angeles, California The Juarez Museum, Juarez, Chihuahua, Mexico The John F. Kennedy Museum, Boston, Massachusetts The Olympic Museum, Lausanne, Switzerland The Olympic Village Collection, Colorado Springs, Colorado The Sports Museum, Daphne, Alabama PRIZES, HONORS, & AWARDS International Olympics, “Official Olympic Artist,” (Summer 1988, Summer 1996, Winter 2002, Winter 2010) World Cup of Soccer, “Official World Cup Artist” (1998) U.S. Women's Soccer World Cup, “Official Artist” (1999) 1999 “Sports Artist of the Year,” U.S. Sports Museum White House “Easter Egg Hunt,” commissioned painting Smithsonian Institute, Washington, D.C. FAMOUS COLLECTORS: Giada De Laurentiis Mary Kate & Ashley Olsen Matt Leinert Bob Arum Geena Davis Kevin Costner Placido Domingo Argentine President Menem Luciano Pavarotti Jose Carreras...

20th century lithograph copy of an original painting by British artist Douglas Adams (English, 1853-1920). Signature in the print. Copy under the...