Luigino Rossi Garzione

Wildflowers - Screen Print by L. Rossi Garzione - 1970s

1970s

The General and the Birds is a beautiful colored screen print retouched by hand realized by Gianpistone in the 1970s. Hand-signed in pencil on the lower right margin. Numbered on th...

Visual Poem is an original Screen Print realized by Ennio Pouchard in 1970. Good condition on a white cardboard. Signature with pencil. Ennio Pouchard is Painter, photographer and...

Visual Poem is an original Screen Print realized by Ennio Pouchard in 1970. Good condition on a white cardboard. Signature with pencil. Ennio Pouchard is Painter, photographer and...

Visual Poem is an original Screen Print realized by Ennio Pouchard in 1970. Good condition on a white cardboard. Signature with pencil. Ennio Pouchard is Painter, photographer and...

This pop art print is a colorful image of a barn made by Charles Pachter. Charles Pachter’s elegant contemporary depictions of barns pay homage to Canada’s rural roots and its stron...

Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed Also accompanied by gallery issued Certificate of Guarantee This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...

Hand signed rf Lichtenstein, numbered and dated '85 in pencil lower right. Printed by Studio Henrici, New York. Published by the artist, for the Institute of Contemporary Art, Univer...

This screenprint in colors was created in 1993/94. Hand-signed by the artist and numbered, from the edition of 150 measuring 36 x 20 in. (91.5 x 51 cm.).