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Utagawa Kunisada (Toyokuni III)Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock1857
1857
$975
£740.54
€855.56
CA$1,366.50
A$1,529.37
CHF 798.21
MX$18,650.41
NOK 10,216.03
SEK 9,670.78
DKK 6,384.96
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Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock
Rightmost panel a triptych, depicting monthly events for Wakamurasaki (Young Murasaki). This is the month of July. There appears to be a lesson taking place, possibly for writing or poetry.
Artist: Toyokuni III/Kunisada (1786 - 1864)
Publisher: Ebisu-ya Shoshichist
Presented in a new blue mat.
Mat size: 19"H x 13"W
Paper size: 14.5"H x 10"W
Commentary on the triptych:
In the Edo period, Tanabata was designated as one of the five seasonal festivals, and became an annual event for the imperial court, aristocrats, and samurai families, and gradually came to be celebrated by the general public. Its origins are said to be a combination of the Kikoden festival, which originated from the Chinese legend of Altair and the Weaver Girl, and Japan's ancient Tanabata women's faith. Ink is ground with dew that has accumulated on potato leaves, poems and wishes are written on five colored strips of paper, which are then hung on bamboo branches to celebrate the two stars that meet once a year. Although the illustration is a Genji painting, it depicts the preparations for Tanabata. In the upper left corner of the left illustration, a Kikoden festival desk can be seen, and five colored threads and a koto can be seen. Also, a wide lid held by the girl has a piece of paper in the shape of a koji leaf on it.
- Creator:Utagawa Kunisada (Toyokuni III) (1786-1864, Japanese)
- Creation Year:1857
- Dimensions:Height: 19 in (48.26 cm)Width: 13 in (33.02 cm)Depth: 0.25 in (6.35 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Condition is fair, has some age toning to paper as expected. Wrinkles at bottom edge. Mat is new.
- Gallery Location:Soquel, CA
- Reference Number:Seller: DBH97751stDibs: LU54215870142
Utagawa Kunisada (Toyokuni III)
Born in the Honjo district of Edo as Kunisada Tsunoda, Kunisada’s family owned a small hereditary ferryboat service. Though his father, an amateur poet, died when Kunisada was a child, the family business provided some financial security. During his childhood, he showed considerable promise in painting and drawing. Due to strong familial ties with literary and theatrical circles, he spent time studying actor portraits. At age 14, he was admitted to study under Toyokuni, head of the Utagawa school. Kunisada's work embodies the characteristics of the Utagawa school, focusing on traditional subjects such as kabuki, bijin (beautiful women), shunga (erotic prints), and historical prints. His first known print dates to 1807, his first illustrated book to 1808. Kunisada’s career took off from the beginning. Many of his works became overnight successes and he was considered the “star attraction†of the Utagawa school. He signed his works “Kunisada,†sometimes with the studio names of Gototei and Kochoro affixed. In 1844, he adopted the name of his teacher and became Toyokuni III. Kunisada passed away in 1864 in the same neighborhood that he was born. He was 70 years old. Kunis
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