Shepard Fairey

Shepard Fairey Media Target 2016 Signed OBEY Giant Print Street Art Screen Print

2016

Manufacturer: Obey Giant Edition Details: Year: 2021 Print Run: 279/500 Technique: Screen Print Paper: Fine Art Cream Speckletone Size: 18 X 24 Markings: Signed & Numbered "The Earth's eco-system is beautifully complex but fragile. Biodiversity is essential to maintain the delicate balance our world needs to remain healthy. 68% of the Earth's species have disappeared in the last 50 years alone. Many beautiful creatures are gone forever, and each loss erodes the foundation of our eco-system. My poster...

Controversial L.A. “street artist”, Mr. Brainwash takes to the New York City art scene with the opening of his “Icons” show in the meat packing district on Sunday February 14th. First brought to the public eye when LA Weekly profiled the artist in a cover story, Mr. Brainwash continues to be a much-discussed figure as the star of infamous street artist Banksy’s documentary “Exit Through the Gift Shop”, which premiered last month at the Sundance Film Festival. Thierry Guetta or “Mr. Brainwash” jam packed his massive art Icons show into two floors of a 15,000 square foot space. The show features portraits of pop culture icons; Madonna, Obama, Michael Jackson, James Brown and the Beatles, among many others, all interpreted through old broken records placed on canvas and silk screens with touches of spray paint. Wether you love him or you hate him, Art Icons is sure to be one of the largest and most lavishly funded art shows of the decade. Mr. Brainwash: Icons is ran from March 31 at 415 West 13th Street between Ninth Avenue and Washington Street in the Meatpacking District...

Mr. Brainwash announces the release of Life is a Game; a new limited edition screen print on archival paper. Each three-color screen print is hand torn...

For sale is a stunning Martin Whatson "Son of Man" mini print, with a gorgeous peach square background. Measuring at 12 inches by 12 inches and embossed wi...

By reducing his subjects to their most essential visual components, Alex Katz engages in a reductive process that foregrounds the raw immediacy of his forms while simultaneously reve...

Larry Rivers At The Dwan Gallery: Rivers Small Recent Work (Hand Signed), 1965 Silkscreen on wove paper Hand signed and dated "Rivers, 1965" in graphite p...

Pas de Deux I (David Salle and Janet Leonard) is a serigraph on paper with an image size of 36 x 20 inches, signed ‘Alex Katz’ lower left and numbered 110/150. From the edition of 17...

Ronald B. (R.B.) Kitaj Nancy and Jim Dine, or O'Neill accuses Faulkner of lack of loyalty and support (Kinsman 40), 1970 16 Color Silkscreen with collage and coating on different wove papers Hand signed and numbered in pencil 29/70 on the front. The back (which is framed) bears the Kelpra Studio blindstamp Frame included: held in the original vintage metal frame Accompanied by gallery issued Certificate of Guarantee Very rare stateside. Other editions of this work are in the permanent collections of major institutions like the British museum, which has the following explanation: "The artist Jim Dine and his wife Nancy were close to Kitaj and his family, especially after the death of Elsi, Kitaj's first wife in 1969. They sometimes stayed with the Dines at their farm in Vermont during Kitaj's second teaching sojourn in the United States. Dine and Kitaj held a joint show at the Cincinnati Museum of Art in 1973. In the catalogue both artists contributed an insightful 'essay' on each other with Dine stressing Kitaj's obsession with all things American and baseball-related...' The alternate title, "O'Neill accuses Faulkner of lack of loyalty and support" can be seen on the artwork itself, and clearly is some kind of inside joke among friends. By the way -- do you see the way the colored dots are placed over the figures? Kitaj was doing this well before Baldessari who made it famous; that's how pioneering he was at the time. Referenced in the catalogue raisonne of Kitaj's prints, Kinsman, 40 Published and printed by Chris Prater of Kelpra Studio, Kentish Town, United Kingdom Ronald Brooks (RB) Kitaj Biography R.B. (Ronald Brooks) Kitaj was born in 1932 in Cleveland Ohio. One of the most prominent painters of his time, particularly in England where he spent some four decades spanning the late 1950s through the late 1990s, Kitaj is considered a key figure in European and American contemporary painting. While his work has been considered controversial, he is regarded as a master draughtsman with a commitment to figurative art. His highly personal paintings and drawings reflect his deep interest in history; cultural, social and political ideologies; and issues of identity. Part of an extraordinary cohort who emerged from the Royal College of Art circa 1960, which included Peter Blake, Patrick Caulfield, and David Hockney, Kitaj was immediately pegged as one of its leading figures. The London Times greeted his first solo show in 1963 as a long-awaited and galvanizing event: “Mr. R.B. Kitaj’s first exhibition, now that it has at last taken place, puts the whole ‘new wave’ of figurative painting in this country during the last two or three years into perspective.” In 1976, KItaj curated the exhibition The Human Clay, and in the essay he wrote for it he proposed the existence of a “School of London”—a label which stuck to a group of painters that includes Francis Bacon, Frank Auerbach, Lucian Freud, Leon Kossoff, Michael Andrews...