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Raphael Soyer
"Mother"

Circa 1950

$1,250
$2,20043% Off
£939.90
£1,654.2243% Off
€1,091.45
€1,920.9543% Off
CA$1,745.60
CA$3,072.2543% Off
A$1,936
A$3,407.3643% Off
CHF 1,016.69
CHF 1,789.3843% Off
MX$23,775.44
MX$41,844.7743% Off
NOK 12,870.35
NOK 22,651.8143% Off
SEK 12,136.91
SEK 21,360.9643% Off
DKK 8,143.43
DKK 14,332.4343% Off
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About the Item

Signed in pencil lower right AP (artist proof)lower left Sight size 18 x 12 in Overall size in museum quality matted frame 30 x 23 in Same lithograph is in permanent collection of the Smithsonian Museum
  • Creator:
    Raphael Soyer (1899-1987, American)
  • Creation Year:
    Circa 1950
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 23 in (58.42 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Good.
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1412430391

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Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...
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