Georges Braque

1962 original poster by Georges Braque : Musée du Louvre - l'atelier de Braque

1962

This 1961 original exhibition poster, designed by Georges Braque, was created for the prestigious annual exhibition "Les Peintres Témoins de Leur Temps" at the Musée Galliera in Pari...

In 1963, the Bibliothèque littéraire Jacques Doucet in Paris hosted an exhibition titled Livres Gravures Manuscrits Documents, a collaboration between two prominent figures in 20th-century art and literature: the painter Georges Braque and the poet René Char. The exhibition, which showcased their shared interest in the intersections of visual art and written word, was accompanied by a distinctive original poster that has since become a celebrated piece of design in its own right. The Livres Gravures Manuscrits Documents exhibition focused on the works Braque created alongside René Char, combining Braque’s renowned printmaking and visual art with Char's literary texts. Braque, best known for his role in the development of Cubism alongside Pablo Picasso, had a lifelong interest in the integration of text and image, often producing works that bridged the gap between painting, collage, and typography. René Char, a highly respected poet and close collaborator of Braque, shared this interest in the relationship between the visual and the verbal, and their combined works formed a powerful dialogue between the two mediums. The exhibition highlighted a selection of Braque’s engravings and lithographs, many of which were created in collaboration with Char’s poetry. These works, which included books, manuscripts, and documents, displayed the seamless fusion of language and image, where the words were not simply illustrations or captions but were integral parts of the compositions themselves. The exhibition provided an opportunity for visitors to experience how the two artists blurred the boundaries between their respective disciplines. The original exhibition poster for Livres Gravures Manuscrits Documents exemplified the spirit of the exhibition itself. While the exact design details may vary in interpretation, the poster captured the essence of Braque’s and Char’s collaboration—combining elements of the written word with visual art in a way that resonated with the avant-garde movement of the time. The poster, much like the exhibition, served as an invitation to explore the creative synergy between two masters of their respective fields, inviting the viewer to reflect on the interplay of language and visual expression. The Bibliothèque littéraire Jacques Doucet, the venue for this important exhibition, was an ideal setting for showcasing this unique collaboration. As a repository of rare manuscripts...

The 1990 original exhibition poster for Georges Braque’s “À tire d’aile” at the National Museum of Modern Art serves as a stunning testament to the enduring appeal of one of modern a...

The 1959 original exhibition poster for Georges Braque's "Théogonie" is a striking piece that reflects the artist's deep engagement with mythology and symbolism. Created for an exhib...

Artist: Georges Braque Medium: Lithographic Poster, 1965 Dimensions: 23.5 x 17.5 in, 59.7 x 44.5 cm Classic Poster Paper - Excellent Condition A This rare lithographic poster was...

Original Lithograph Poster by Georges Braque, printed by Atelier Mourlot, created for the 1983 Braque exhibition at Musée d’Art Moderne in Céret, France. Georges Braque (1882-1963)...

Medium: lithograph (after the original lithograph poster for the Maeght Gallery). During the late 1940's and throughout the 1950's, Georges Braque created a series of posters at the ...

Medium: lithograph (after the original lithograph poster for the Maeght Gallery). During the late 1940's and throughout the 1950's, Georges Braque created a series of posters at the ...