Mikulas Kravjansky

Untitled

1999

Au bord de la mer (At the Sea Side) Etching and drypoint, 1880 Signed in the plate middle left edge (see photo) Edition: c. 100 A very rich impression, full of burr and contrasts Pri...

The Fifer Etching, c. 1875 Unsigned Provenance: Estate of the Artist Bt descent in the artist's family Edition: One of four known impressions With annotation on...

Ronald B. (R.B.) Kitaj Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970 16 Color Silkscreen with collage and coating on different wove papers Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp Frame included: held in the original vintage metal frame Accompanied by gallery issued Certificate of Guarantee Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time. Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40 Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom Ronald Brooks (RB) Kitaj Biography R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...

Passages - A Suite of 16 Prints by Patricia Pearce and other artists A set of lithographs by College of San Mateo class of 1992, instructed by Patricia A. Pearce (American, b 1948). Each print is on laid paper, meaning they all have ragged edges. Presented in a black folio with title sheet, table of contents, and ties. Includes protective tissue paper dividers between each piece. Each piece is numbered, titled, and signed by the artist. Patricia Pearce is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo, San Francisco Exhibitions: Montalvo, California Center for the Arts; Pacific Prints, Palo Alto. Other artists in the collection include: Tom Attix Donna Catalini I. Colon Nancy Conner Judith Gaulke (American, b. 1946) is originally from Hood River, Oregon. Gaulke has been working in oils on canvas most of her life, painting seriously since 1988 when she had her first showing, then her first gallery representation in 1990. She is attracted to lone objects and scenes not yet populated — table settings, chairs, boats — all interpreted to give the viewer a sense of calm. Gaulke now resides in Atherton, California with her husband Michael. Together they created the Michael and Judith Gaulke Chair of Electrical Engineering and Computer Science at Oregon State University, an endowment for the College of Engineering. Exhibitions: “Varied Visions” - Main House at Holbrook-Palmer Park, Atherton, CA - 1998 Solo Show - Wente Vineyards, Livermore, CA - 1998 Atherton Arts Foundation Show - Jennings Pavilion, Holbrook-Palmer Park, Atherton, CA - 2006, 2009-2011 Pacific Art League 95th Anniversary Exhibition - Palo Alto, CA - 2016 Betty Gong M. A. Gothan Gretel Hadland Tokuko Ikeda Michelle P. Kern (American, 20th C) has lived and worked in Northern California all her life. Educated in art in the Bay Area, she has worked in art and arts education for several decades. She has a BFA and MFA in Ceramics from California College of the Arts. Kern has taught ceramics for the College of San Mateo since 2006. She has also taught for the Summer Enrichment Program for California College of the Arts, the Richmond Art Center, the California State Summer School for the arts, and for the summer program for the Crystal Springs Uplands School. Kern was the recipient of the Ernie Kim...