William Lee Hankey

William Lee-Hankey (1869-1952) - Early 20th Century Aquatint, The Darby Prayer

Unknown

Signed in plate and signed in graphite. On paper.

This intricate etching with aquatint by Graham Clarke presents a densely packed collage of works of art, in a hectic and haphazard hang. The composition creates a mesmerising tapestr...

A charming limited edition print, depicting the scenic coastline of Mullion Cove in Cornwall. Signed and titled in graphite below the plate lines. Number 40/350. Studio stamped to th...

A highly detailed etching of a giant playing with humans. The artwork is well presented in a black frame with a grey mountboard The piece is inscribed with the artist's details on ...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. –- Pablo Picasso (1881-1973) - Peintre et modèle, avec une sculpture I Etching and aquatint from 1964. The e...

New York: Associated American Artists, 1950. Drypoint and aquatint on white wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed in pencil in the lower margin. Pri...

Braun G., Hogenberg F., "Barcelona", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 16.5 x 47, Dim Passepartout: cm 40 x 70. Wonder...

This artwork titled "Double Faces" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed with initials in pencil by the artist. The plate mark (image) size is 21.75 x 17.5 inches, sheet size is 29.25 x 20.75 inches. It is in excellent condition, has never been framed. About the subject: Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy. About the artist: Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...